No one knows who sent the invitations or why. No one has heard of the literary society. And no one is prepared to bare their deepest secrets to a roomful of strangers.Yet curiosity and loneliness bring them back week after week to the old library. And it’s there they discover the stories of their hearts, and the kind of friendship and love that heals their souls.

    Olivia, an 18-year-old who can taste words and see sounds, blinds herself by staring at the sun, then decides to walk to the remote setting of her mother's unfinished novel to resuscitate her hopes and dreams. Jazz, 22, plagued by unresolved conflict with her mother and a hidden trove of her unsent letters, takes a job in a funeral home before being forced back into the role of her sister’s keeper.The sisters’ journey through the wilds of West Virginia, disaster-prone from the start, takes a turn when they meet two train-hoppers with dangerous secrets, and Jazz learns that Olivia holds a dark secret of her own in the form of their mother's final unread letter. Mistrust, resentments and new attachments threaten to tear the two apart, until a final bizarre misadventure forces them to decide what’s really important.This mesmerizing coming-of-age novel, with its sheen of near-magical realism, is a moving tale of family and the power of stories.

    Unknown to Molly, a middle school tragedy in which they were all complicit continues to reverberate for her kids: Nick, the brilliant scam artist; Emma, the gifted dancer and party girl; Dave, the B student who strives to meet his parents' expectations; Calista, the hippie outcast who hides her intelligence for reasons of her own. Theirs is a world in which every action may become public: postable, shareable, indelible. With the rare talent that transforms teenage dramas into compelling and urgent fiction, Lindsey Lee Johnson makes vivid a modern adolescence lived in the gleam of the virtual, but rich with the sorrow, passion, and beauty of life in any time, and at any age.

    Alison Poole, twenty going on 40,000, is a budding actress already fatally well versed in hopping the clubs, shopping Chanel falling in and out of lust, and abusing other people's credit cards. As Alison races toward emotional breakdown, McInerney gives us a hilarious yet oddly touching portrait of a postmodern Holly Golightly coming to terms with a world in which everything is permitted and nothing really matters.

    A delicious novel for fans of Tom Perrotta, Maria Semple, and Cynthia D'Aprix Sweeney about how sometimes the only way to move forward is to go back.David Hedges’s life is coming apart at the seams. His job helping San Francisco rich kids get into the colleges of their (parents’) choice is exasperating; his younger boyfriend has left him; and the beloved carriage house he rents is being sold. His solace is a Thai takeout joint that delivers 24/7.The last person he expects to hear from is Julie Fiske. It’s been decades since they’ve spoken, and he’s relieved to hear she’s recovered from her brief, misguided first marriage. To him.Julie definitely doesn’t have a problem with marijuana (she’s given it up completely, so it doesn’t matter if she gets stoned almost daily) and the Airbnb she’s running out of her seaside house north of Boston is neither shabby nor illegal. And she has two whole months to come up with the money to buy said house from her second husband before their divorce is finalized. She’d just like David’s help organizing college plans for her 17-year-old daughter.That would be Mandy. To quote Barry Manilow, Oh Mandy. While she knows she’s smarter than most of the kids in her school, she can’t figure out why she’s making so many incredibly dumb and increasingly dangerous choices.When David flies east, they find themselves living under the same roof (one David needs to repair). David and Julie pick up exactly where they left off thirty years ago―they’re still best friends who can finish each other’s sentences. But there’s one broken bit between them that no amount of home renovations will fix.In prose filled with hilarious and heartbreakingly accurate one-liners, Stephen McCauley has written a novel that examines how we define home, family, and love. Be prepared to laugh, shed a few tears, and have thoughts of your own ex-life triggered. (Throw pillows optional.)

    She has another skill too: reading signs that other people miss. Like the time she sat across from Reid Sutherland and his gorgeous fiancée, and knew their upcoming marriage was doomed to fail. Weaving a secret word into their wedding program was a little unprofessional, but she was sure no one else would spot it. She hadn’t counted on sharp-eyed, pattern-obsessed Reid . . .A year later, Reid has tracked Meg down to find out—before he leaves New York for good—how she knew that his meticulously planned future was about to implode. But with a looming deadline, a fractured friendship, and a bad case of creative block, Meg doesn’t have time for Reid’s questions—unless he can help her find her missing inspiration. As they gradually open up to each other about their lives, work, and regrets, both try to ignore the fact that their unlikely connection is growing deeper. But the signs are there—irresistible, indisputable, urging Meg to heed the messages Reid is sending her, before it’s too late . . .

    Pre-med, stellar grades, and happy parents…sounds ideal—but Shane's made zero friends, goes home every weekend, and romance…what’s that? Her life has been dorm, dining hall, class, repeat. Time's a ticking, and she needs a change—there's nothing like moving to a new country to really mix things up. Shane signs up for a semester abroad in London. She's going to right all her college mistakes: make friends, pursue boys, and find adventure! Easier said than done. She is soon faced with the complicated realities of living outside her bubble, and when self-doubt sneaks in, her new life starts to fall apart. Shane comes to find that, with the right amount of courage and determination one can conquer anything. Throw in some fate and a touch of magic—the possibilities are endless.

