Five years later, it was reattached to some other guy’s body, and well, here he is. Despite all logic, he’s still 16 and everything and everyone around him has changed. That includes his bedroom, his parents, his best friend, and his girlfriend. Or maybe she’s not his girlfriend anymore? That’s a bit fuzzy too.Looks like if the new Travis and the old Travis are ever going to find a way to exist together, then there are going to be a few more scars.Oh well, you only live twice.

    Twelve-year-old Gabe grew up in the foster care system until a social worker located his Uncle Vernon two years before. When he comes home to discover that his uncle has died of a heart attack, he's terrifed of going back into the system--so he tells no one. The next day, he discovers a strange note in his mailbox: I HAVE A SECRET. DO NOT BE AFRAID. And his uncle's body is gone. Thus begins a unique correspondence destined to save the two people that depended on Vernon for everything. Through flashbacks, we learn about Gabe and Vernon's relationship, and how finding each other saved them both from lives of suffering. But eventually, Vernon's death will be discovered, and how will Gabe and the mystery note writer learn to move forward? THE MAILBOX is not a story about death--though it begins with a death. It's also not a story about Vietnam vets, although the author works with Vietnam veterans and wrote this novel, in part, to illuminate their sacrifices and suffering. THE MAILBOX is a story about connections--about how two people in need can save each other.From the Hardcover edition.

    Tree, a six-foot-three-inch twelve-year-old, copes with his parents' recent divorce and his failure as an athlete by helping his grandfather, a Vietnam vet and recent amputee, and Sophie, a new girl at school.

    She starts visiting a website for “completers”— www. through-the-light.com.While she’s on the site, Daelyn blogs about her life, uncovering a history of bullying that goes back to kindergarten. When she’s not on the Web, Daelyn’s at her private school, where she’s known as the freak who doesn’t talk.Then, a boy named Santana begins to sit with her after school while she’s waiting to for her parents to pick her up. Even though she’s made it clear that she wants to be left alone, Santana won’t give up. And it’s too late for Daelyn to be letting people into her life... isn't it?National Book Award finalist Julie Anne Peters shines a light on how bullying can push young people to the very edge.

    And then, almost simultaneously, she loses them both. Will to a car accident and Lacey to the inevitable growing up and growing apart.Devastated by the holes they have left in her life, Eden finds solace in an unlikely place. Before he died, Will set up an account with In Good Company, a service that uploads voices and emails and creates a digital companion that can be called anytime, day or night. It couldn’t come at a better time because, after losing Lacey–the hardest thing Eden has had to deal with–who else can she confide all her secrets to? Who is Eden without Lacey?As Eden falls deeper into her relationship with “Will,” she hardly notices as her real life blooms around her. There is a new job, new friends. Then there is Oliver. He’s Lacey’s twin, so has always been off-limits to her, until now. He may be real, but to have him, will Eden be able to say goodbye to Will?

    The brutal murder of two teenage girls on the last day of Nora Cunningham's junior year in high school throws Nora into turmoil. Her certainties, friendships, religion, her prudence, her resolve to find a boyfriend taller than she is - are shaken or cast off altogether. Most people in Elmgrove, Maryland, share the comforting conviction that Buddy Novak, who had every reason to want his ex-girlfriend dead, is responsible for the killings. Nora agrees at first, then begins to doubt Buddy's guilt, and finally comes to believe him innocent - the lone dissenting voice in Elmgrove.Told from several different perspectives, including that of the murderer, Mister Death's Blue-Eyed Girls is a suspenseful page-turner with a powerful human drama at its core.

    After the local homecoming queen shows up at her family's struggling drugstore with a beauty disaster that Lucy helps to fix, Lucy has a long line of makeover customers for every school dance and bat mitzvah. But all the makeup tips in the world won't help save the pharmacy. If only she could find a way to make the pharmacy the center of town again, a place where people want to spend time, like in the old days. Lucy dreams up a solution that could resuscitate the family business and help the environment, too. But will Lucy's family stop fighting long enough to listen to a seventh-grader?This book is a funny and sweet debut featuring an unforgettable narrator who knows what she wants, whether it's great makeup, a killer business plan, or a better world.

    One day, she suddenly can't breathe, can't walk, can't anything and the reason is standing right there in front of her, all tall and weirdly good-looking: A.J. It turns out A.J. likes not Gracie but Gracie's beautiful best friend, Sienna. Obviously Gracie is happy for Sienna. Super happy! She helps Sienna compose the best texts, responding to A.J. s surprisingly funny and appealing texts, just as if she were Sienna. Because Gracie is fine. Always! She's had lots of practice being the sidekick, second-best. It s all good. Well, almost all. She's trying.

