His memoir is a reflection on his diverse collection of experiences, both hilarious and heartbreaking.Short takes us through his career, from his early years with Second City Toronto and "Saturday Night Live" to his movie, stage, and television stardom. He recalls how he developed some of his enduring characters manic man-child Ed Grimley, elderly Tin Pan Alley songmith Irving Cohen, slimy lawyer Nathan Thurm, and the blubbery and bizarrely insensitive Jiminy Glick. Here, too, are his movie and television appearances, from the classic " Three Amigos!" to his Emmy-nominated role in "Damages," as well as his stage productions, including his Tony Award winning performance in "Little Me." Throughout, such friends and luminaries as Steve Martin, Tom Hanks, John Candy, Gilda Radner, Lorne Michaels, Nora Ephron, Frank Sinatra, and others share the spotlight.This deeply private man brings us into the circle of his family life, from raising his children to the legendary parties he and his wife hosted in their Los Angeles home. He recounts the pain of losing a brother and both parents by the time he was twenty and of the devastating death of Nancy, his wife of thirty years, in 2010. Despite the hardships, Short s life has been full of laughter, and he remains perennially upbeat. In this wise and entertaining memoir, he shares his irrepressible joy."

    By the age of thirteen, he is banished to a Florida tennis camp that feels like a prison camp. Lonely, scared, a ninth-grade dropout, he rebels in ways that will soon make him a 1980s icon. He dyes his hair, pierces his ears, dresses like a punk rocker. By the time he turns pro at sixteen, his new look promises to change tennis forever, as does his lightning-fast return.And yet, despite his raw talent, he struggles early on. We feel his confusion as he loses to the world’s best, his greater confusion as he starts to win. After stumbling in three Grand Slam finals, Agassi shocks the world, and himself, by capturing the 1992 Wimbledon. Overnight he becomes a fan favorite and a media target.Agassi brings a near-photographic memory to every pivotal match and every relationship. Never before has the inner game of tennis and the outer game of fame been so precisely limned. Alongside vivid portraits of rivals from several generations—Jimmy Connors, Pete Sampras, Roger Federer—Agassi gives unstinting accounts of his brief time with Barbra Streisand and his doomed marriage to Brooke Shields. He reveals a shattering loss of confidence. And he recounts his spectacular resurrection, a comeback climaxing with his epic run at the 1999 French Open and his march to become the oldest man ever ranked number one.In clear, taut prose, Agassi evokes his loyal brother, his wise coach, his gentle trainer, all the people who help him regain his balance and find love at last with Stefanie Graf. Inspired by her quiet strength, he fights through crippling pain from a deteriorating spine to remain a dangerous opponent in the twenty-first and final year of his career. Entering his last tournament in 2006, he’s hailed for completing a stunning metamorphosis, from nonconformist to elder statesman, from dropout to education advocate. And still he’s not done. At a U.S. Open for the ages, he makes a courageous last stand, then delivers one of the most stirring farewells ever heard in a sporting arena.With its breakneck tempo and raw candor, Open will be read and cherished for years. A treat for ardent fans, it will also captivate readers who know nothing about tennis. Like Agassi’s game, it sets a new standard for grace, style, speed, and power.

    As the group grew in fame and notoriety, incidents of bad behavior mounted alarmingly. Whether it's Geezer's lyrical journeys into the underworld or the gun-obsessed Ozzy Osbourne at home in Atrocity Cottage, this is Sabbath as you've never known them before. A real-life Spinal Tap, this is a warm, funny tribute to four mates from Birmingham who became the biggest heavy rock band in the world.

