Amidst a firestorm of violence, betrayal and horror, their three worlds will eventually collide in an old mining shack buried deep in the mountains. CORROSION, the shattering debut novel by Jon Bassoff, is equal parts Jim Thompson, Flannery O'Connor and William Faulkner, and an unforgettable journey into the underbelly of crime and passion. Drawn from the darkest corners of the human experience, it is sure to haunt readers for years to come.

    Robert Mitchell thought he lived there with his wife and children, but he doesn’t. Not anymore. A new family—the Corbeaus—has taken up residence, and they are on a deadly mission for mischief.Soon Robert will understand the true nature of ownership, and he will discover that real life is nothing more than a story…a horror story.We're playing games now. We're just beginning.

    Now a team of archaeologists have uncovered the boat, and let loose the evil. Soon Manhattan is hit by an ice storm like no other. Besides the wind and ice, there is something else moving in the storm. Blue, cold things, with razor sharp teeth.

    When he awakens to the bleating of his family's sheep being slaughtered, he learns that something is stalking this isolated corner of the reservation, a predator unlike any he has encountered before, one that attacks with alarming stealth and ferocity.Only his grandfather knows what lurks outside in the darkness, but a stroke has left him unable to communicate, forcing Sani to embark upon a journey into the distant past to discover the horrible truth. And he's running out of time. There's no sign of an end to the killing and already he's found claw marks and strange footprints around his home.Sani must decipher the clues hidden a millennium ago by the Anasazi before their mysterious disappearance if he's to have any hope of surviving the impending confrontation with an ancient enemy that has already hunted his bloodline to the brink of extinction.

    And somewhere in the night, a small girl smiled as her mother burned. Asylum inmates slaughtered their attendants. In slimy tunnels, once-human creatures gathered. Madness raged as the lights began to fade and humanity was attacked by an ancient, unstoppable evil.

    This exciting new anthology, perfect for airport or airplane reading, includes an original introduction and story notes for each story by Stephen King, along with brand new stories from Stephen King and Joe Hill.Stephen King hates to fly. Now he and co-editor Bev Vincent would like to share this fear of flying with you.Welcome to Flight or Fright, an anthology about all the things that can go horribly wrong when you're suspended six miles in the air, hurtling through space at more than 500 mph and sealed up in a metal tube (like—gulp!—a coffin) with hundreds of strangers. All the ways your trip into the friendly skies can turn into a nightmare, including some we'll bet you've never thought of before... but now you will the next time you walk down the jetway and place your fate in the hands of a total stranger.Featuring brand new stories by Joe Hill and Stephen King, as well as fourteen classic tales and one poem from the likes of Richard Matheson, Ray Bradbury, Roald Dahl, Dan Simmons, and many others, Flight or Fright is, as King says, "ideal airplane reading, especially on stormy descents... Even if you are safe on the ground, you might want to buckle up nice and tight."

    ft., 2BR 2BA, eat-in kitchen, one block to parks and playgrounds. No broker’s fee.Susan and Alex Wendt have found their dream apartment.Sure, the landlady is a little eccentric. And the elderly handyman drops some cryptic remarks about the basement. But the rent is so low, it’s too good to pass up.Big mistake. Susan soon discovers that her new home is crawling with bedbugs... or is it? She awakens every morning with fresh bites, but neither Alex nor their daughter Emma has a single welt. An exterminator searches the property and turns up nothing. The landlady insists her building is clean. Susan fears she’s going mad—until a more sinister explanation presents itself: she may literally be confronting the bedbug problem from Hell.

    Reckless, dangerous games. Games you might even want to play yourself if you're with the right people. But shouldn't. Not ever. In a small Maine town, a group of thrill seeking college kids finds a game of hide and seek in an abandoned house turning into a reality of stark terror.

    Stephen King's "dark half" may have saved the best for last.A fellow named Richard Bachman wrote Blaze in 1973 on an Olivetti typewriter, then turned the machine over to Stephen King, who used it to write Carrie. Bachman died in 1985 ("cancer of the pseudonym"), but in late 2006 King found the original typescript of Blaze among his papers at the University of Maine's Fogler Library ("How did this get here?!"), and decided that with a little revision it ought to be published.Blaze is the story of Clayton Blaisdell, Jr. --of the crimes committed against him and the crimes he commits, including his last, the kidnapping of a baby heir worth millions. Blaze has been a slow thinker since childhood, when his father threw him down the stairs--and then threw him down again. After escaping an abusive institution for boys when he was a teenager, Blaze hooks up with George, a seasoned criminal who thinks he has all the answers. But then George is killed, and Blaze, though haunted by his partner, is on his own.He becomes one of the most sympathetic criminals of all of literature. This is a crime story of surprising strength and sadness, with a suspenseful current sustained by the classic workings of fate and character--as taut and riveting as Stephen King's The Girl Who Loved Tom Gordon.

