Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead


Fyodor Dostoevsky - 1864
    From the primitive peasant who kills without understanding that he is destroying life to the anxious antihero of Notes from Underground—who both craves and despises affection—the writer's often-tormented characters showcase his evolving outlook on our fate.Thomas Mann described Dostoyevsky as "an author whose Christian sympathy is ordinarily devoted to human misery, sin, vice, the depths of lust and crime, rather than to nobility of body and soul" and Notes from Underground as "an awe- and terror- inspiring example of this sympathy."

King Matt the First


Janusz Korczak - 1923
    During World War II, the Jewish orphanage he directed was relocated to the Warsaw ghetto. Although Korczak's celebrity afforded him many chances to escape, he refused to abandon the children. He was killed at Treblinka along with the children.King Matt the First, one of Korczak's most beloved tales, is the story of a boy who becomes king and sets out to reform his kingdom. He decrees that all children are to be given a piece of chocolate at the end of each day. He visits faraway lands and befriends cannibal kings. Whenever his ministers tell him something's impossible, he puts them in jail. He disguises himself as a soldier and becomes a hero. But, as in real life, fantasy is tempered by reality:Matt's fellow kings become jealous of his success--and in the end, Matt falls, although it's clear that he was the greatest king there ever was.Now this rediscovered classic is available again, and with a vibrant new cover by award-winning artist Brian Selznick. This timeless tale shows that only through the honesty and spontaneity of children can grown-ups begin to imagine and to create a better world.

Every Man Dies Alone


Hans Fallada - 1947
    This Penguin Classics edition contains an afterword by Geoff Wilkes, as well as facsimiles of the original Gestapo file which inspired the novel. Berlin, 1940, and the city is filled with fear. At the house on 55 Jablonski Strasse, its various occupants try to live under Nazi rule in their different ways: the bullying Hitler loyalists the Persickes, the retired judge Fromm and the unassuming couple Otto and Anna Quangel. Then the Quangels receive the news that their beloved son has been killed fighting in France. Shocked out of their quiet existence, they begin a silent campaign of defiance, and a deadly game of cat and mouse develops between the Quangels and the ambitious Gestapo inspector Escherich. When petty criminals Kluge and Borkhausen also become involved, deception, betrayal and murder ensue, tightening the noose around the Quangels' necks ... If you enjoyed Alone in Berlin, you might like John Steinbeck's The Moon is Down, also available in Penguin Modern Classics. 'One of the most extraordinary and compelling novels written about World War II. Ever' Alan Furst 'Terrific ... a fast-moving, important and astutely deadpan thriller' Irish Times 'An unrivalled and vivid portrait of life in wartime Berlin' Philip Kerr 'To read Fallada's testament to the darkest years of the 20th century is to be accompanied by a wise, somber ghost who grips your shoulder and whispers into your ear: "This is how it was. This is what happened"' The New York Times

Ion


Plato
    It is one of the shortest of Plato's dialogues

The Dirty Dust: Cré na Cille


Máirtín Ó Cadhain - 1949
    Alan Titley’s vigorous new translation, full of the brio and guts of Ó Cadhain’s original, at last brings the pleasures of this great satiric novel to the far wider audience it deserves.   In The Dirty Dust all characters lie dead in their graves. This, however, does not impair their banter or their appetite for news of aboveground happenings from the recently arrived. Told entirely in dialogue, Ó Cadhain’s daring novel listens in on the gossip, rumors, backbiting, complaining, and obsessing of the local community. In the afterlife, it seems, the same old life goes on beneath the sod. Only nothing can be done about it—apart from talk. In this merciless yet comical portrayal of a closely bound community, Ó Cadhain remains keenly attuned to the absurdity of human behavior, the lilt of Irish gab, and the nasty, deceptive magic of human connection.