    During that time he became acquainted, both professionally and socially, with the remarkable women who were the greatest screen personalities of their day. I Loved Her in the Movies is his intimate and revealing account of the charisma of these women on film, why they became stars, and how their specific emotional and dramatic chemistries affected the choices they made as actresses as well as the choices they made as women.Among Wagner’s subjects are Joan Crawford, Bette Davis, Marilyn Monroe, Gloria Swanson, Norma Shearer, Loretta Young, Joan Blondell, Irene Dunne, Rosalind Russell, Dorothy Lamour, Debra Paget, Jean Peters, Linda Darnell, Betty Hutton, Raquel Welch, Glenn Close, and the two actresses whom he ultimately married, Natalie Wood and Jill St. John. In addition to offering perceptive commentary on these women, Wagner also examines topics such as the strange alchemy of the camera—how it can transform the attractive into the stunning, and vice versa—and how the introduction of color brought a new erotic charge to movies, one that enabled these actresses to become aggressively sexual beings in a way that that black and white films had only hinted at.Like Wagner’s two previous bestsellers, I Loved Her in the Movies will be a privileged look behind the scenes at some of the most well-known women in show business as well as an insightful look at the sexual and romantic attraction that created their magic.

     Known to millions as the trickster poster boy for folkrock utopia and the inspiration for Dennis Hopper's wild-eyed antihero in the film Easy Rider, David Crosby is every bit the quintessential American icon of the counterculture today that he was in the sixties and seventies. Legendary, controversial, beloved, he is never far from the headlines, as the upcoming (Summer 2006) 50-city reunion tour of Crosby, Stills, Nash & Young will demonstrate once again. Since Then is both a self-skewering look at the twists and turns of an impossibly rich life, and Crosby's confident declaration that it's far too soon for him to don the robe and slippers of Generational Elder. As a two-time inductee into the Rock and Roll Hall of Fame, he has an unparalleled legacy as a singer, songwriter, and musician-and few would object if he were to rest on his laurels. Yet despite Crosby's history of extravagant excess, he's never forgotten his great good fortune, and has never stopped using his enormous gifts in service of both his art and social causes to which he is committed. This memoir shows the contradictory aspects to a personality whose truth-to-power outspokenness, exuberance, and creativity have made him a great and inspirational artist, yet whose struggles with private demons have resulted in arrests, chronic health issues, and ruined friendships. It discusses frankly the people and events that have drastically altered his definition of "family": raising ten-year-old son Django, with lover/wife/partner, Jan; reuniting with his adult son, musician James Raymond, while Crosby waited in the hospital for a life-saving liver transplant; becoming sperm donor to Melissa Etheridge and Julie Cypher. Above all, it illuminates how, despite a staggering series of personal setbacks-including hepatitis C, liver failure, diabetes, heart attacks, and a crippling motorcycle accident-the music, and the people he loves, keep him young at heart.

    Leah Remini has never been the type to hold her tongue. That willingness to speak her mind, stand her ground, and rattle the occasional cage has enabled this tough-talking girl from Brooklyn to forge an enduring and successful career in Hollywood. But being a troublemaker has come at a cost. That was never more evident than in 2013, when Remini loudly and publicly broke with the Church of Scientology. Now, in this frank, funny, poignant memoir, the former King of Queens star opens up about that experience for the first time, revealing the in-depth details of her painful split with the church and its controversial practices. Indoctrinated into the church as a child while living with her mother and sister in New York, Remini eventually moved to Los Angeles, where her dreams of becoming an actress and advancing Scientology's causes grew increasingly intertwined. As an adult, she found the success she'd worked so hard for, and with it a prominent place in the hierarchy of celebrity Scientologists alongside people such as Tom Cruise, Scientology's most high-profile adherent. Remini spent time directly with Cruise and was included among the guests at his 2006 wedding to Katie Holmes. But when she began to raise questions about some of the church's actions, she found herself a target. In the end, she was declared by the church to be a threat to their organization and therefore a "Suppressive Person," and as a result, all of her fellow parishioners—including members of her own family—were told to disconnect from her. Forever. Bold, brash, and bravely confessional, Troublemaker chronicles Leah Remini's remarkable journey toward emotional and spiritual freedom, both for herself and for her family. This is a memoir designed to reveal the hard-won truths of a life lived honestly—from an author unafraid of the consequences.

