Maria was young and innocent and had never known love—until Tony. And he, who had been seeking something beyond the savagery of the streets, discovered it with her. But Maria’s brother was leader of the Sharks and Tony had once led the rival Jets. Now both gangs were claiming the same turf. Tony promised Maria that he would stay out of it. Would he be able to keep his word? Or would their newfound love be destroyed by sudden death?

    In the folk/blues tradition behind "Rhyme," in the incantatory pattern of "Behind the Motel," in the voices from past and present in "Letters Censored, Shredded, Returned to Sender or Judged Unfit to Send," in the dystopic scenes and intimate encounters of "Draft # 2006," in the mysterious negotiations of the title poem, the tempos and moods of this book constantly vary. Here, Rich draws on the artistic means of a lifetime.

    But as the two teens cram to finish their presentation on Walt Whitman’s Leaves of Grass, they learn not only how to work together, but just how fundamentally they complement each other.

    They were there for each other. He wasn't prepared for Lily to come along and enchant his father with her giggles and shy glances. Devon has a bad feeling about this new woman who seems endearing one minute, ice cold the next, but his dad is hooked, and Lily moves in. When Devon's father suddenly falls ill, and doctors can't find the problem, Lily insists that they travel to her native Vietnam, where her uncle can treat him. Once in her family's tiny apartment, Lily forces Devon away from his father, and makes him drink some musky tea that is supposed to calm him. It is only when Devon wakes up in a locked room that he begins to realize his suspicions about Lily weren't nearly as horrific as who she really is, and what she has done. Within days, Devon finds himself locked up in a different location, with three other boys. Through hushed conversations in broken English and Vietnamese, Devon learns that he is now the property of a restaurant-owner named Long, and that he has been transported to Cambodia. As the nightmare worsens, the reality that this restaurant doubles as a brothel sets in. Because of his fiery red hair and freckles, Long is able to demand a higher price for him, and her customers start a bidding war. With the memory of his father and his old life keeping him from complete despair, Devon manages to hope for escape or rescue. Back home, those close to Devon refuse to believe Lily's lies about him "running away" in Vietnam, and an international search effort begins. Once found, the challenges continue, as Devon faces a new life without his father, and a new identity molded by unspeakable memories.

    Two leading cardiologists draw on their collective fifty years of clinical cardiology research to show you how to combine the benefits of modern medicine, over-the-counter vitamins and supplements, and simple lifestyle changes to have a healthy heart.

    D. A. Powell What is it about the poems in Red Sugar, Jan Beatty's astonishing third collection, that brings to mind the incomparable music of Miles Davis? 'It's just that I can't play like anybody else... I can't do anything like anybody else, ' Davis insisted. These poems go their own sure way, making their own fierce music, charting 'the fluid stages of / empire & slavery' in the human body, yours and mine, as we rehearse our sometimes sorry but always necessary seductions. Jan Beatty is the author of Boneshaker and Mad River, winner of the 1994 Agnes Lynch Starrett Poetry Prize. She is the recipient of the Pablo Neruda Prize for Poetry and two fellowships from the Pennsylvania Council on the Arts

    The play is set in a beach bungalow. The young man who lives there has pulled a lost young woman from the ocean. Soon, she finds herself trapped in his life and torn between her need to come to rest somewhere and her certainty that all human relationships turn eventually into nightmares. The struggle between his tolerant and gently ironic approach to life and her strategy of suspicion and attack becomes a kind of war about love and creation which neither can afford to lose. This is an offbeat, wonderful love story. Note: The play contains a wealth of excellent monologue and scene material.

    George. Elaine. Kramer. We've followed their misadventures for nearly ten years on Thursday nights. Here, finally, are the scripts of the first two seasons that will take you back to the beginning of Seinfeld.Featuring the first 17 episodes ever aired, The Seinfeld Scripts contains all the great lines that have kept us laughing for years: the pilot episode, "The Seinfeld Chronicles," where it all began; George introduces his importer/exporter altar ego Art Vanderlay in "The Stakeout"; Kramer becomes obsessed with cantaloupe in "The Ex-Girlfriend"; Jerry and George meet Elaine's dad in "The Jacket"; is Jerry responsible for a poor Polish woman's death when he makes "The Pony Remark"?; Jerry and Elaine decide to become intimate again in "The Deal"; what will George do when he is banned from the executive bathroom in "The Revenge"?; and Jerry, George, and Elaine wait for a table in "The Chinese Restaurant."It's all here: the award-winning writing of Seinfeld, "the defining sitcom of our age". Created by Larry David and Jerry Seinfeld.Elaine: My roommate has Lyme disease. Jerry: Lyme disease? I thought she had Epstein-Barr syndrome? Elaine: She has this in addition to Epstein-Barr. It's like Epstein-Barr with a twist of Lyme disease. George: She calls me up at my office she says, "We have to talk." Jerry: The four worst words in the English language. Kramer: What a body. Yeeaaah...that's for me. Jerry: Yeah and you're just what she's looking for, too--a stranger, leering through a pair of binoculars ten floors up.

