In "Mercury Rain" a soldier fighting a new enemy learns the importance of holding on to his memories. "Blackwater," the title story of the collection, is an homage to Stephen King's short story, "Graveyard Shift," and it tells the tale of Paul Hawkins, a mine worker who disturbs something terrifying in the Blackwater Hills of Durham, Pennsylvania, in the summer of 1976.

    In one of the three sketches, which form part of this collection, the author brilliantly reveals himself to the world in a schizophrenic piece titled 'Saadat Hasan' calling 'Manto the writer' a liar, a thief and a failure! And in another titled 'In a Letter to Uncle Sam', Manto superbly couches his anti-imperialistic views in an innocent letter from a poor nephew to a capitalist and prosperous uncle in America.

    With a special emphasis on the joy of adopting dogs from shelters, these stories will make you laugh out loud and maybe even shed a tear or two. And your purchase will help support the great work of the American Humane Association!

    Think of what you’ve just read.” Lovecraftian stories are the bread and butter of the true horror fan. During his lifetime, Lovecraft himself encouraged other writers to develop stories in the vein we now call Lovecraftian: horror, based around the idea that Earth had been colonized by malign aliens in the remote past, long before mankind arose and became civilized, who eventually became worshipped and feared as evil Gods by their human servitors. Eventually these aliens had been “banished” to another dimensional limbo by a benign Elder Race, but might one day return to reclaim the Earth “when the stars are right.” That deep seated unease threads through this collection of Richard. A Lupoff's short stories that seem to share a common universe. Praise for Richard A. Lupoff: "Lupoff writes with intelligence, humour, wisdom, and a zest for life." - Joe Gorges, author of Hammett. Richard A. Lupoff began his writing career as a print and broadcast journalist while attending university. After earning his degree he served twice in the United States Army, first as an enlisted man, then as an officer. Following military service he worked for twelve years in the computer industry, while also serving as a guest lecturer at universities including the University of California (Berkeley) and Stanford University. As author and editor he has written more than fifty volumes, ranging from science fiction, mystery, fantasy, horror, and mainstream fiction to the evolution of cartooning and comics. He is a past winner of the Hugo Award, and a finalist for the Nebula and Oscar Awards. He has achieved the rare distinction of being represented in “Best of the Year” anthologies in three fields: science fiction, mystery, and horror.

    In these essays, he grows from student to teacher, reader to writer, and reckons with his identities as a son, a gay man, a Korean American, an artist, an activist, a lover, and a friend. He examines some of the most formative experiences of his life and the nation’s history, including his father’s death, the AIDS crisis, 9/11, the jobs that supported his writing—Tarot-reading, bookselling, cater-waiting for William F. Buckley—the writing of his first novel, Edinburgh, and the election of Donald Trump.

    There, Cuban expats view her with suspicion--assuming she's an informant for the Castro regime. To Cleo's surprise, that suspicion follows her home to Cuba, where she finds herself under constant surveillance by the government. When she meets and falls in love with a Hollywood filmmaker, she discovers her family is not who she thought they were . . . and neither is the filmmaker.

    This collection of seventeen Caribbean short studies is compiled for use in secondary schools, and embraces both the old and the new of West Indian writing from the 1930s to the present day.The stories contained in the collection are: "Backfire" by Shirley Tappin; "Paradise Lost" by Ida Ramesar; "Chung Lee" by Undine Guiseppi; "Give and Take" by Robert Henry; "The Kite" by Barnabus J Ramon-Fortuna; "Horace's Luck" by Neville Guiseppi; "Mama's Theme Song" by Joy Moore; "The Teddy Bear" by C Arnold Thomasos; "De Trip" by Joy Clarke; "The Hustlers" by Flora Spencer; "Journey by Night" by Undine Guiseppi; "The New Teacher" by Ninnie Seereeram; "Up the Wind Laka Notoo-Boy" by Ian Robertson; "After the Game" by Barnabus J Ramon-Fortuna; "Ramgoat Salvation" by Ida Ramesar; "Tantie Gertrude" by Oliver Flax; and "The Cousins" by Joy Moore.

    Now in Sahasoa, amongst the cattle and rice fields, everything is new for Tsito, and Fara at last has a companion. But as Tsito looks forward to the bright promise of freedom and Fara, backward to a dark, long-denied family history, a rift opens between them just as British Christian missionaries and French industrialists arrive and violence erupts across the country. Love and innocence fall away, and Tsito and Fara’s world becomes enveloped by tyranny, superstition, and fear. With captivating lyricism, propulsive urgency, and two unforgettable characters at the story’s core, Naivo unflinchingly delves into the brutal history of nineteenth-century Madagascar. Beyond the Rice Fields is a tour de force that has much to teach us about human bondage and the stories we tell to face—and hide from—ourselves, each other, our pasts, and our destinies.