    Marcus Gray furnishes thumbnail sketches of each member, as well as chapters on the band's recording history, politics, album packaging, and regional accent. The author is also fearless enough to venture into the black hole of Michael Stipe's lyrics. He doesn't, to be sure, make sense of Stipe's associative rambles, and the singer himself lets Gray off the hook by confessing that "three-quarters of my lyrics probably come from overheard conversations. I steal a lot, basically. Someone will say something really interesting, and I'll write it down." Okay. But we'd still like to know what a moral kiosk is.

    Growing up, he was the artsy son in the sporty family. At his all-boys high school and Catholic college, he was the closeted gay kid surrounded by crush-worthy straight guys. And in his twenties, in the middle of a disastrous career in advertising, he accidentally became an MTV VJ overnight when he finished second, naturally, in the Wanna Be a VJ contest, opening the door to fame, fortune, and celebrity—you know, almost.  In Party of One, Holmes tells the hilariously painful and painfully hilarious tales—in the vein of Rob Sheffield, Andy Cohen, and Paul Feig—of an outsider desperate to get in, of a misfit constantly changing shape, of a music geek who finally learns to accept himself. Structured around a mix of hits and deep cuts from the last four decades—from Bruce Springsteen's "Hungry Heart" and En Vogue's "Free Your Mind" to LCD Soundsystem’s “Losing My Edge” and Bleachers’ “I Wanna Get Better”—and punctuated with interludes like "So You've Had Your Heart Broken in the 1990s: A Playlist" and “Notes on (Jesse) Camp,” this book is for anyone who's ever felt like a square peg, especially those who have found their place in the world around a band, an album, or a song. It's a laugh-out-loud funny, deeply nostalgic story about never fitting in, never giving up, and letting good music guide the way.From the Hardcover edition.

    As the band enters its fourth decade, Fleetwood and Davis ( Hammer of the Gods ) recount the fun, turmoil and triumphs that shaped and, at times, threatened to destroy the group. Despite numerous personnel changes over the years, involvement with drugs, grueling road trips, divorces and reconciliations, the core members of the group--Fleetwood, John McVie and Christine McVie--seem to have the same enthusiasm for music they displayed together as a raunchy blues band playing in London pubs. Anecdotes about the group and its sometimes outrageous performances (on and off the stage) abound, as does commentary about rock stars who pop in and out of the text at unexpected places. Fleetwood emerges as hip and flip and the book is written in an assured, essentially happy tone.

    It is a stunning panorama of the turbulent decade when Joplin's was the rallying voice of a generation that lost itself in her music and found itself in her words.From her small hometown of Port Arthur, Texas, to San Francisco's Haight-Ashbury, from the intimate coffeehouses to the supercharged concert halls, from the glitter of worldwide fame to her tragic end in a Hollywood hotel, here is all the fire and anguish of an immortal, immensely talented, and troubled performer who devoured everything the rock scene had to offer in a fatal attempt to make peace with herself and her era. Yet, in an eloquent introduction recently written by the author, Joplin emerges from her "ugly duckling" childhood as a woman truly ahead of her time, an outrageous rebel, a defiant outcast and artist of incomparable authenticity who, almost in spite of herself, became to so many a symbol of triumph over adversity.This edition also contains an afterword detailing the whereabouts of a large and colorful cast of characters who were part of Joplin's life, as well as "We Remember Janis," a new chapter of poignant and affectionate anecdotes told by friends.

