He was a college student heading into the Marines, and he sought to better understand ethnic violence-something he would likely face later in uniform. He learned Swahili, asked questions, and listened to young people talk about how they survived in poverty he had never imagined. Anxious to help but unsure what to do, he stumbled into friendship with a widowed nurse, Tabitha Atieno Festo, and a hardscrabble community organizer, Salim Mohamed.Together, this unlikely trio built a non-governmental organization that would develop a new generation of leaders from within one of Africa's largest slums. Their organization, Carolina for Kibera (CFK), is now a global pioneer of the movement called Participatory Development, and was honored by Time magazine as a Hero of Global Health. CFK's greatest lesson may be that with the right kind of support, people in desperate places will take charge of their lives and create breathtaking change.Engaged in two seemingly contradictory forms of public service at the same time, Barcott continued his leadership in CFK while serving as a human intelligence officer in Iraq, Bosnia, and the Horn of Africa. Struggling with the intense stress of leading Marines in dangerous places, he took the tools he learned building a community in one of the most fractured parts of Kenya and became a more effective counter insurgent and peacekeeper.It Happened on the Way to War is a true story of sacrifice and courage and the powerful melding of military and humanitarian service. It's a story of what America's role in the world could be.

    Gawky, socially awkward and totally unqualified, his first reaction to this exciting opportunity was panic. But he'd always been drawn to off-beat characters, so maybe his enthusiasm would carry the day. Or, you know, maybe it wouldn't...In Gotta Get Theroux This, Louis takes the reader on a joyous journey through his life and unexpectedly successful career. Nervously accepting the BBC's offer of his own series, he went on to create an award-winning documentary style that has seen him immersed in worlds as diverse as racist US militias and secretive pro-wrestlers, the violent gangs of Johannesburg and extreme drinkers in London.Arguably his biggest challenge was corralling celebrities in his When Louis Met series, with Jimmy Savile proving most elusive. Blindsided when the revelations about Savile came to light, Louis was to reflect again on the nature of evil he had spent decades uncovering.Filled with wry observation, larger-than-life characters, and self-deprecating humour, this is Louis at his insightful and honest best.

    “A sweeping, poetic homage to Africa, a continent made vivid by Hartley’s capable, stunning prose” (Publishers Weekly). In his final days, Aidan Hartley’s father said to him, “We should have never come here.” Those words spoke of a colonial legacy that stretched back through four generations of one British family. From a great-great-grandfather who defended British settlements in nineteenth-century New Zealand, to his father, a colonial officer sent to Africa in the 1920s and who later returned to raise a family there—these were intrepid men who traveled to exotic lands to conquer, build, and bear witness. And there was Aidan, who became a journalist covering Africa in the 1990s, a decade marked by terror and genocide. After encountering the violence in Somalia, Uganda, and Rwanda, Aidan retreated to his family’s house in Kenya where he discovered the Zanzibar chest his father left him. Intricately hand-carved, the chest contained the diaries of his father’s best friend, Peter Davey, an Englishman who had died under obscure circumstances five decades before. With the papers as his guide, Hartley embarked on a journey not only to unlock the secrets of Davey’s life, but his own. “The finest account of a war correspondent’s psychic wracking since Michael Herr’s Dispatches.” —Rian Malan, author of My Traitor’s Heart

    In 2012, after the overthrow of Qaddafi, the acclaimed novelist Hisham Matar journeys to his native Libya after an absence of thirty years.      When he was twelve, Matar and his family went into political exile. Eight years later Matar's father, a former diplomat and military man turned brave political dissident, was kidnapped from the streets of Cairo by the Libyan government and is believed to have been held in the regime's most notorious prison.  Now, the prisons are empty and little hope remains that Jaballa Matar will be found alive. Yet, as the author writes, hope is "persistent and cunning".     This book is a profoundly moving family memoir, a brilliant and affecting portrait of a country and a people on the cusp of immense change, and a disturbing and timeless depiction of the monstrous nature of absolute power.

    But events would set him on a different path. He would be deemed a terrorist, one of George W Bush's 'worst of the worst'. He would be incarcerated in the world's most notorious prison, Guantanamo Bay. And in that place where, according to an interrogator in Abu Ghraib, 'even dogs won't live', he was to languish for five and a half years, suffering horror, torture and abuse, while Australians were told who he was - by politicians, the media and foreign governments.Everyone had an opinion on him.But only he knows the truth.And now, for the first time, David Hicks tells his story.

