In a tour de force that could be described as Altmanesque, we are invited into the private lives of the residents of a quiet urban street in England over the course of a single day. In delicate, intricately observed closeup, we witness the hopes, fears, and unspoken despairs of a diverse community: the man with painfully scarred hands who tried in vain to save his wife from a burning house and who must now care for his young daughter alone; a group of young clubgoers just home from an all-night rave, sweetly high and mulling over vague dreams; the nervous young man at number 18 who collects weird urban junk and is haunted by the specter of unrequited love. The tranquillity of the street is shattered at day's end when a terrible accident occurs. This tragedy and an utterly surprising twist provide the momentum for the book. But it is the author's exquisite rendering of the ordinary, the everyday, that gives this novel its freshness, its sense of beauty, wonder, and hope. Rarely does a writer appear with so much music and poetry -- so much vision -- that he can make the world seem new.

    Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, film-maker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film made by an enigmatic outsider—a film he's convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made—a three-month-long stop-motion masterpiece that took its reclusive auteur ninety years to complete—B. knows that it is his mission to show it to the rest of humanity. The only problem: The film is destroyed, leaving him the sole witness to its inadvertently ephemeral genius.All that's left of this work of art is a single frame from which B. must somehow attempt to recall the film that just might be the last great hope of civilization. Thus begins a mind-boggling journey through the hilarious nightmarescape of a psyche as lushly Kafkaesque as it is atrophied by the relentless spew of Twitter. Desperate to impose order on an increasingly nonsensical existence, trapped in a self-imposed prison of aspirational victimhood and degeneratively inclusive language, B. scrambles to recreate the lost masterwork while attempting to keep pace with an ever-fracturing culture of "likes" and arbitrary denunciations that are simultaneously his bete noire and his raison d'etre.A searing indictment of the modern world, Antkind is a richly layered meditation on art, time, memory, identity, comedy, and the very nature of existence itself—the grain of truth at the heart of every joke.

    Pagford is not what it first seems.And the empty seat left by Barry on the parish council soon becomes the catalyst for the biggest war the town has yet seen. Who will triumph in an election fraught with passion, duplicity and unexpected revelations?

    Charlton from a undernourished and timid tax clerk to ‘Charlie’, a fully-converted member of the Larkin way of life: an easygoing celebration of nature, food, drink, and family. In the process, the reader is introduced to the Brigadier, Miss Pilchester, and Angela Snow. Setting the style for the series, the book ends with a grand celebration, and the announcement of the wedding of Charlie and Mariette. The novel was filmed with the title ‘The Mating Game’, and between 1991 and 1993, Yorkshire Television produced a highly-successful television series called ‘The Darling Buds of May’. This first book in the Larkin series was very successful, appearing first in the United States and then in Britain, where it sold 40,000 in the first two months. Many critics felt that Bates deserved better than to be remembered mostly for the Larkin novels, but they were very profitable. The immensely popular Larkin series of comic novels consisted of ‘The Darling Buds of May’, ‘A Breath of French Air’ (1959), ‘When the Green Woods Laugh’ (1960), ‘Oh! To Be in England’ (1963), and ‘A Little of What You Fancy’ (1970). Bates, speaking of how he was inspired to create the Larkins, recalled the real junkyard that he often passed near his home in Kent; and he remembered seeing a family -- a father, mother and many children, sucking at ice-creams and eating crisps in a "ramshackle lorry that had been recently painted a violent electric blue". He tried writing a brief tale based on the family, but soon decided that he couldn’t waste such a rich gallery of characters to a short story." Pop is a wonderful character who hates pomp, pretension and humbug; loves his family, but doesn’t hesitate to break a few rules... and his and the Larkins' secret is “that they live as many of us would like to live if only we had the guts and nerve to flout the conventions." See also the Pop Larkin Chronicles, which contains all five Larkin books.

    Confronting the disheveled figure of a South Asian male carrying a backpack, the banker recognizes a long-lost college friend, a mathematics prodigy who disappeared many years earlier under mysterious circumstances. The friend has resurfaced with a confession of unsettling power.Zia Haider Rahman takes us on a journey of exhilarating scope, ranging over Kabul, London, New York, Islamabad, Oxford, and Princeton and dealing with love, belonging, finance, science, and war. Its framework is an age-old story: the friendship of two men and the betrayal of one by the other, both of them desperate in their different ways to climb clear of their wrong beginnings. Set against the breaking of nations and beneath the clouds of economic recession, the novel chronicles the lives of people carrying unshakable legacies of class, culture, and faith as they struggle to tame their futures. In the Light of What We Know is by turns tender, intimate, and panoramic, telescoping the great upheavals of our young century into a first novel of rare ambition and profundity.

