His journeys take him from his native Poland to Slovakia, Hungary, Romania, Slovenia, Albania, Moldova, and Ukraine. By car, train, bus, ferry. To small towns and villages with unfamiliar-sounding yet strangely evocative names. “The heart of my Europe,” Stasiuk tells us, “beats in Sokolow, Podlaski, and in Husi, not in Vienna.”  Where did Moldova end and Transylvania begin, he wonders as he is being driven at breakneck speed in an ancient Audi—loose wires hanging from the dashboard—by a driver in shorts and bare feet, a cross swinging on his chest. In Comrat, a funeral procession moves slowly down the main street, the open coffin on a pickup truck, an old woman dressed in black brushing away the flies above the face of the deceased. On to Soroca, a baroque-Byzantine-Tatar-Turkish encampment, to meet Gypsies. And all the way to Babadag, between the Baltic Coast and the Black Sea, where Stasiuk sees his first minaret, “simple and severe, a pencil pointed at the sky.”  A brilliant tour of Europe’s dark underside—travel writing at its very best.

    The question no one seems to be able to answer is: what can the West do about it?Central and Eastern European states, however, have been aware of the threat for years. Nina Jankowicz has advised these governments on the front lines of the information war. The lessons she learnt from that fight, and from her attempts to get US congress to act, make for essential reading.How to Lose the Information War takes the reader on a journey through five Western governments' responses to Russian information warfare tactics - all of which have failed. She journeys into the campaigns the Russian operatives run, and shows how we can better understand the motivations behind these attacks and how to beat them. Above all, this book shows what is at stake: the future of civil discourse and democracy, and the value of truth itself.

    German soldiers raid the theater, round up the boys in the audience, and pack them onto a train. After a terrifying journey, Roberto and his best friend Samuele find themselves in a brutal work camp, where food is scarce and horror is everywhere. The boys vow to stay together no matter what. But Samuele has a dangerous secret, which, if discovered, could get them both killed. Lovers of historical fiction will be captivated by this tragic, triumphant, and deeply moving novel.

    Here, he mixes insightful facts with personal anecdotes to examine the region's history, food, languages, sites, stereotypes and drinking habits.

    In the first comprehensive history of the Horde, the western portion of the Mongol empire that arose after the death of Chinggis Khan, Marie Favereau shows that the accomplishments of the Mongols extended far beyond war. For three hundred years, the Horde was no less a force in global development than Rome had been. It left behind a profound legacy in Europe, Russia, Central Asia, and the Middle East, palpable to this day.Favereau takes us inside one of the most powerful sources of cross-border integration in world history. The Horde was the central node in the Eurasian commercial boom of the thirteenth and fourteenth centuries and was a conduit for exchanges across thousands of miles. Its unique political regime―a complex power-sharing arrangement among the khan and the nobility―rewarded skillful administrators and diplomats and fostered an economic order that was mobile, organized, and innovative. From its capital at Sarai on the lower Volga River, the Horde provided a governance model for Russia, influenced social practice and state structure across Islamic cultures, disseminated sophisticated theories about the natural world, and introduced novel ideas of religious tolerance.The Horde is the eloquent, ambitious, and definitive portrait of an empire little understood and too readily dismissed. Challenging conceptions of nomads as peripheral to history, Favereau makes clear that we live in a world inherited from the Mongol moment.

    From the Jewish table of Odessa, to meeting the last fisherwoman of Bulgaria and charting the legacies of the White Russian émigrés in Istanbul, Caroline gives readers a unique insight into a part of the world that is both shaded by darkness and illuminated by light.Meticulously researched and documenting unprecedented meetings with remarkable individuals, Black Sea is like no other piece of travel writing. Packed with rich photography and sumptuous food, this biography of a region, its people and its recipes truly breaks new ground.

    After accepting a surprise offer to become the editor in chief of GQ Russia, Idov and his family arrive in a Moscow still seething from a dubious election and the mass anti-Putin rallies that erupted in response. Idov is fascinated by the political turmoil but nonetheless finds himself pulled in unlikely directions. He becomes a tabloid celebrity, acts in a Russian movie with Snoop Dogg, befriends the members of Pussy Riot, punches an anti-Semitic magazine editor on the steps of the Bolshoi Theatre, sells an autobiographical sitcom pilot that is later changed into an anti-American farce, and writes Russia’s top-grossing domestic movie of 2015. Meanwhile, he becomes disillusioned with the splintering opposition to Putin and is briefly attracted to a kind of jaded Putinism lite—until Russia’s invasion of Ukraine thoroughly changes his mind.In Dressed Up for a Riot, Idov writes openly, sensitively, and stingingly about life in Moscow and his place in a media apparatus that sometimes undermined but more often bolstered a state system defined by cynicism, corruption, and the fanning of fake news. With humor and intelligence, he offers a close-up glimpse of what a declining world power can become.

