When he arrives at Clonliffe Seminary in the 1970s, it is a time in Ireland when priests are highly respected, and Odran believes that he is pledging his life to "the good."Forty years later, Odran's devotion is caught in revelations that shatter the Irish people's faith in the Catholic Church. He sees his friends stand trial, colleagues jailed, the lives of young parishioners destroyed, and grows nervous of venturing out in public for fear of disapproving stares and insults. At one point, he is even arrested when he takes the hand of a young boy and leads him out of a department store looking for the boy's mother.But when a family event opens wounds from his past, he is forced to confront the demons that have raged within the church, and to recognize his own complicity in their propagation, within both the institution and his own family.A novel as intimate as it is universal, A History of Loneliness is about the stories we tell ourselves to make peace with our lives. It confirms Boyne as one of the most searching storytellers of his generation.

    In this stunningly unusual prose debut, Doireann Ni Ghriofa sculpts essay and autofiction to explore inner life and the deep connection felt between two writers centuries apart. In the 1700s, an Irish noblewoman, on discovering her husband has been murdered, drinks handfuls of his blood and composes an extraordinary poem. In the present day, a young mother narrowly avoids tragedy. On encountering the poem, she becomes obsessed with its parallels with her own life, and sets out to track down the rest of the story. A devastating and timeless tale about one woman freeing her voice by reaching into the past and finding another's.

    Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. But when first brother-in-law sniffs out her struggle, and rumours start to swell, middle sister becomes 'interesting'. The last thing she ever wanted to be. To be interesting is to be noticed and to be noticed is dangerous.Milkman is a tale of gossip and hearsay, silence and deliberate deafness. It is the story of inaction with enormous consequences.

    First published in 1955, it marked Brian Moore as a major figure in English literature (he would go on to be short-listed three times for the Booker Prize) and established him as an astute chronicler of the human soul.Judith Hearne is an unmarried woman of a certain age who has come down in society. She has few skills and is full of the prejudices and pieties of her genteel Belfast upbringing. But Judith has a secret life. And she is just one heartbreak away from revealing it to the world.

    On board are hundreds of refugees, some optimistic, many more desperate. Among them are a maid with a devastating secret, the bankrupt Lord Merridith, his wife and children, and a killer stalking the decks, hungry for the vengeance that will bring absolution. This journey will see many lives end, others begin anew. Passionate loves are tenderly recalled, shirked responsibilities regretted too late, and profound relationships shockingly revealed. In this spellbinding tale of tragedy and mercy, love and healing, the farther the ship sails toward the Promised Land, the more her passengers seem moored to a past that will never let them go. As urgently contemporary as it is historical, this exciting and compassionate novel builds with the pace of a thriller to a stunning conclusion.

    Since she left Dublin, she’s been spending her days teaching English to rich children—she’s been assigned the grammar classes because she lacks warmth—and her nights avoiding petulant roommates in her cramped apartment.When Ava befriends Julian, a witty British banker, he offers a shortcut into a lavish life her meager salary could never allow. Ignoring her feminist leanings and her better instincts, Ava finds herself moving into Julian’s apartment, letting him buy her clothes, and, eventually, striking up a sexual relationship with him. When Julian’s job takes him back to London, she stays put, unsure where their relationship stands.Enter Edith. A Hong Kong–born lawyer, striking and ambitious, Edith takes Ava to the theater and leaves her tulips in the hallway. Ava wants to be her—and wants her. Ava has been carefully pretending that Julian is nothing more than an absentee roommate, so when Julian announces that he’s returning to Hong Kong, she faces a fork in the road. Should she return to the easy compatibility of her life with Julian or take a leap into the unknown with Edith?Politically alert, heartbreakingly raw, and dryly funny, Exciting Times is thrillingly attuned to the great freedoms and greater uncertainties of modern love. In stylish, uncluttered prose, Naoise Dolan dissects the personal and financial transactions that make up a life—and announces herself as a singular new voice.