    Owen's spirited attacks on the greed and dishonesty of the capitalist system rouse his fellow men from their political quietism. The Ragged Trousered Philanthropists is both a masterpiece of wit and political passion and one of the most authentic novels of English working class life ever written

    Billed as The Lucky Chances, the sisters are the illegitimate and unacknowledged daughters of Sir Melchior Hazard, the greatest Shakespearean actor of his day. At once ribald and sentimental, glittery and tender, this rambunctious family saga is Angela Carter at her bewitching best.

    Alfred Jones, life is a quiet mixture of civil service at the National Centre for Fisheries Excellence and marriage to Mary—an ambitious, no-nonsense financier. But a strange turn of fate from an unexpected direction forces Jones to upend his existence and spend all of his time in pursuit of another man’s ludicrous dream. Can there be salmon in the Yemen? Science says no. But if resources are limitless and the visionary is inspired, maybe salmon fishing in the Yemen isn’t impossible. Then again, maybe nothing is.

    But can they truly leave the city that's in their bones?Kate Tempest's novel reaches back through time--through tensely quiet dining rooms and crassly loud clubs--to the first time Becky and Harry meet. It sprawls through their lives and those they touch--of their families and friends and faces on the street--revealing intimacies and the moments that make them. And it captures the contemporary struggle of urban life, of young people seeking jobs or juggling jobs, harboring ambitions and making compromises.The Bricks that Built the Houses is an unexpected love story. It's about being young, but being part of something old. It's about how we become ourselves, and how we effect our futures. Rich in character and restless in perspective, driven by ethics and empathy, it asks--and seeks to answer--how best to live with and love one another.Kate Tempest, a major talent in the poetry and music worlds, sits poised to become a major novelist as well.

    Johanna Morrigan, fourteen, has shamed herself so badly on local TV that she decides that there’s no point in being Johanna anymore and reinvents herself as Dolly Wilde—fast-talking, hard-drinking Gothic hero and full-time Lady Sex Adventurer. She will save her poverty-stricken Bohemian family by becoming a writer—like Jo in Little Women, or the Bröntes—but without the dying young bit.By sixteen, she’s smoking cigarettes, getting drunk and working for a music paper. She’s writing pornographic letters to rock-stars, having all the kinds of sex with all kinds of men, and eviscerating bands in reviews of 600 words or less.But what happens when Johanna realizes she’s built Dolly with a fatal flaw? Is a box full of records, a wall full of posters, and a head full of paperbacks, enough to build a girl after all?Imagine The Bell Jar written by Rizzo from Grease. How to Build a Girl is a funny, poignant, and heartbreakingly evocative story of self-discovery and invention, as only Caitlin Moran could tell it.

    He lives in a small English village with his wife, Maureen, who seems irritated by almost everything he does, even down to how he butters his toast. Little differentiates one day from the next. Then one morning the mail arrives, and within the stack of quotidian minutiae is a letter addressed to Harold in a shaky scrawl from a woman he hasn't seen or heard from in twenty years. Queenie Hennessy is in hospice and is writing to say goodbye. Harold pens a quick reply and, leaving Maureen to her chores, heads to the corner mailbox. But then, as happens in the very best works of fiction, Harold has a chance encounter, one that convinces him that he absolutely must deliver his message to Queenie in person. And thus begins the unlikely pilgrimage. Harold Fry is determined to walk six hundred miles from Kingsbridge to the hospice in Berwick-upon-Tweed because, he believes, as long as he walks, Queenie Hennessey will live. Still in his yachting shoes and light coat, Harold embarks on his urgent quest across the countryside. Along the way he meets one character after another, each of whom unlocks his long-dormant spirit and sense of promise. Memories of his first dance with Maureen, his wedding day, his joy in fatherhood, come rushing back to him - allowing him to also reconcile the losses and the regrets. As for Maureen, she finds herself missing Harold for the first time in years. And then there is the unfinished business with Queenie Hennessy.

    'Near Marble Arch.''That sounds great, hon. I can't wait to see you.''Yeah. Me too.''I'm vaguely nervous.''Don't be.'Do be. I'm a child.Lolito is a love story about a fifteen year-old boy who meets a middle-aged woman on the internet.When his long-term girlfriend and first love Alice betrays him at a house party, Etgar goes looking for cyber solace in the arms of Macy, a stunning but bored housewife he meets online. What could possibly go wrong...?Hilarious, fearless and utterly outrageous, Lolito is a truly twenty-first century love story.

    Xavier Ireland is a radio DJ who by night listens to the hopes, fears and regrets of sleepless Londoners and by day keeps himself very much to himself - until he is brought into the light by a one-of-a-kind cleaning lady and forced to confront his own biggest regret.

    Remainder is about the secret world each of us harbors within, and what might happen if we were granted the power to make it real.

    Obsessed with an irresistible fascination for the enigmatic Sarah, Charles is hurtled by a moment of consummated lust to the brink of the existential void. Duty dictates that his engagement to Tina must be broken as he goes forth once again to seek the woman who has captured his Victorian soul & gentleman's heart.