    Jenkyn Thomas was dismayed to find that his students — who took such delight in the fairy stories of other nations — knew nothing at all of their own country's rich heritage of fairy tales. To fill the need for a collection of Welsh fairy tales for young readers, he compiled this definitive treasury.Abounding in phantoms, fairies, witches, magical spells, and other time-honored fairy-tale ingredients, the 83 fascinating stories include "Lady of the Lake," in which a young country boy falls in love with a beautiful girl who agrees to marry him under very strange conditions; "The Adventures of Three Farmers," and "The Fairy Wife," in which fairies outsmart mortals; and a wealth of other fanciful, imaginative tales. Among these are such favorites as "Elidyr’s Sojourn in Fairy-Land," "Pergrin and the Mermaiden," "The Cave of the Young Men of Snowdonia," "Goronwy Tudor and the Witches of Llanddona," "A Strange Otter," "Nansi Llwyd and the Dog of Darkness," "The Bride from the Red Lake," "Lowri Dafydd Earns a Purse of Gold," and many more. Overflowing with charm, whimsy, and authentic Welsh flavor, this stimulating collection is sure to delight not only children but also fairy- and folk-tale lovers of all ages.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    The Soviet Union is gone, but the two nuclear superpowers are again locked in political and military confrontations, now from Ukraine to Syria. All of this is exacerbated by Washington’s war-like demonizing of the Kremlin leadership and by Russiagate’s unprecedented allegations. US mainstream media accounts are highly selective and seriously misleading. American “disinformation,” not only Russian, is a growing peril. In War With Russia?, Stephen F. Cohen—the widely acclaimed historian of Soviet and post-Soviet Russia—gives readers a very different, dissenting narrative of this more dangerous new Cold War from its origins in the 1990s, the actual role of Vladimir Putin, and the 2014 Ukrainian crisis to Donald Trump’s election and today’s unprecedented Russiagate allegations. Cohen’s views have made him, it is said, “America’s most controversial Russia expert.” Some say this to denounce him, others to laud him as a bold, highly informed critic of US policies and the dangers they have helped to create. War With Russia? gives readers a chance to decide for themselves who is right: are we living, as Cohen argues, in a time of unprecedented perils at home and abroad?

    This was the Battle of Kiev one of the largest and most decisive battles of World War II and, for Hitler and Stalin, a battle of crucial importance. For the first time, David Stahel charts the battle's dramatic course and aftermath, uncovering the irreplaceable losses suffered by Germany's 'panzer groups' despite their battlefield gains, and the implications of these losses for the German war effort. He illuminates the inner workings of the German army as well as the experiences of ordinary soldiers, showing that with the Russian winter looming and Soviet resistance still unbroken, victory came at huge cost and confirmed the turning point in Germany's war in the East.354 pages of narrative, 468 pages in total

    Now he brings those stories to new life with in-depth reporting and deep compassion. In The Russian Notebooks, Igort investigates the murder of award-winning journalist and human rights activist Anna Politkoyskaya. Anna spoke out frequently against the Second Chechen War, criticizing Vladimir Putin. For her work, she was detained, poisoned, and ultimately murdered. Igort follows in her tracks, detailing Anna’s assassination and the stories of abuse, murder, abduction, and torture that Russia was so desperate to censor. In The Ukrainian Notebooks, Igort reaches further back in history and illustrates the events of the 1932 Holodomor. Little known outside of the Ukraine, the Holodomor was a government-sanctioned famine, a peacetime atrocity during Stalin’s rule that killed anywhere from 1.8 to twelve million ethnic Ukrainians. Told through interviews with the people who lived through it, Igort paints a harrowing picture of hunger and cruelty under Soviet rule. With elegant brush strokes and a stark color palette, Igort has transcribed the words and emotions of his subjects, revealing their intelligence, humanity, and honesty—and exposing the secret world of the former USSR.

    In his view, the only way of escape from the many forms of slavery--spiritual, economic, political--which shackle & improverish the spirit lies in the fuller realization of personality, as he defines it. Berdyaev turned to religious views & played a large part in the renaissance of religious & philosophical thought in Russian intellectual life early in the 20th century. In 1922 he & a number of other intellectuals were expelled from the USSR. His writings most often deal with the problem of freedom & human relations to the world in light of this problem.In Place of an IntroductionPart 1PersonalityMaster, slave & free manPart 2Being & freedom. The slavery of man to beingGod & freedom. The slavery of man to GodNature & freedom. The cosmic lure & the slavery of man to natureSociety & freedom. The social lure & the slavery of man to societyCivilization & freedom. The slavery of man to civilization & the lure of cultural valuesThe slavery of man to himself & the lure of individualismPart 3The lure of slavery & sovereignty. The 3fold image of the stateThe lure of war. The slavery of man to warThe lure & slavery of nationalism. Nation & peopleThe lure & slavery of aristocracy. The 2fold image of aristocracyThe lure of the bourgeois spirit. Slavery to property & moneyThe lure & slavery of revolution. The 2fold image of revolutionThe lure & slavery of collectivism. Enticement of utopia. The 3fold image of socialismThe erotic lure & slavery. Sex, personality & freedomThe aesthetic lure & slavery. Beauty, art & naturePart 4The spiritual liberation of man. Victory over fear & deathThe lure & slavery of history. The three kinds of time. The 2fold interpretation of the end of history. Active-creative eschatology

    Growing up after World War I and the collapse of the empire, Rezzori lived in a twilit world suspended between the formalities of the old nineteenth-century order which had shaped his aristocratic parents, and the innovations, uncertainties, and raw terror of the new century. The haunted atmosphere of this dying world is beautifully rendered in the pages of The Snows of Yesteryear. The book is a series of portraits—amused, fond, sometimes appalling—of Rezzori’s family: his hysterical and histrionic mother, disappointed by marriage, destructively obsessed with her children’s health and breeding; his father, a flinty reactionary, whose only real love was hunting; his haughty older sister, fated to die before thirty; his earthy nursemaid, who introduced Rezzori to the power of storytelling and the inevitability of death; and a beloved governess, Bunchy. Telling their stories, Rezzori tells his own, holding his early life to the light like a crystal until it shines for us with a prismatic brilliance

    The two-day murder of 33,771 Jewish civilians on September 29-30, 1941 in the Kiev ravine was one of the largest single mass killings of the Holocaust.The novel begins as follows: "Everything in this book is true. When I recounted episodes of this story to different people, they all said I had to write the book. The word ‘document’ in the subtitle of this novel means that I have provided only actual facts and documents without the slightest literary conjecture as to how things could or must have happened."