    Leaving home is a way to escape her sorrow and despair following the death of her boyfriend and a testy relationship with her mother, Verity. In Scotland she encounters love and excitement but when a series of unexpected events turn her new found life on its head, she is forced to make a life-changing decision, one that will stay with her for her whole life. The Closet of Savage Mementos is drawn directly from the author's own experiences and explores heartbreak, loss, motherhood and adoption in a gripping narrative and the same expressive, emotive and exciting prose we have come to expect of Nuala Ní Chonchúir. Reviews: 'Her finest novel yet.' - The Sunday Times Ní Chonchúir manages to strike a delicate balance between passion and poetry…The Closet of Savage Mementos is a book that will appeal to, and deserves, a wide audience.’ -- Sunday Business Post 'It is raw, beautiful and compelling, a 'must read'.' - Sunday Independent mpelling and deeply accomplished, The Closet of Savage Mementos is the product of a powerful literary talent. - Cork Evening Echo About the Author: Nuala Ní Chonchúir was born in Dublin in 1970; she lives in East Galway with her husband and three children. Her fourth short story collection Mother America was published by New Island in 2012; The Irish Times said of it: ‘Ní Chonchúir’s precisely made but deliciously sensual stories mark her as a carrier of Edna O’Brien’s flame.’ Her début novel You (New Island, 2010) was called ‘a gem’ by the Irish Examiner and ‘a heart-warmer’ by The Irish Times. A chapbook of flash fiction, Of Dublin and Other Fictions, is just out from Tower Press in the US. Nuala has won many writing awards including RTÉ radio’s Francis MacManus Award, the Cúirt New Writing Prize, the Jane Geske Award (USA), the inaugural Jonathan Swift Award, the Dublin Review of Books flash fiction prize and the Cecil Day Lewis Award. She was shortlisted for the European Prize for Literature and most recently won the Gladstone’s Library Flash Fiction Prize (UK).www.nualanichonchuir.com

    This vivid portrayal of the universal search for love brings with it a darker tale, heartbreaking in its poignancy.

    From the author of the award-winning novel Let the Great World Spin and TransAtlantic comes an eponymous novella and three stories that range fluidly across time, tenderly exploring the act of writing and the moment of creation when characters come alive on the page; the lifetime consequences that can come from a simple act; and the way our lives play across the world, marking language, image and each other.Thirteen Ways of Looking is framed by two author’s notes, each dealing with the brutal attack the author suffered last year and strikes at the heart of contemporary issues at home and in Ireland, the author’s birth place.Brilliant in its clarity and deftness, this collection reminds us, again, why Colum McCann is considered among the very best contemporary writers.

    An absurdity. You could hang me over the door of a pawnshop"), is a painter of some renown and a petty thief who has never before been caught and steals only for pleasure. Both art and the art of thievery have been part of his "endless effort at possession," but now he's pushing fifty, feels like a hundred, and things have not been going so well. Having recognized the "man-killing crevasse" that exists between what he sees and any representation he might make of it, he has stopped painting. And his last act of thievery - the last time he felt its "secret shiver of bliss" - has been discovered. The fact that the purloined possession was the wife of the man who was, perhaps, his best friend has compelled him to run away - from his mistress, his home, his wife; from whatever remains of his impulse to paint; and from a tragedy that has long haunted him - and to sequester himself in the house where he was born. Trying to uncover in himself the answer to how and why things have turned out as they have, excavating memories of family, of places he has called home, and of the way he has apprehended the world around him ("one of my eyes is forever turning towards the world beyond"), Olly reveals the very essence of a man who, in some way, has always been waiting to be rescued from himself.

    But her luck, and the kindness of strangers, have run out.The arrival of a visitor from her distant past shocks Cordelia. She reacts violently to the intrusion and flees her flat to spend a drunken night at a glittering party. As dawn breaks she stumbles home through the back streets. Even before she opens her door she can hear the flies buzzing. She did not expect the corpse inside to start decomposing quite so quickly . . .

    Yet Cara, the free spirit, and Pen, the stoic, craft a bond so strong it seems as though nothing could sever it: not the bickering, not the secrets, not even Cara’s infidelities.But thirteen years on, a car crash kills Cara and rips the lid off Pen’s world. Pen is still in the closet, teaching at her old school, living under the roof of Cara’s gentle father, who thinks of her as his daughter’s friend. How can she survive widowhood without even daring to claim the word? Over the course of one surreal week of bereavement, she is battered by memories that range from the humiliating, to the exalted, to the erotic, to the funny. It will take Pen all her intelligence and wit to sort through her tumultuous past with Cara, and all the nerve she can muster to start remaking her life.

    Now, in old age, living out in the country, Moran is still fighting - with his family, his friends, even himself - in a poignant struggle to come to terms with the past.

    Though his return rekindles his affection for his childhood home, it also triggers a resurgence of the family tensions that caused him to leave in the first place. As Edward becomes tangled in his family’s web of corrosive secrets, his homecoming tips a precariously balanced dynamic into sudden chaos. The Italian Girl is Murdoch’s compelling story of a man’s reunion with his estranged family, and of the tragedy that shocks them all into confronting their dark past.

    I know exactly what Jolly would say: I know because I've written words to mistresses before. Hundreds of them."On the day of her 26th birthday, Jane is recently single, adrift at her job, and intrigued by why Clem - her much older, married boss - is singing to her.Meanwhile her alter-ego, the online agony aunt Jolly Politely, has all the answers. She's provided thousands of strangers with insightful and occasionally cutting insights to contemporary life's most vexing questions.When she and Clem kiss at a party, Jane does not follow the advice she would give to her readers as Jolly: instead she plunges head-first into an affair. One that could jeopardise her friendships, her career and even her life.