Now, while her surviving brothers prepare to sell the family's tenant farm and a young woman's life hangs in the balance, Sarah is forced to confront the life Sam lived and the secrets he left behind. As she assembles the artifacts of her family's history in east Texas in the hope of discovering her own future, images from her work as an anthropologist—images of sacrifice, ritual, and death—haunt her waking dreams.In this moving debut novel, Nan Cuba unearths the power of family legacies and the indelible imprint of loss on all our lives.Nan Cuba is the founder and executive director emeritus of Gemini Ink, a nonprofit literary center, and is currently an assistant professor of English at Our Lady of the Lake University. As an investigative journalist, she reported on the causes of extraordinary violence in publications such as Life and D Magazine. Her stories, poems, and reviews have appeared in Quarterly West, Columbia: A Magazine of Poetry and Prose, The Bloomsbury Review, and the Harvard Review, among others. She is co-editor of Art at Our Doorstep: San Antonio Writers & Artists (Trinity University Press, 2008).

    Rosetta is a runaway slave who bears the scars, inside and out, of a life of servitude to a cruel and unforgiving master. Her flight is fueled by a passion and determination only a mother could feel, and she would rather die than let anyone drag her back to hell. In a dark, volatile time prior to the Civil War, fate has bound the hunted and hunter on a remarkable odyssey from Virginia to Boston and back again—an extraordinary test of character and will, mercy and compassion, that will change them both forever.

    Proposing models of hybridity, each of the book's major sequences develops a unique subject, rhythm, and form. Bringing to light the molten potential at the core of personality, the poems illuminate ways that language, as history read by anthropologists, discourse between lovers, gestures between parent and child, graffiti in temples, or even language as an event in itself (the very experience of words at play), incarnates presence. Addressing father and son relationships, and venerating erotic love, Gander's poems surge with vitality: the energy of active discovery.

    [Penguin Readers Level 6]

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    After a wandering, precarious life during which he produced poems, essays, stories, and novels, Walser entered an insane asylum, saying, “I am not here to write, but to be mad.” Many of the unpublished works he left were in fact written in an idiosyncratically abbreviated script that was for years dismissed as an impenetrable private cipher. Fourteen texts from these so-called pencil manuscripts are included in this volume—rich evidence that Walser’s microscripts, rather than the work of incipient madness, were in actuality the product of desperate genius building a last reserve, and as such, a treasure in modern literature. With a brisk preface and a chronology of Walser’s life and work, this collection of fifty translations of short prose pieces covers the middle to later years of the writer’s oeuvre. It provides unparalleled insight into Walser’s creative process, along with a unique opportunity to experience the unfolding of his rare and eccentric gift. His novels The Robber (Nebraska 2000) and Jakob von Gunten are also available in English translation.

    He's batting below .200 at the plate, and even worse in bed with his wife; and he secretly fears he's inherited his mother's insanity. Ordered to take a midseason rest, Suder instead takes his record of Charlie Parker's "Ornithology," his record player, and his new saxophone and flees, negotiating his way through madcap adventures and flashbacks to childhood ("If you folks believed more strongly in God, maybe you wouldn't be colored"). Pursued by a raging dope dealer, saddled with a mishandled elephant and an abused little white girl, he manages in the end to fly free, both transcending and inspired by the pull of so much life.

    Alice falls in love with an Irishman, marries him, and settles down in a place whose customs she struggles to understand. In the course of a single hot summer, she embarks on an affair that breaks her marriage and sets her life on a new course.Years later, after working in war zones around the world, and in the immediate aftermath of her mother’s death, Alice finds herself back in Ireland and contemplating the forces that led her to put down roots and then tear them up again. What drew her to her husband, and what pulled her away? Was her husband strangely complicit in the affair? Was she always under surveillance by friends and neighbours who knew more than they let on?

    This year is an Annie year—and it would be no different than other years were it not for the high school’s hiring of a new vocational agriculture (Vo-Ag) teacher. With his beguiling ponytail and decorative beaded belt, Kenny catches Tandy’s eye immediately. Ignoring the fact of her slovenly husband—who takes most of his meals in their hot tub—Tandy decides to entertain Kenny’s advances.Trusted community pillar that she is, Tandy’s affair has instant repercussions. People are talking and her husband’s subsequent breakdown and check-in to a mental institution doesn’t help. At her regular meeting with the Order of the Pessimists—comprised of her deceased father’s disgruntled and drunken best friends—she is asked to step down as treasurer. Not only that, but her old lover is keeping a secret somehow connected to the Vo-Ag teacher. And meth labs—fueled by the abundance of fertilizer present in the region—keep blowing up. Somehow, it is all connected to Tandy’s ex-bestfriend’s daughter—the star of this year’s Annie. As Tandy pieces together the puzzle that has become her life, it becomes clear she must embark on a journey of self-discovery that might even include leaving town for good.

    But the story itself is much older and its original intent more complex. This eye-opening new volume presents two of the tale's earliest versions, both in new translations: E.T.A. Hoffmann's Nutcracker and Mouse King (1816), in which a young girl is whisked away to the Land of Toys to help her animated nutcracker defeat the Mouse King, and Alexandre Dumas's 1845 adaptation, The Tale of the Nutcracker, based on Hoffmann's popular work. Irresistible tales of magic, mystery, and childhood adventure, these timeless delights and fresh interpretations about the importance of imagination will captivate readers of all ages.

    Here you can find our list of the 100 greatest novels of all time.

    Waldo Byng is arrested for murder and held in police custody : the press camp outside the house, detectives attempt to interview the family and friends, and Clarissa Byng abandons the entire scene by fleeing with her longtime companion.It is left to the rest of the family to try to find a way through this disaster and above all to earn some money as the play is naturally cancelled. The nine months from arrest to the final trial are a wonderful learning curve about the real world for all of them, in particular for Harriet, considered the most 'sensible' of the remarkable family.Clouds among the Stars is a true pleasure to read: witty, perceptive about some of our social habits, with an outstanding cast of characters, wonderful scenes including some of the best parties and theatrical behaviour; and above all written with a style, charm and verve that makes one want to start to read it again as soon as one has finished.

    Using the events of his life as starting points, Gerald Stern deals with time and loss, with the dichotomy of light and darkness, and—always—with the possibility of joy. This stunning collection moves from autobiography to the visionary in surges of memory and language that draw the reader from one poem to the next.

    The poems are chosen from The Book of Hours (1899-1903), The Book of Images (1902 and 1906), New Poems (1907 and 1908), Requiem (1909), Duino Elegies (1923), Sonnets to Orpheus (1923), and the posthumous Poems 1906-26. This selection was made by Professor Theodore Ziolkowski of Princeton University, who drew from the various New Directions volumes of Rilke's work translated by J. B. Leishman.