    Their friendship evolves into an enduring and passionate love that will ask more of them than they ever imagined.On the night of their high school prom, a terrible tragedy devastates their relationship and profoundly alters the course of their lives. And when, a decade later, Gus—now a priest—becomes entangled with a distraught woman named Ava and her daughter Mila, troubled souls who bring back vivid memories of his own damaged past, the unthinkable happens: he is charged with murder. Can Hallie save the man she’s never stopped loving, by not only freeing him from prison but also—finally—the curse of his past?Told in alternating voices, The Orphans of Race Point illuminates the transformative power of love and the myriad ways we find meaning in our lives.

    But in the summer of 1989, when fifteen-year-old Lindy Simpson--free spirit, track star, and belle of the block--experiences a horrible crime late one evening near her home, it becomes apparent that this idyllic stretch of Southern suburbia has a dark side, too. In My Sunshine Away, M.O. Walsh brilliantly juxtaposes the enchantment of a charmed childhood with the gripping story of a violent crime, unraveling families, and consuming adolescent love. Acutely wise and deeply honest, it is an astonishing and page-turning debut about the meaning of family, the power of memory, and our ability to forgive.

    This unknown legacy, now Merritt’s, will change and define her as she navigates her new life—a new life complicated by the arrival of her too young stepmother and ten-year-old half-brother.Soon, in this house of strangers, Merritt is forced into unraveling the Heyward family past as she faces her own fears and finds the healing she needs in the salt air of the Low Country.

    Jobs are hard to find, men come and go. But when a set of unexpected circumstances strands them in Fat River, a small rural town in upstate New York, life takes a turn. Fat River becomes the first place they call home. The modest economic security they gain gives them peace and space for friends. The people of Fat River—Hank and Dotty Hanson, the elderly owners of the local hardware store being driven out of business by the new Walmart; Mel, the flawed, but kindhearted owner of the town diner where Rita finds work; and the cross-dressing Peter Pam, the novel’s voice of warmth and reason—become family. Into this quirky utopia comes Vick Ward, a smooth-talking broker who entices Rita with a subprime mortgage and urges her to buy the ramshackle house she and her daughter have been renting. Tough and quick-witted, thirteen-year-old Ruthie—whose sardonic voice and plain-spoken observations infuse All We Had with disarming honesty and humor—never minded her hardscrabble existence as long as her mother was by her side. Through it all, the two have always been the center of one another’s lives. But when financial crisis hits, their luck takes a different turn. All We Had offers an unflinching look at the devastating choices a mother must make to survive and is an achingly funny, heart wrenching tale about love and loss, told with humor and razor sharp vision

    She's grown up in the spotlight, both idolized and despised for her family's fire-and-brimstone brand of faith. When Essie's mother, Celia, discovers that Essie is pregnant, she arranges an emergency meeting with the show's producers: Do they sneak Essie out of the country for an abortion? Do they pass the child off as Celia's? Or do they try to arrange a marriage—and a ratings-blockbuster wedding? Meanwhile, Essie is quietly pairing herself up with Roarke Richards, a senior at her school with a secret of his own to protect. As the newly formed couple attempt to sell their fabricated love story to the media—through exclusive interviews with an infamously conservative reporter named Liberty Bell—Essie finds she has questions of her own: What was the real reason for her older sister leaving home? Who can she trust with the truth about her family? And how much is she willing to sacrifice to win her own freedom?

    For Margot, divorced amid scandal (hint: her husband was a fertility doctor) and then made Ponzi-poor, it’s a chance to shake Gwen out of her grief and help make ends meet. To further this effort she enlists a third boarder, the handsome, cupcake-baking Anthony. As the three swap money-making schemes and timid Gwen ventures back out into the dating world, the arrival of Margot’s paroled ex in the efficiency apartment downstairs creates not just complications but the chance for all sorts of unexpected forgiveness. A sister story about love, loneliness, and new life in middle age, this is a cracklingly witty, deeply sweet novel from one of our finest comic writers. “Her worldview? Her enthusiasm, her effortless wit? Just a few of the reasons we love Elinor Lipman.”–Boston Globe

    Amelia has been suspended, effective immediately, and Kate must come get her daughter—now. But Kate’s stress over leaving work quickly turns to panic when she arrives at the school and finds it surrounded by police officers, fire trucks, and an ambulance. By then it’s already too late for Amelia. And for Kate.An academic overachiever despondent over getting caught cheating has jumped to her death. At least that’s the story Grace Hall tells Kate. And clouded as she is by her guilt and grief, it is the one she forces herself to believe. Until she gets an anonymous text: She didn’t jump.Reconstructing Amelia is about secret first loves, old friendships, and an all-girls club steeped in tradition. But, most of all, it’s the story of how far a mother will go to vindicate the memory of a daughter whose life she couldn’t save.Fans of Gillian Flynn's Gone Girl will find Reconstructing Amelia just as gripping and surprising.

    They just haven't met properly yet. And perhaps they never will . . . Today is the first day of the rest of your life is the motto on a plate in the kitchen at home, and Tess can't get it out of her head, even though she's in Florence for a final, idyllic holiday before university. Her life is about to change forever - but not in the way she expects. Gus and his parents are also on holiday in Florence. Their lives have already changed suddenly and dramatically. Gus tries to be a dutiful son, but longs to escape and discover what sort of person he is going to be. For one day, the paths of an eighteen-year-old girl and boy criss-cross before they each return to England.Over the course of the next sixteen years, life and love will offer them very different challenges. Separated by distance and fate, there's no way the two of them are ever going to meet each other properly . . . or is there?