One by the smallest bruise. The other by a devastating bushfire. And both by a shocking secret . . .Miami art curator Courtney Hamilton and her husband David live the perfect life until their ten-year-old son Matthew is diagnosed with leukaemia. He needs a bone-marrow transplant but, with Courtney being adopted, the chances of finding a match within his family are slim. Desperate to find a donor, Courtney tracks the scattered details of her birth 15,000 kilometres away, to the remote town of Somerset in the Victorian bush. Meanwhile Jade Taylor wakes up in hospital in Somerset having survived the deadly bushfire that destroyed the family home and their beloved olive groves. Gone too are the landmarks that remind her of her mother, Asha, a woman whose repeated absences scarred her childhood.As Jade rallies her fractured family to rebuild their lives, Courtney arrives in the burnt countryside to search for her lost parents - but discovers far more . . .

    Inspired by a real-life case of an IVF laboratory mix-up.Grace and Dan Arden are in their forties and have been on the IVF treadmill since the day they got married. Six attempts have yielded no results, and with each failure a little piece of their hope dies. Priya Laghari and her husband Nick Archer are being treated at the same fertility clinic, and while they don’t face the same time pressure as the Ardens, the younger couple have their own problems. On the same day that Priya is booked for her next IVF cycle, Grace goes in for her final, last-chance embryo transfer. Two weeks later, both women get their results. A year on, angry and heartbroken, one of the women learns her embryo was implanted in the other’s uterus and must make a devastating choice: live a childless life knowing her son is being raised by strangers or seek custody of a baby who has been nurtured and loved by another couple.

    Clark. Hiding from the law, they never expected to be caught in the crosshairs of a hunter… After relocating to South Africa on the heels of scandal five years ago, Chloe and her invalid father, Mike, once wealthy Zimbabwean landowners, now have little. Away at university, Chloe has had to rely on her father's best friend Enoch and his son Xo to watch over Mike. When a violent confrontation puts Chloe in danger, Enoch steps in to help – with inadvertent fatal results. With increasing pressure from a right–wing group on the police to charge Enoch, this mismatched family have no choice but to flee back to Zimbabwe. But crossing the border will be dangerous and near impossible with their route taking them amid warring dissident armies and landmines, and their every footstep is stalked by a shadowy ring of hunters – whose trophies are taken from more than animals...Only with help from Nick, formerly a soldier under Mike's command, now a professional game ranger, will the fugitives have a chance of making it home. But Nick has long struggled to come to terms with his fellow soldiers' choices before their unit was abandoned. Will his past demons put them all at risk?

    He has come to love the quiet routine of his job as a care assistant at a nursing home, where he has forged a close relationship with its most ill-tempered resident, Dr Paulsen. But when Oscar is lured into the chapel at King’s College by the ethereal sound of an organ, he meets and falls in love with Iris Bellwether, a beautiful and enigmatic medical student. He follows her into a world of scholarship, wealth, and privilege, and soon becomes embroiled in the machinations of her older brother, Eden. A charismatic but troubled musical prodigy, Eden persuades his sister and their close-knit circle of friends into a series of disturbing experiments. He believes that music — with his unique talent to guide it — has the power to cure, and will stop at nothing to prove himself right. As the line between genius and madness blurs, Oscar fears the danger that could await them all.

    Scrawled on the back of the picture are the words 'Forgive me'. Unable to resist the mystery behind it, she begins to unravel the story of two star-crossed lovers and one irrevocable betrayal.Take a moment to savour an evocative, bittersweet love story that echoes through the decades – perfect for fans of Kate Morton, Rachel Hore and Victoria Hislop.

    This is the story of the girl who stole it.Esme is born into a world of words. Motherless and irrepressibly curious, she spends her childhood in the ‘Scriptorium’, a garden shed in Oxford where her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. Esme’s place is beneath the sorting table, unseen and unheard. One day a slip of paper containing the word ‘bondmaid’ flutters to the floor. Esme rescues the slip and stashes it in an old wooden case that belongs to her friend, Lizzie, a young servant in the big house. Esme begins to collect other words from the Scriptorium that are misplaced, discarded or have been neglected by the dictionary men. They help her make sense of the world.Over time, Esme realises that some words are considered more important than others, and that words and meanings relating to women’s experiences often go unrecorded. While she dedicates her life to the Oxford English Dictionary, secretly, she begins to collect words for another dictionary: The Dictionary of Lost Words.Set when the women’s suffrage movement was at its height and the Great War loomed, The Dictionary of Lost Words reveals a lost narrative, hidden between the lines of a history written by men. It’s a delightful, lyrical and deeply thought-provoking celebration of words, and the power of language to shape the world and our experience of it.

    Almost teenagers, they already know some things are better left unsaid.Then a newcomer arrived in the Wimmera. Fab reckoned he was a secret agent and he and Ben staked him out. Up close, the man's shoulders were wide and the veins in his arms stuck out, blue and green. His hands were enormous, red and knotty. He looked strong. Maybe even stronger than Fab's dad. Neither realised the shadow this man would cast over both their lives.Twenty years later, Fab is still stuck in town, going nowhere but hoping for somewhere better. Then a body is found in the river, and Fab can't ignore the past any more.

