Unwed, unemployed, and over thirty, she's flat broke and about to lose the family plantation. Not to mention being haunted by the ghost of her great-great-grandmother's nanny, who never misses an opportunity to remind her of her sorry state--or to suggest a plan of action, like ransoming her friend's prize pooch to raise some cash.But soon Sarah Booth's walk on the criminal side leads her deeper into unladylike territory, and she's hired to solve a murder. Did gorgeous, landed Hamilton Garrett V really kill his mother twenty years ago? And if so, what is Sarah Booth doing falling for this possible murderer? When she asks one too many questions and a new corpse turns up, she is suddenly a suspect herself...and Sarah Booth finds that digging up the bones of the past could leave her rolling over in her grave.

    But when murder joins this curious community, the Bayside Book Writers are there to get the story... Olivia Limoges is the subject of constant gossip. Ever since she came back to town-a return as mysterious as her departure-Olivia has kept to herself, her dog, and her unfinished novel. With a little cajoling from the eminently charming writer Camden Ford, she agrees to join the Bayside Book Writers, break her writer's block, and even make a few friends...But when townspeople start turning up dead with haiku poems left by the bodies, anyone with a flair for language is suddenly suspect. And it's up to Olivia to catch the killer before she meets her own surprise ending.Watch a Video

    She's gate-crashed a wedding... She's making money by secretly cleaning houses... And she's been asked to spy for Her Majesty the Queen.Everything seems to be going swimmingly until she finds a body in her bathtub... and someone is definitely trying to kill her.Length: 8 hrs and 9 mins

    Looking for a change, she accepts a request for help from her former fiancé, Gil Trent, not knowing that she’ll soon become embroiled in a murder investigation that will test not only her friendship with Gil, but will upset the status quo with her husband.Amory accompanies Gil to the Brightwell Hotel in an attempt to circumvent the marriage of his sister, Emmeline, to Rupert Howe, a disreputable ladies’ man. Amory sees in the situation a grim reflection of her own floundering marriage. There is more than her happiness at stake, however, when Rupert is murdered and Gil is arrested for the crime. Amory is determined to prove his innocence and find the real killer, despite attempted dissuasion from the disapproving police inspector on the case. Matters are further complicated by Milo’s unexpected arrival, and the two form an uneasy alliance as Amory enlists his reluctant aid in clearing Gil’s name. As the stakes grow higher and the line between friend and foe becomes less clear, Amory must decide where her heart lies and catch the killer before she, too, becomes a victim. Murder at the Brightwell is a delicious mystery in which murder invades polite society and romance springs in unexpected places. Weaver has penned a debut in the tradition of Jacqueline Winspear.

    Sure, her patients might smell like mold and have spines made of leather, but no ailing book is going to die on her watch. The same can’t be said of Abraham Karastovsky, Brooklyn’s friend and former employer. On the eve of a celebration for his latest book restoration, Brooklyn finds her mentor lying in a pool of his own blood. With his final breath Abraham leaves Brooklyn with a cryptic message, “Remember the Devil,” and gives her a priceless—and supposedly cursed—copy of Goethe’s Faust for safe-keeping. Brooklyn suddenly finds herself accused of murder and theft, thanks to Derek Stone, the humorless—and annoyingly attractive—British security officer who found her kneeling over the body. Now she has to read the clues left behind by her mentor if she is going to restore justice…

    Author Elliot Morgan's abrupt demise during a weekly gathering of famous mystery writers called the Sunday Night Regulars is proof positive that a bloody sword is sometimes mightier than a brilliant pen.With Annie in the unenviable position of primary police suspect, the pretty young mystery maven and her wealthy paramour, Max Darling, embark on an investigation into a classic locked-room mystery with high stakes. For failing to unmask a brutal and ingenious killer could mean prison for Ms. Laurance. While success could mean her death.

    Down in her small Virginia hometown, she's maid of honor at the nuptials of three loved ones--each of whom has dumped the planning in her capable hands. One bride is set on including a Native American herbal purification ceremony, while another wants live peacocks on the lawn. Only help from the town's drop-dead gorgeous hunk, disappointingly rumored to be gay, keeps Meg afloat in a sea of dotty relatives and outrageous neighbors.And, in whirl of summer parties and picnics, Southern hospitality is strained to the limit by an offensive newcomer who hints at skeletons in the guests' closets. But it seems this lady has offended one too many when she's found dead in suspicious circumstances, followed by a string of accidents--some fatal. Soon, level-headed Meg's to-do list extends from flower arrangements and bridal registries to catching a killer--before the next catered event is her own funeral...