    Orhan Pamuk was born in Istanbul and still lives in the family apartment building where his mother first held him in her arms. His portrait of his city is thus also a self-portrait, refracted by memory and the melancholy–or–hüzün–that all Istanbullus share: the sadness that comes of living amid the ruins of a lost empire. With cinematic fluidity, Pamuk moves from his glamorous, unhappy parents to the gorgeous, decrepit mansions overlooking the Bosphorus; from the dawning of his self-consciousness to the writers and painters–both Turkish and foreign–who would shape his consciousness of his city. Like Joyce’s Dublin and Borges’ Buenos Aires, Pamuk’s Istanbul is a triumphant encounter of place and sensibility, beautifully written and immensely moving.

    Increasingly, though, the disconnect between the chaos of world events and the response at home took on pressing urgency for her. Seeking to understand the Muslim world that had been reduced to scaremongering headlines, she moved to Istanbul.Hansen arrived in Istanbul with romantic ideas about a mythical city perched between East and West, and with a naïve sense of the Islamic world beyond. Over the course of her many years of living in Turkey and traveling in Greece, Egypt, Afghanistan, and Iran, she learned a great deal about these countries and their cultures and histories and politics. But the greatest, most unsettling surprise would be what she learned about her own country—and herself, an American abroad in the era of American decline. It would take leaving her home to discover what she came to think of as the two Americas: the country and its people, and the experience of American power around the world. She came to understand that anti-Americanism is not a violent pathology. It is, Hansen writes, “a broken heart . . . A one-hundred-year-old relationship.”Blending memoir, journalism, and history, and deeply attuned to the voices of those she met on her travels, Notes on a Foreign Country is a moving reflection on America’s place in the world. It is a powerful journey of self-discovery and revelation—a profound reckoning with what it means to be American in a moment of grave national and global turmoil.

    For the past decade, he has served as the East Africa bureau chief for the New York Times, fulfilling a teenage dream.At nineteen, Gettleman fell in love, twice. On a do-it-yourself community service trip in college, he went to East Africa—a terrifying, exciting, dreamlike part of the world in the throes of change that imprinted itself on his imagination and on his heart.But around that same time he also fell in love with a fellow Cornell student—the brightest, classiest, most principled woman he’d ever met. To say they were opposites was an understatement. She became a criminal lawyer in America; he hungered to return to Africa. For the next decade he would be torn between these two abiding passions.A sensually rendered coming-of-age story in the tradition of Barbarian Days, Love, Africa is a tale of passion, violence, far-flung adventure, tortuous long-distance relationships, screwing up, forgiveness, parenthood, and happiness that explores the power of finding yourself in the most unexpected of places.

    William David Cleveland Jr. as a desecrated corpse. In the split-second that Paul Watson had to choose between pressing the shutter release or turning away, the world went quiet and Watson heard Cleveland whisper: “If you do this, I will own you forever.” And he has.Paul Watson was born a rebel with one hand, who grew up thinking it took two to fire an assault rifle, or play jazz piano. So he became a journalist. At first, he loved war. He fed his lust for the bang-bang, by spending vacations with guerilla fighters in Angola, Eritrea, Sudan, and Somalia, and writing about conflicts on the frontlines of the Cold War. Soon he graduated to assignments covering some of the world’s most important conflicts, including South Africa, Rwanda, Afghanistan, and Iraq.Watson reported on Osama bin Laden’s first battlefield victory in Somalia. Unwittingly, Watson’s Pulitzer Prize—winning photo of Staff Sgt. David Cleveland — whose Black Hawk was shot down over the streets of Mogadishu — helped hand bin Laden one of his earliest propaganda coups, one that proved barbarity is a powerful weapon in a modern media war. Public outrage over the pictures of Cleveland’s corpse forced President Clinton to order the world’s most powerful military into retreat. With each new beheading announced on the news, Watson wonders whether he helped teach the terrorists one of their most valuable lessons. Much more than a journalist’s memoir, Where War Lives connects the dots of the historic continuum from Mogadishu through Rwanda to Afghanistan and Iraq.From the Hardcover edition.