    Between her parents’ arguing and the battle she’s fighting with depression, she feels nothing inside but a hollow emptiness. When Mom suggests they spend a few months in California with Aunt Jo, Oakley isn’t sure a change of scenery will alter anything, but she’s willing to give it a try.In California, Oakley discovers a sort of safety and freedom in Aunt Jo’s beach house. Once they’re settled, Mom hands her a notebook full of letters addressed to her—from Lucas. As Oakley reads one each day, she realizes how much he loved her, and each letter challenges her to be better and to continue to enjoy her life. He wants her to move on.If only it were that easy.But then a surfer named Carson comes into her life, and Oakley is blindsided. He makes her feel again. As she lets him in, she is surprised by how much she cares for him, and that’s when things get complicated. How can she fall in love and be happy when Lucas never got the chance to do those very same things?With her brother’s dying words as guidance, Oakley knows she must learn to listen and trust again. But will she have to leave the past behind to find happiness in the future?

    The only survivors are Chris and a boy named Frank, who hates Chris immediately. Chris and Frank have no radio, no flares, no food. Suddenly, they've got to find a way to forage, fish and scavenge supplies from the shore. Chris likes the company of a curious friendly raven more than he likes the prickly Frank. But the boys have to get along if they want to survive. Because as the days get colder, and the salmon migration ends, survival will take more than sheer force of will. There in the wilderness of Kodiak, they discover a bond they didn't expect, and through it, the compassion and teamwork that might truly be the path to rescue.

    As the hottest summer in fifteen years unfolds and bills pile up, Alice is torn between dreams of escaping the loneliness of her duty-filled life and a longing to help her father mend their family and the ranch.To make ends meet, the Winstons board the pampered horses of rich neighbors, and for the first time Alice confronts the power and security that class and wealth provide. As her family and their well-being become intertwined with the lives of their clients, Alice is drawn into an adult world of secrets and hard truths, and soon discovers that people -- including herself -- can be cruel, can lie and cheat, and every once in a while, can do something heartbreaking and selfless. Ultimately, Alice and her family must weather a devastating betrayal and a shocking, violent series of events that will test their love and prove the power of forgiveness.A wise and astonishing novel about the different guises of love and the often steep tolls on the road to adulthood, The God of Animals is a haunting, unforgettable debut.

    Ain’t playing with a full deck. Whacked-out wiring. Missing marbles.” Irreverent, foulmouthed seventeen-year-old Cricket is the oldest ward in a Catholic boys’ home in Maine—and his life sucks. With prospects for the future that range from professional fighter to professional drug dealer, he seems doomed to a life of “criminal rapscallinity.” In fact, things look so bleak that Cricket can’t help but wonder if his best option is one final cliff dive into the great unknown. But then Wynona Bidaban steps into his world, and Cricket slowly realizes that maybe, just maybe, life doesn’t totally suck.

    Now I believe in science, statistics, and antibiotics.So says seventeen-year-old Zac Meier during a long, grueling leukemia treatment in Perth, Australia. A loud blast of Lady Gaga alerts him to the presence of Mia, the angry, not-at-all-stoic cancer patient in the room next door. Once released, the two near-strangers can’t forget each other, even as they desperately try to resume normal lives. The story of their mysterious connection drives this unflinchingly tough, tender novel told in two voices.

    They’re the ones you shouldn’t fall in love with. The ones with the curse. The ones who can get you killed.Lorna Ryder is a Devonairre Street girl, and for years, paying lip service to the curse has been the small price of living in a neighborhood full of memories of her father, one of the thousands killed five years earlier in the 2001 Times Square Bombing. Then her best friend’s boyfriend is killed, and suddenly a city paralyzed by dread of another terrorist attack is obsessed with Devonairre Street and the price of falling in love.Set in an America where recent history has followed a different path.

    Julia’s mother is serving in the National Guard in Iraq, and Julia spends all of her time trying not to think about what could happen. So the girls lose themselves in their summer, hanging out at the resort where Eliza’s father works. But when they meet a new boy, neither of them is prepared for how it impacts their friendship, and Julia has to cope with the possibility of being separated from yet another person she loves. Award-winner Nora Raleigh Baskin delivers a poignant look at the way a first crush can come between best friends—and the importance of not rushing to grow up.