    She also has a job to do—report on the event for the society page of the Newport Observer.But Emma observes much more than glitz and gaiety when she witnesses a murder. The victim is Cornelius Vanderbilt’s financial secretary, who plunges off a balcony faster than falling stock prices. Emma’s black sheep brother Brady is found in Cornelius’s bedroom passed out next to a bottle of bourbon and stolen plans for a new railroad line. Brady has barely come to before the police have arrested him for the murder. But Emma is sure someone is trying to railroad her brother and resolves to find the real killer at any cost…

    . . Frances Wynn, the American-born Countess of Harleigh, enjoys more freedom as a widow than she did as a wife. After an obligatory year spent mourning her philandering husband, Reggie, she puts aside her drab black gowns, leaving the countryside and her money-grubbing in-laws behind. With her young daughter in tow, Frances rents a home in Belgravia and prepares to welcome her sister, Lily, arriving from New York—for her first London season. No sooner has Frances begun her new life than the ghosts of her old one make an unwelcome appearance. The Metropolitan police receive an anonymous letter implicating Frances in her husband’s death. Frances assures Inspector Delaney of her innocence, but she’s also keen to keep him from learning the scandalous circumstances of Reggie’s demise. As fate would have it, her dashing new neighbor, George Hazelton, is one of only two other people aware of the full story. While busy with social engagements on Lily’s behalf, and worrying if Reggie really was murdered, Frances learns of mysterious burglaries plaguing London’s elite. The investigation brings death to her doorstep, and Frances rallies her wits, a circle of gossips, and the ever-chivalrous Mr. Hazelton to uncover the truth. A killer is in their midst, perhaps even among her sister’s suitors. And Frances must unmask the villain before Lily’s season—and their lives—come to a most unseemly end . . .

    When the ship’s captain is found dead, Ginger is only too happy to lend her assistance to the handsome Chief Inspector Basil Reed.The SS Rosa delivers a convincing array of suspects - the wife, the mistress, a jealous crew mate. To Ginger’s dismay, her name has been added to the list! With a little help from Ginger’s dog Boss, Ginger and Haley navigate the clues (those wartime operative skills come in handy.) They must solve the case and clear Ginger’s name before they dock–and oh, whatever shall she wear!

    Fifteen years later she's got a degree in hospitality management and a great job supervising every aspect of the day-to-day operations of a high-end boutique hotel on the Baltimore waterfront. Then her high school best friend asks her to come talk with the town leaders of Asheford, but she won't say why. Kate can't cut her last link to her past, so she agrees to make the short trip across the state to Asheford.Once Kate arrives, the town council members reveal that their town is on the verge of going bankrupt, and they've decided that Kate's skills and knowledge make her the perfect person to cure all their ills. The town has used its last available funds to buy the huge Victorian mansion just outside of town, hoping to use it to attract some of the tourists who travel to visit the nearby Civil War battle sites. Kate has less-than-fond memories of the mansion, for personal reasons, but to make matters worse, the only person who has presented a possible alternate plan is Cordelia Walker--Kate's high school nemesis, who had a hand in driving Kate away from Asheford so many years.But a few days later Kate receives a call from the police--Cordelia has been found dead on the mansion property, and Kate is all-but certain that her name is high on the suspect list. She finds herself juggling the murder investigation and her growing fascination with the magnificent old house that turns out to be full of long-hidden mysteries itself. Kate knows she must clear her name and save her town--before she ends up behind bars.

    At the request of Sergeant Frank Malloy, she searches the girl's room, and discovers that the victim is from one of the most prominent families in New York and the sister of an old friend. The powerful family, fearful of scandal, refuses to permit an investigation. But with Malloy's help, Sarah begins a dangerous quest to bring the killer to justice, before death claims another victim.

    But her planned interviews with the inhabitants of Wentwater Court give way to interrogation after suave Lord Stephen Astwick meets a dire fate on the tranquil skating pond.Armed with evidence that his fate was anything but accidental, Daisy joins forces with Scotland Yard to examine an esteemed collection of suspects and to see that the unlikely culprit doesn't slip through their fingers just as the unfortunate Astwick slipped through the ice. ©1994 Carola Dunn; (P)2005 Blackstone Audiobooks

     Though newly-widowed Lily Adler is returning to a society that frowns on independent women, she is determined to create a meaningful life for herself even without a husband. She's no stranger to the glittering world of London's upper crust. At a ball thrown by her oldest friend, Lady Walter, she expects the scandal, gossip, and secrets. What she doesn't expect is the dead body in Lady Walter's garden.Lily overheard the man just minutes before he was shot: young, desperate, and attempting blackmail. But she's willing to leave the matter to the local constables--until Lord Walter bribes the investigating magistrate to drop the case. Stunned and confused, Lily realizes she's the only one with the key to catching the killer.Aided by a roguish navy captain and a mysterious heiress from the West Indies, Lily sets out to discover whether her friend's husband is mixed up in blackmail and murder. The unlikely team tries to conceal their investigation behind the whirl of London's social season, but the dead man knew secrets about people with power. Secrets that they would kill to keep hidden. Now, Lily will have to uncover the truth, before she becomes the murderer's next target.

    As it turns out, all she inherits from Alfie is a big pile of debt. Pretty soon, Lola and her stalwart Swedish cook, Berta, are reduced to hiding out in the secret love nest Alfie kept in New York City. But when rent comes due, Lola and Berta have no choice but to accept an offer made by one of Alfie’s girls-on-the-side at his funeral: in exchange for a handsome sum of money, the girl wants Lola to retrieve a mysterious reel of film for her. It sounds like an easy enough way to earn the rent money. But Lola and Berta realize they’re in way over their heads when, before they can retrieve it, the man currently in possession of the film reel is murdered, and the reel disappears. On a quest to retrieve the reel and solve the murder before the killer comes after them next, Lola and Berta find themselves navigating one wacky situation after another in high style and low company.Charming, witty, often laugh-out-loud funny, Maia Chance's Come Hell or Highball introduces a sparkling new voice in crime fiction.