    Raised by his Sikh mother in Delhi, his father, a Pakistani Muslim, remained a distant figure. Stranger to History is the story of the journey he made to try to understand what it means to be Muslim in the twenty-firstcentury. Starting from Istanbul, Islam’s once greatest city, he travels to Mecca, its most holy, and then home through Iran and Pakistan. Ending in Lahore, at his estranged father’s home, on the night Benazir Bhutto was killed, it is also the story of Taseer’s divided family over the past fifty years. Recent events have added a coda to Stranger to History, as his father was murdered by a political assassin. A new introduction by the author reflects on how this event changes the impact of the book, and why its message is more relevant than ever.

    But the world that she encountered in the field was dramatically different than anything she could have imagined. In this honest and irreverent memoir, she introduces readers to the reality of the life of an aid worker. We watch as she helps to resettle refugees in Rwanda, manages a 24,000-person camp in Darfur, and helps a former child soldier in Sierra Leone get rid of a tattoo that was carved into his skin by a rebel group. But we also see the alcoholic parties and fleeting romances, the burnouts and cyncism, the plans and priorities that constantly shift and change. Tracing her personal journey from idealistic and naïve newcomer to hardened cynic to hopeful but critical realist, Alexander transports readers to some of the most troubled locations and shows us not only the impossible challenges, but also the moments of hope and recovery.

    "No rock critic-living or dead, American or otherwise-has ever written about pop music with the evocative, hyperpoetic perfectitude of Rob Sheffield." So said Chuck Klosterman about Love is a Mix Tape, Sheffield's paean to a lost love via its soundtrack. Now, in Talking to Girls About Duran Duran, Sheffield shares the soundtrack to his eighties adolescence. When he turned 13 in 1980, Rob Sheffield had a lot to learn about women, love, music and himself, and in Talking to Girls About Duran Duran we get a glimpse into his transformation from pasty, geeky "hermit boy" into a young man with his first girlfriend, his first apartment, and a sense of the world. These were the years of MTV and John Hughes movies; the era of big dreams and bigger shoulder pads; and, like any all-American boy, this one was searching for true love and maybe a cooler haircut. It's all here: Inept flirtations. Dumb crushes. Deplorable fashion choices. Members Only jackets. Girls, every last one of whom seems to be madly in love with the bassist of Duran Duran. Sheffield's coming-of-age story is one that we all know, with a playlist that any child of the eighties or anyone who just loves music will sing along with. These songs-and Sheffield's writing-will remind readers of that first kiss, that first car, and the moments that shaped their lives.

    The temperature is 45 and Asia has been out picking fruit for several hours. It's exhausting, sweaty work, but Asia and her husband have five children to feed. At midday she goes to the nearest well, picks up a cup and takes a long drink of cool water. She refills the cup, drinks some more and then offers it to another woman. Suddenly one of her fellow workers cries out that the water belongs to the Muslim women and that with her actions, Asia - who is Christian - has contaminated it. An argument ignites and in an instant, with one word, Asia's fate is sealed. 'Blasphemy!' someone shouts. In Pakistan this is a charge punishable by death. First attacked by a mob, Asia was soon after thrown into prison and then sentenced to be hanged. Since then she has been kept in a windowless cell. Her family have had to flee their village, under threat from vengeful extremists. In the wave of accusation that followed, only two public figures came to Asia's defence: the Muslim governor of the Punjab and Pakistan's Christian Minister for Minorities. Both have since been brutally murdered. Here, in equal measures shocking and inspiring, Asia Bibi, who has become a symbol for everyone concerned with ending the violence committed in the name of religion, bravely speaks to us from her prison cell.

    The third bestselling volume of memoirs from John Simpson.

    At thirty, the author was at Bill Clinton's side during the presidential campaign of 1992, & for the next five years he was rarely more than a step away from the president & his other advisers at every important moment of the first term. What Liar's Poker did to Wall Street, this book will do to politics. It is an irreverent & intimate portrait of how the nation's weighty business is conducted by people whose egos & idiosyncrasies are no sturdier than anyone else's. Including sharp portraits of the Clintons, Al Gore, Dick Morris, Colin Powell, & scores of others, as well as candid & revelatory accounts of the famous debacles & triumphs of an administration that constantly went over the top, All Too Human is, like its author, a brilliant combination of pragmatic insight & idealism. It is destined to be the most important & enduring book to come out of the Clinton administration.