    Subjected to bodily and sexual abuse by subsequent masters, she was bought and sold several times before she was ultimately freed.The first black woman to break the bonds of slavery in the British colonies and publish a record of her experiences, Prince vividly recalls her life in the West Indies, her rebellion against physical and psychological degradation, and her eventual escape in 1828 in England. Her straightforward, often poetic account of immense anguish, separation from her husband, and struggle for freedom inflamed public opinion during a period when stormy debates on abolition were common in both the United States and England.This edition also includes a substantial supplement by Thomas Pringle, the original editor, as well as another brief slave account: “The Narrative of Asa-Asa, a Captured African.”Essential reading for students of African-American studies, Mary Prince’s classic account of determination and endurance aids in filling the many gaps in black women’s history.

    A strange new drug, a brightly lit carousel of a slum, the kindness of strangers, gunplay... no matter how serious the subject matter, and despite Aira's "fascination with urban violence and the sinister underside of Latin American politics" (The Millions), Shantytown, like all of Aira's mesmerizing work, is filled with wonder and mad invention.

    Jura finds that the favourite rooms in his house, each designed to reflect an aspect of his personality, are disappearing one by one. He remembers perfectly well playing the piano in `The Grand Piano Room'. However, the other members of his family deny the room ever existed. In `The Last Day' a family discovers an app that tells them on which day one of them will die. A man receives letters from God giving him choices which throw him into a moral dilemma. In this award-winning collection of stories, `Melnikas questions the taboos that limit human freedom.' Lire Jaroslavas Melnikas is one of the most inventive and interesting Ukrainian and Lithuanian writers today. La Croix wrote of him, `He meditates, like Dostoyevsky, on the relationship between sin and freedom.'

    Planisphere is a new collection by one of America’s most innovative and influential poets—an exceptional artist whose work stands alongside the finest of Whitman, Dickinson, Stevens, and Hart Crane. For more than half a century Ashbery has been producing timeless works such as Chinese Whispers, Hotel Lautréamont, A Wave, Self-Portrait in a Convex Mirror, and Where Shall I Wander. Planisphere is proof that the master only improves with age.

    They have only one desire: to make a fortune by exploiting the mineral wealths of the country. They work during the day in mining concession and, as soon as night falls, they go out to get drunk, dance, eat and abandon themselves in Tram 83, the only night-club of the city, the den of all the outlaws: ex children-soldiers, prostitutes, blank students, unmarried mothers, sorcerers' apprentices …Lucien, a professional writer, fleeing the exactions and the censorship, finds refuge in the city thanks to Requiem, a youth friend. Requiem lives mainly on theft and on swindle while Lucien only thinks of writing and living honestly. Around them gravitate gangsters and young girls, retired or runaway men, profit-seeking tourists and federal agents of a non-existent State.Tram 83 plunges the reader into the atmosphere of a gold rush as cynical as, sometimes, comic and colorfully exotic. It's an observation of human relationships in a world that has become a global village. It could be described as an African-rap or rhapsody novel or puzzle-novel hammered by rhythms of jazz.

    Set primarily on Zongo Street, a fictitious community in West Africa, the stories -- which are reminiscent of the works of Ben Okri and Amos Tutuola -- introduce us to wonderfully quirky characters and the most uproarious, poignant, and rawest moments of life. There's Kumi, the enigmatic title character who teaches a young boy to finally ask questions of his traditions. And as Ali moves his characters to America we meet Felix, who struggles with America's love of the exotic in "Rachmaninov."The Prophet of Zongo Street heralds a new voice and showcases Mohammed Naseehu Ali's extraordinary ability to craft stories that are both allegorical and unforgettable.

    It's a pleasant way of expanding one’s vocabulary, immersing in the French language and building confidence. There is no need for a dictionnary: key words are listed under each paragraph and translated out of the context. At the end of the book, all new words are summed up in a complete vocabulary section. Simple and easy to read, the short stories use a good mix of grammar constructs, with basic and useful vocabulary. The stories are written in tenses used in normal conversation : present tense, and just a little bit of future tense, passé composé and imparfait. With the MP3, you can practice your pronunciation and your listening (40 minutes/ read by the author). These stories are now available in the past tenses passé composé and imparfait [ASIN: B00PM4SO5M] Beginners : Level A0 - A1 About the author : Sylvie Lainé lives in Normandy where she teaches French to adults and teenagers. Her work with students of various nationalities and different ages allowed her to understand their difficulties and their challenges. Having looked for enjoyable reads to occasionnaly escape grammar and exercise books, but finding nothing simple enough for her beginners, she came up with the idea to write stories herself. She is passionate about writing and now publishes short stories tailored to the needs of English speakers.