    The woman quotes a phrase from the Karlson fragments that Caddie knows does not exist—and yet to Caddie, who knows Inga Karlson’s work like she knows her name, it feels genuine.Caddie is electrified. Jolted her from her sleepy, no-worries life in torpid 1980s Brisbane, she is driven to investigate: to find the clues that will unlock the greatest literary mystery of the twentieth century

    So when Ella decides on a new career selling property, she chooses Chalk Hill. The country town is a long way from the water, with no pool in sight. Perfect!Jake Honeychurch doesn’t want to sell his Nanna’s house, but circumstances force his hand. Listing the property with the rookie real estate agent in town, and asking a hefty price means it shouldn’t find a buyer. Perfect!But determination and persistence are traits Jake admires, and Ella has them in spades. After all, no one ever made an Olympic team by being a quitter.When news breaks of a proposed waterski park, a local developer starts sniffing around Honeychurch House. Ella’s first sale is so close she can taste it, until a sharp-eyed local recognises her.Between sale negotiations with Jake that keep getting sidetracked, and a swimming pool committee hellbent on making a splash, Ella has more to contend with than kisses and chlorine.Can she throw off the failures of the past and take the chance of a new start? Or will her dreams of a new life be washed away again?

    1850. The Great Exhibition is being erected in Hyde Park and among the crowd watching the spectacle two people meet. For Iris, an aspiring artist, it is the encounter of a moment – forgotten seconds later, but for Silas, a collector entranced by the strange and beautiful, that meeting marks a new beginning. When Iris is asked to model for pre-Raphaelite artist Louis Frost, she agrees on the condition that he will also teach her to paint. Suddenly her world begins to expand, to become a place of art and love.But Silas has only thought of one thing since their meeting, and his obsession is darkening . . .

    Or a relationship. Or just a date with a semi-normal person will do.It’s not that she hasn’t tried. She’s the queen of online dating. But enough is enough. Inspired by her job at The Little Brunswick Street Bookshop, Frankie decides to take fate into her own hands and embarks on the ultimate love experiment.Her plan? Plant her favourite books on trains inscribed with her contact details in a bid to lure the sophisticated, charming and well-read man of her dreams.Enter Sunny, and one spontaneous kiss later, Frankie begins to fall for him. But there’s just one problem – Frankie is strictly a classics kind of gal, and Sunny is really into Young Adult. Like really.A quirky and uplifting love letter to books, friendship and soulmates.

    Ikey's partner in crime is his mistress, the forthright Mary Abacus, until misfortune befalls them. They are parted and each must make the harsh journey from 19th century London to Van Diemens Land. In the backstreets and dives of Hobart Town, Mary learns the art of brewing and builds The Potato Factory, where she plans a new future. But her ambitions are threatened by Ikey's wife, Hannah, her old enemy. The two women raise their separate families. As each woman sets out to destroy the other, the families are brought to the edge of disaster.

    Two years later he was a key man on one of Australia’s greatest cattle drives – the Durack family’s epic journey from Cooper’s Creek, Queensland – to the Kimberley. Drawing on Charlie’s largely unknown story, and filling in the gaps with fiction, the author has created a novel unique in Australian literature. An unprecedented adventure, and a passionate love story – Whistler's Bones is both a celebration of the good things in the settlement of Northern Australia – and a damning indictment of the bad.

    One night he witnesses something miraculous, and makes a terrible mistake. His action changes lives—not only his own, but those of his family and the entire tightly knit community in which they live. Can he ever atone for the wrong he has done, and can love grow when its foundation is violence? Based on the legend of the selkies—seals who can transform into people—evokes the harsh beauty of the landscape, the resilience of its people, both human and animal, and the triumph of hope over fear and prejudice. With exquisite grace, Su Bristow transports us to a different world, subtly and beautifully exploring what it means to be an outsider, and our innate capacity for forgiveness and acceptance. Rich with myth and magic, Sealskin is, nonetheless, a very human story, as relevant to our world as to the timeless place in which it is set.

    Told in an unfurling narrative of interlinking stories, in a style reminiscent of David Mitchell's Cloud Atlas, McKinnon weaves together the stories of Will Martin together with the stories of four others: a desperate ex-convict, Hawker, who commits an act of terrible brutality; Lola, who in 1900 runs a dairy farm on the Illawarra with her brother and sister, when they come under suspicion for a crime they did not commit; Bel, a young girl who goes on a rafting adventure with her friends in 1998 and is unexpectedly caught up in violent events; and in 2033, Nada, who sees her world start to crumble apart. Intriguingly, all these characters are all connected - not only through the same land and water they inhabit over the decades, but also by tendrils of blood, history, memory and property...Compelling, thrilling and ambitious, Storyland is our story, the story of Australia. 'The land is a book waiting to be read' as one of the characters says - and this novel tells us an unforgettable and unputdownable story of our history, our present and our future.