     She writes of making up her mind at a young age to become a country music star, knowing then that her feelings and crushes on girls were “sinful” and hoping and praying that she would somehow be “fixed.” (“Dear God, please don’t let me be gay. I promise not to lie. I promise not to steal. I promise to always believe in you . . . Please take it away.”) We see her, high school homecoming queen, heading out on her own at seventeen and landing a job as a featured vocalist on the Ozark Jubilee (the show that started Brenda Lee, Red Foley, and Porter Wagoner), being cast in Country Music U.S.A., doing four live shows a day, and—after only a few months in Nashville—her dream coming true, performing on the stage of the Grand Ole Opry . . .  She describes writing and singing her own songs for producers who’d discovered and recorded the likes of Reba McEntire, Shania Twain, and Toby Keith, who heard in her music something special and signed her to a record contract, releasing her first album and sending her out on the road on her first bus tour . . . She writes of sacrificing all for a shot at success that would come a couple of years later with her first hit single, “Shut Up And Drive” . . . her songs (from her fourth album, Single White Female) climbing the Billboard chart for twenty-nine weeks, hitting the #1 spot . . .   She writes about the friends she made along the way—Vince Gill, Brad Paisley, and others—writing songs, recording and touring together, some of the friendships developing into romantic attachments that did not end happily . . . Keeping the truth of who she was clutched deep inside, trying to ignore it in a world she longed to be a part of—and now was—a world in which country music stars had never been, could not be, openly gay . . . She writes of the very real prospect of losing everything she’d worked so hard to create . . . doing her best to have a real life—her best not good enough . . .  And in the face of everything she did to keep herself afloat, she writes about how the vortex of success and hiding who she was took its toll: her life, a tangled mess she didn’t see coming, didn’t want to; and, finally, finding the guts to untangle herself from the image of the country music star she’d become, an image steeped in long-standing ideals and notions about who—and what—a country artist is, and what their fans expect them to be . . . I am a songwriter,” she writes. “I am a singer of my songs—and I have a story to tell. As I’ve traveled this path that has delivered me to where I am today, my monument of thanks, paying honor to God, remains. I will do all I can with what I have been given . . .”  Like Me is fearless, inspiring, true.

    The dominant pop-culture sound of the late-1970s and '80s was not in fact the smash and sneer of punk, but a slick, polished amalgam of rock and R&B that was first staked out on Boz Scaggs' Silk Degrees. That album was shaped in large part by the founding members of Toto, who were emerging as the most in-demand elite session muso-crew in LA, and further developed on the band's self-titled three-million-selling debut smash of 1978. A string of hits followed for the band going into the '80s and beyond. Running parallel to this, as stellar session players, Lukather and band-mates David Paich, Jeff Porcaro and Steve Porcaro were also the creative linchpins on some of the most successful, influential and enduring records of the era. In The Gospel According to Luke, Lukather tells the Toto story: how a group of high school friends formed the band in 1977 and went on to sell more than 40 million records worldwide. He also lifts the lid on what really went on behind the closed studio doors and shows the unique creative processes of some of the most legendary names in music: from Quincy Jones, Paul McCartney, Stevie Nicks and Elton John to Miles Davis, Joni Mitchell, Don Henley, Roger Waters and Aretha Franklin. And yet, Lukather's extraordinary tale encompasses the dark side of the American Dream.Engaging, incisive and often hilarious, The Gospel According to Luke is no ordinary rock memoir. It is the real thing . . .

    Armstrong become the first person to step on the surface of another heavenly body. Perhaps no words in human history became better known than those few he uttered at that historic moment. In a penetrating exploration of American hero worship, Hansen addresses the complex legacy of the First Man, as an astronaut and an individual.

    (To date, it has won no fewer than 31 Emmys.) Seriously... I'm Kidding, Degeneres' first book in eight years, brings us up to date about the life of a kindhearted woman who bowed out of American Idol because she didn't want to be mean. Lively; hilarious; often sweetly poignant.

    This tell-all autobiography reveals the whole truth of his life, from the height of Boy George mania to the waning of Culture Club's fame, his failed relationship with drummer Jon Moss, his desperate battle against heroin addiction, and his return with the hit single The Crying Game. 24-page photo insert.