    These and other hitherto unfamiliar stories of directors belonging to the 100 crore club like Rohit Shetty and Rakeysh Omprakash Mehra; the adventurous Kabir Khan; and the maverick, Mahesh Bhatt take us through the unusual lives of 15 filmmakers of extraordinary films. Sonia Golani achieves the incredible by sitting each director down to candidly discuss the hype around the Oscars; the exclusivity of the 100 crore club ; effect of corporatization and much more. Decoding Bollywood is more about demystifying the world of Bollywood than a mere decoding of 15 directors who have created benchmarks in their respective genres for generations to follow.

    Sure, age isn't a problem. Neither are her looks. Heaven knows that plenty of perfectly respectable men would consider themselves lucky to end up with someone like her. Then again, the last perfectly respectable man to end up with her - her ex-husband - ended their marriage, not to mention Jane's belief in happy endings...But she just can't muster the cynicism to resist William Andrews - a dashing, debonair widower with two children of his own. Soon, Jane's doing what she swore she'd never do: Marching down the aisle, promising to have, hold, serve, and protect, 'til death do them part. But why does Andrew seem so obsessed with his dead wife? And why do the children seem to hate Jane so passionately?As Jane struggles to understand the nature of the powerful hold Andrews's first wife still exerts over the husband and children she left behind, her day-to-day life grows increasingly more dangerous. During a family outing, she is suddenly thrown violently from her horse. Had someone deliberately spooked the horse? As she takes a midnight swim, the mechanical dome over the pool closes on her. Did it short circuit, or was it sabotage? Are these just coincidences, or are the stakes and risks getting higher the closer Jane gets to the truth? Someone would clearly like to see her follow the first Mrs. Andrews to the grave. Why?In a thriller that moves from New York to Paris to the Caribbean, a plot filled with relentless suspense, and a witty and intelligent heroine worth cheering for, this latest from Diana Diamond is her best yet, an unputdownable romance of deadly proportions.

    That current is best identified by its catch-labels--Theater of the Absurd, Black Comedy, the Theater of Cruelty--which is to say the theater of alienation, of moral anarchy and despair. To the practitioners of those philosophies Man of La Mancha must seem hopelessly naive in its espousal of illusion as man's strongest spiritual need, the most meaningful function of his imagination. But I've no unhappiness about that. "Facts are the enemy of truth," says Cervantes-Don Quixote. And that is precisely what I felt and meant."--Dale Wasserman, from the Preface.

    Naked Pueblo, his absolutely maximalist, throw-everything-in-and-shake-it-up short story collection, buzzes like some kind of whacked-out fever dream." (Esquire)

    Son's story is deceptively simple: two young women in New York meet, talk about their boyfriends, feel a growing, unspoken attraction for each other, and finally kiss. And that one innocent kiss sets off a savage gay-bashing. But even as Stop Kiss confronts the reality of physical violence, Son's imaginative, moving, and surprising comedy brings audiences -- and her principal characters -- to unexpected places.Callie is holding down a job as a radio traffic reporter when she meets Sara, a midwesterner who, against her parents' wishes, has moved to the city to teach third-grade students in the Bronx. Both have boyfriends, but as they get to know each other, their shared experiences and sense of humor create a strong bond. The tragic consequences of their kiss -- the center of this powerful drama -- serve as both an indictment of hatred and a moving study of the perils inherent in living life fully.

    Wright pushed the bounds of imagination as she explored desire, loss and physical sensation. Her posthumously published book, ShallCross features seven poem sequences that show her tremendous range in style and approach. As she considers, among other topics, some dark intuitions about human nature, she also nudges readers to question who is telling the story and where one’s thought can lead."—The Washington Post"Wright gets better with each book, expanding the reach of her art; it seems it could take in anything."—Publishers Weekly"Wright belongs to a school of exactly one."—New York Times Book Review"C.D. Wright is entirely her own poet, a true original."—The Gettysburg ReviewIn a turbulent world, C.D. Wright evokes a rebellious and dissonant ethos with characteristic genre-bending and expanding long-form poems. Accessing journalistic writing alongside filmic narratives, Wright ranges across seven poetic sequences, including a collaborative suite responding to photographic documentation of murder sites in New Orleans. ShallCross shows plain as day that C.D. Wright is our most thrilling and innovative poet.From "Obscurity and Elegance":Whether or not the park was safeshe was going in. A study concluded, for a parkto be successful there had to be women.The man next to the monument must have brokenaway from her. Perhaps yearsbefore. That the bond had been carnal is obvious.He said he was just out clearing his head…C.D. Wright (1949-2016) taught at Brown University for decades and published over a dozen works of poetry and prose, including One With Others, which won the National Book Critics Circle Award and was nominated for a National Book Award; One Big Self: An Investigation; and Rising Falling Hovering. Among her many honors are the Griffin International Poetry Prize and a MacArthur Fellowship.

    She would marry a man called Tod or Brad and she would have two perfect children. But instead she married a Jeff and he’s just confessed to having an affair.Spurred on by supportive friends and her unpredictable sister Max, she finds the job she was born for: Wife for Hire. Sam manages everything from domestic help to renovations to social events for many satisfied customers.However when Hal Buchanan is added to her client list but claims not to need her services, Sam realises that while she can organise many things in life, she is not so businesslike when her emotions are involved.