Then the romantic comedy movie adaptation starring Diane Lane and John Cusack. Now MUST LOVE DOGS is a series!"Voluptuous, sensuous, alluring and fun. Barely 40 DWF seeks special man to share starlit nights. Must love dogs."Divorced preschool teacher Sarah Hurlihy's first mistake is letting her bossy big sister write her personal ad. Her second mistake is showing up to meet her first date in more than a decade. Now she's juggling her teaching job, her big, rollicking, interfering south-of-Boston Irish family, and more men than she knows what to do with. And what's up with all these dogs that are suddenly galloping into her life?"A hilariously original tale about dating and its place in a modern woman's life." -BookPage"If Must Love Dogs is any indication of her talents, readers will hope that Claire Cook will be telling breezy summer stories from the South Shore of Massachusetts for seasons to come." -The Washington Post"A laugh-out-loud novel . . . a light and lively read for anyone who has ever tried to re-enter the dating scene or tried to 'fix up' anyone else." -Boston Herald"This utterly charming novel by Cook is a fun read, perfect for whiling away an afternoon on the beach." -Library Journal "Claire Cook's Must Love Dogs, a book that's got more giggles than soda bread has raisins." -Hartford Courant"Claire Cook (Must Love Dogs) has built a brand writing light-hearted women's fiction blending kernels of the absurd and comedic in compulsively readable combinations." -Shelf Awareness"The exuberant and charming Claire Cook is one of the sassiest and funniest creators of contemporary women's fiction." -The Times-Picayune

    The son of infamous London criminal Mathew “Tommy Gun” Spork, he has turned his back on his family’s mobster history and aims to live a quiet life. That orderly existence is suddenly upended when Joe activates a particularly unusual clockwork mechanism. His client, Edie Banister, is more than the kindly old lady she appears to be—she’s a retired international secret agent. And the device? It’s a 1950s doomsday machine. Having triggered it, Joe now faces the wrath of both the British government and a diabolical South Asian dictator who is also Edie’s old arch-nemesis. On the upside, Joe’s got a girl: a bold receptionist named Polly whose smarts, savvy and sex appeal may be just what he needs. With Joe’s once-quiet world suddenly overrun by mad monks, psychopathic serial killers, scientific geniuses and threats to the future of conscious life in the universe, he realizes that the only way to survive is to muster the courage to fight, help Edie complete a mission she abandoned years ago and pick up his father’s old gun...

      At Davis & Dash, one of New York’s most prestigious publishing houses, five new authors will be published—but only one of them will be a bestseller. They have worked long and hard to write their novels of romance and murder, drama and love, but the story behind the stories is even more exciting. And the vicious competition to get the right agent, the perfect editor, and the choice spot on the bestseller list must be seen to be believed.   From the author of The First Wives Club, this “dishy” novel set in New York’s book publishing industry (Glamour) is a fun behind-the-scenes romp with “lots of romance and revenge” (The Washington Post Book World).   “Extremely satisfying.” —The New York Times Book Review

    But when he is stricken with an ill-timed case of ED (Erectile Dysfunction), the desperate player faces his biggest campaign killer of all and goes to hilarious extremes to keep himself in the running. Peter Lefcourt holds a perfectly cracked mirror to the spin-filled world of Washington's sexual politics and asks a penetrating question: How hard does a politician have to be?

    Men are always lining up to ask her out, but for some reason no one wants a second date.So Jane resolves to change her tack. One snowy night while watching a Doris Day marathon on cable it hits her: Doris Day always got her man. Trading her nondescript black pantsuit for petal pink Chanel and pearls, Jane dyes her hair, stops cursing, softens her voice, paints her nails--even her apartment--and embarks on a fun-filled journey to find the smart, sweet, gorgeous, capable, ambitious, courageous, loving, adoring, hardworking man of her dreams.

    Tired of always dreaming and never doing, Cici, Lindsay, and Bridget make a life-altering decision. Uprooting themselves from their comfortable lives in the suburbs, the three friends buy a run-down mansion, nestled in the picturesque Shenandoah Valley. They christen their new home "Ladybug Farm," hoping that the name will bring them luck. As the friends take on a home improvement challenge of epic proportions, they encounter disaster after disaster, from renegade sheep and garden thieves to a seemingly ghostly inhabitant. Over the course of a year, overwhelming obstacles make the three women question their decision, but they ultimately learn that sometimes the best things can happen when everything goes wrong...

    But one treacherous winter night, in a house isolated by icy roads and failed telephone lines, Sibyl takes desperate measures to save a baby's life. She performs an emergency Caesarean section on its mother, who appears to have died in labor. But what if—as Sibyl's assistant later charges—the patient wasn't already dead, and it was Sibyl who inadvertently killed her?As recounted by Sibyl's precocious fourteen-year-old daughter, Connie, the ensuing trial bears the earmarks of a witch hunt except for the fact that all its participants are acting from the highest motives—and the defendant increasingly appears to be guilty. As Sibyl Danforth faces the antagonism of the law, the hostility of traditional doctors, and the accusations of her own conscience, Midwives engages, moves, and transfixes us as only the very best novels ever do.