    His fiercely loyal agent finds him just such a place in a luxurious forgotten mansion high in the Hollywood Hills. But the original owner of the mansion was a beautiful woman devoted to pleasure at any cost, and the terrible legacy of her deeds has not yet died. There are ghosts and monsters haunting Coldheart Canyon, where nothing is forbidden . . .

    Steven Wrigley is trying to survive his senior year of high school, still reeling from the death of his mother and adjusting to life with his father. Along the way, he meets a girl who becomes another kind of obsession: Elise Devon.Elise’s secrets keep her distanced from everyone. She has a special place she calls the Obscura. She goes there when she is depressed or angry. The Obscura makes her feel like nothing she’s ever felt before. When she loses herself to the Obscura, she fears she also gives herself to something much darker, something much more powerful. Something calling itself the Sorrow King.Who is the Sorrow King?He is carved from wood and bone.He smells like wax, dead leaves, and memories.He travels by moonlight and drinks the sorrow of others.Can love exact vengeance on a monster made from madness, depression, and misery? Or will the Sorrow King bleed the town dry before satiating himself and moving on?

    Who but Stephen King would turn a Port-O-San into a slimy birth canal, or a roadside honky-tonk into a place for endless love? A book salesman with a grievance might pick up a mute hitchhiker, not knowing the silent man in the passenger seat listens altogether too well. Or an exercise routine on a stationary bicycle, begun to reduce bad cholesterol, might take its rider on a captivating—and then terrifying—journey. Set on a remote key in Florida, “The Gingerbread Girl” is a riveting tale featuring a young woman as vulnerable—and resourceful—as Audrey Hepburn’s character in "Wait Until Dark." In “Ayana,” a blind girl works a miracle with a kiss and the touch of her hand. For King, the line between the living and the dead is often blurry, and the seams that hold our reality intact might tear apart at any moment. In one of the longer stories here, “N.,” which recently broke new ground when it was adapted as a graphic digital entertainment, a psychiatric patient’s irrational thinking might create an apocalyptic threat in the Maine countryside...or keep the world from falling victim to it.

    When she became pregnant, he was ecstatic. They would finally have a child to complete their love.But then Holly began to change.She began reading strange, old books and consorting with a mysterious midwife named Mrs. Crouch. Day by day, she becomes less like the woman Richard married, slowly degenerating into something evil and monstrous.The child she carries is not his. In fact, it's not even human.Holly is about to unleash hell into the world.

    Her world is suddenly upturned when Maanik, the daughter of India’s ambassador to the United Nations, starts speaking in tongues and having violent visions. Caitlin is sure that her fits have something to do with the recent assassination attempt on her father—a shooting that has escalated nuclear tensions between India and Pakistan to dangerous levels—but when teenagers around the world start having similar outbursts, Caitlin begins to think that there’s a more sinister force at work. In Haiti, a student claws at her throat, drowning on dry land. In Iran, a boy suddenly and inexplicably sets himself on fire. Animals, too, are acting irrationally, from rats in New York City to birds in South America to ordinary house pets. With Asia on the cusp of nuclear war, Caitlin must race across the globe to uncover the mystical links among these seemingly unrelated incidents in order to save her patient—and perhaps the world.

    Maggie is a successful young artist who has had bad luck with men. Her last put her in the hospital and, after she’s healed physically, left her needing to get out of London to heal mentally and find a place of quiet that will restore her creative spirit. On the rugged west coast of Ireland, perched on a wild cliff side, she spies the shell of a cottage that dates back to Great Famine and decides to buy it. When work on the house is done, she invites her dealer to come for the weekend to celebrate along with a couple of women friends, one of whom will become his wife. On the boozy last night, the other friend pulls out an Ouija board. What sinister thing they summon, once invited, will never go.Ireland is a country haunted by its past. In Billy O'Callaghan's hands, its terrible beauty becomes a force of inescapable horror that reaches far back in time, before the Famine, before Christianity, to a pagan place where nature and superstition are bound in an endless knot.