A stand-alone novelette of Trystan and Isolde featuring a secondary character from the universe of Anna Elliott's Twilight of Avalon. Approximately 17,000 words or 55 printed pages in length.

    In a book which argues that previous scholars have been looking in the wrong place, Moffat identifies Arthur as a cavalry general of a Welsh-speaking southern Scottish tribe. Through archaeology, documentary and place-name evidence, Moffat weaves a history of this truly British hero' and asks whether the real Camelot is to be found in the borders of Scotland.

    A 19th-century re-telling, for children, of nine tales from Scandinavian mythology.

    The legendary figures of Britain’s brief but shining renaissance—Arthur, Lancelot, Guinevere—are gone but not forgotten. Their memories live on in song and story. But Arthur’s dream of a united Britain is fading fast. The hard-won alliance of independent kingdoms is fracturing. Sensing weakness, defeated enemies are returning. Such is the world of Tristan, Prince of Lyonesse. Born with the soul of a poet and the heart of a warrior, Tristan has been pushed aside by his uncle, Markion, who is determined to succeed King Constantine. Because he shares Markion’s dream of restoring the faded glory of Camelot, Tristan supports his Uncle’s claims to the High King’s throne, against the better judgment of his friends.Markion dispatches Tristan as his trusted agent to fetch his new bride, the daughter of King Percival. As soon as Tristan sets his eyes on the beautiful Essylte, and Essylte sees the handsome Tristan, a fateful love blooms between the two young people, a love that knows no law but its own fierce and imperious demands. Now, torn between duty and desire, Tristan and Essylte will risk everything—their lives, their souls, Britain itself—to be together. . . . This powerful tale of love, betrayal, and redemption has echoed down the ages. Acclaimed author Nancy McKenzie brings it stunningly to life for a new generation.

    Complemented by 170 glorious full-color illustrations, this fascinating narrative recounts the legend and all its incarnations, focusing not only on Arthur but on the people surrounding him.

    Seven essays offer a comprehensive survey of the legends in all of their manifestations, from theirorigins in medieval literature to their adaptation in modern literature, arts, film, and popular culture. It also demonstrates the tremendous continuity of the legends by examining the ways that they have been reinterpreted over the years. The indispensable reference on the subject, it also containsencyclopedic entries, bibliographies, and a comprehensive index. The extensive chapter-by-chapter bibliographies, which are subdivided by topic, augment the general bibliography of Arthurian resources. Comprehensive in its analysis and hypertextual in its approach, the Oxford Guide to Arthurian Literature and Legend is an essential reference book for Arthurian scholars, medievalists, and for those interested in cultural studies of myth and legend.

    This classic of European literature has influenced such diverse figures as Dante, T.H. White, and the makers of the 1967 film Camelot.

    Merlin must help Gaius find a cure and save his friend from execution.

    The saga recounts Egil's progression from youthful savagery to mature wisdom as he struggles to avenge his father's exile from Norway, defend his honour against the Norwegian King Erik Bloodaxe, and fight for the English King Athelstan in his battles against Scotland. Exploring issues as diverse as the question of loyalty, the power of poetry, and the relationship between two brothers who love the same woman, Egil's Saga is a fascinating depiction of a deeply human character.

    Written in Iceland a century after the close of the Viking Age, it tells ancient stories of the Norse creation epic and recounts the battles that follow as gods, giants, dwarves and elves struggle for survival. It also preserves the oral memory of heroes, warrior kings and queens. In clear prose interspersed with powerful verse, the Edda provides unparalleled insight into the gods' tragic realisation that the future holds one final cataclysmic battle, Ragnarok, when the world will be destroyed. These tales from the pagan era have proved to be among the most influential of all myths and legends, inspiring modern works as diverse as Wagner's Ring Cycle and Tolkien's The Lord of the Rings.This new translation by Jesse Byock captures the strength and subtlety of the original, while his introduction sets the tales fully in the context of Norse mythology. This edition also includes detailed notes and appendices.

    Thundering down through the centuries comes the legend of chivalry carved out by EXCALIBUR - the magic sword of Arthur Pendragon - with all the mysticism and heroic courage of the Arthurian legend transmuted to a time and a place remote from Camelot - but linked to it in the still desperate struggle against evil.

    Portable and reader-friendly, it makes an ideal companion for both lovers of Old Norse mythology and those new to the wisdom of this central Eddic poem wherever they may find themselves.

    The texts of these plays have all been newly edited for this volume, and are presented with modernized spelling. Stage directions have been added to help actors and directors reconstruct the play the way it would have been performed in the seventeenth century, and the introduction, notes, and glossary further bring to life these timeless comedies for the modern reader.

    At its heart are the heroic deeds of Sigurd the dragon slayer who acquires magical knowledge from one of Odin's Valkyries. Yet it is also set in a very human world, incorporating strands from the oral narratives of the fourth and fifth centuries, when Attila the Hun and other warriors fought on the northern frontiers of the Roman Empire. One of the great books of world literature, the saga is an unforgettable tale of princely jealousy, unrequited love, greed and vengeance. With its cursed treasure of the Rhine, sword reforged and magic ring of power, it was a major influence for writers including William Morris and J. R. R. Tolkien and for Wagner's Ring cycle.

    A unique body of medieval literature, the Sagas rank with the world’s great literary treasures – as epic as Homer, as deep in tragedy as Sophocles, as engagingly human as Shakespeare. Set around the turn of the last millennium, these stories depict with an astonishingly modern realism the lives and deeds of the Norse men and women who first settled in Iceland and of their descendants, who ventured farther west to Greenland and, ultimately, North America. Sailing as far from the archetypal heroic adventure as the long ships did from home, the Sagas are written with psychological intensity, peopled by characters with depth, and explore perennial human issues like love, hate, fate and freedom.