    Until now. When an old schoolmate from Possett turns up at Arlene's door in Chicago asking questions about Jim Beverly, former quarterback and god of Possett High, Arlene's break with her former hometown is forced to an end. At the same time, Burr, her long-time boyfriend, has raised an ultimatum: introduce him to her family or consider him gone. Arlene loves him dearly but knows her lily white (not to mention deeply racist) Southern Baptist family will not understand her relationship with an African American boyfriend. Reluctantly, Arlene bows to the pressure, and she and Burr embark on the long-avoided road trip back home. As Arlene digs through guilt and deception, her patched-together alibi begins to unravel, and she discovers how far she will go for love and a chance at redemption.

    Great job, really good hair, loyal friends, loving family. It’s only her succession of lame duck boyfriends that ruin the picture.Oh, and the world-famous rock-star father she’s never met, who won’t even acknowledge her existence.Then Ellie’s perfect life is smashed to pieces when her secret is sold to the highest bidder and her name, face (and pictures of her bottom) are splashed across the tabloids. Suddenly everyone thinks she’s a gold-digging, sex-crazy, famewhore.Enter David Gold. Charming and handsome David Gold. On paper he’s even more perfect than Ellie, if only he wasn’t her father’s ruthlessly ambitious lawyer whose job is to manage the crisis – and her. He certainly doesn’t think that Ellie’s the innocent party and she doesn’t trust him at all. So why is it that every time they’re alone together, damage limitation is the last thing on their minds?

    He was thinking about the lynx. The way it had looked at him, acknowledging his existence, then passing out of his life like smoke. . . It was the first thing—the only thing—that had managed, if only for a moment, to displace from his mind the image of the child. He had carried that image with him for a year now, and it had been a weight so great that sometimes he could hardly stand. Mary Lawson’s beloved novels, Crow Lake and The Other Side of the Bridge, have delighted legions of readers around the world. The fictional, northern Ontario town of Struan, buried in the winter snows, is the vivid backdrop to her breathtaking new novel.  Roads End brings us a family unravelling in the aftermath of tragedy: Edward Cartwright, struggling to escape the legacy of a violent past; Emily, his wife, cloistered in her room with yet another new baby, increasingly unaware of events outside the bedroom door; Tom, their eldest son, twenty-five years old but home again, unable to come to terms with the death of a friend; and capable, formidable Megan, the sole daughter in a household of eight sons, who for years held the family together but has finally broken free and gone to England, to try to make a life of her own.  Roads End is Mary Lawson at her best. In this masterful, enthralling, tender novel, which ranges from the Ontario silver rush of the early 1900s to swinging London in the 1960s, she gently reveals the intricacies and anguish of family life, the push and pull of responsibility and individual desire, the way we can face tragedy, and in time, hope to start again.

    His writing skills have not improved (despite using Raymond Chandler's typewriter to bang out his hard-boiled prose), but his crime solving prowess is still first rate. He'll need it, since murder seems to abound in the little Appalachian town of St. Germaine, North Carolina. St. Germaine is in a season of change: a couple of new shops have appeared on the square; the Great Smoky Mountain Renaissance Festival has just opened out at Camp Possumtickle; and St. Barnabas Church has a new priest, straight from France. As well as having his Episcopal appointment from the bishop, Father Moneyduck is also a famous mystery author and detective. It's a good thing, because the police department has a raft of homicides on its hands with no end in sight. Of course, they do things a little differently in France ... Hayden Konig's 15th (and final!) mystery The Choir Director Wore Out It s not what you expect ... It's even funnier!

    Guido plans to write poetry while Vincent feels confident he will win a Nobel prize for physics. When Guido spots Holly while exiting a museum, he can immediately sense that she will be difficult, quirky, and hard to live with. He loves her on sight. Vincent, open-minded and cheerful, meets Misty at work. Though she is a  bored and misanthropic brunette, he finds himself desperate to know her. Through courtship, jealousy, estrangement, and other perils, Happy All the Time follows four sane, intelligent, and good-intentioned people who manage to find love in spite of themselves.

    She’s landed an internship with the fabulous Selah Smith, event planner for the Hollywood elite, taking her from small-town Texas to the bright lights of LA. Landon soon finds herself in a world in which spending a million dollars on an event—even a child’s birthday party—is de rigueur and the whims of celebrity clients are life-and-death matters. At first, the thrill of working on A-list parties and celebrity weddings is enough to get Landon through the seventy-five-hour workweeks and endless abuse at the hands of her mercurial boss. But when the reality of the business reveals itself, she’s forced to make a choice: do whatever it takes to get ahead, or stay true to herself.Drawing on the author’s real-life experiences as an event planner to the stars, Party Girl takes readers on an adventure among Hollywood’s most beautiful—and most outrageous—people, revealing the ugly side of Hollywood’s prettiest parties.

    Mary, a small village in the English countryside filled with rolling hills, thatched cottages, and a cast of characters both hilariously original and as familiar as the members of your own family. Among them is Major Ernest Pettigrew (retired), the unlikely hero of Helen Simonson's wondrous debut. Wry, courtly, opinionated, and completely endearing, Major Pettigrew is one of the most indelible characters in contemporary fiction, and from the very first page of this remarkable novel he will steal your heart.The Major leads a quiet life valuing the proper things that Englishmen have lived by for generations: honor, duty, decorum, and a properly brewed cup of tea. But then his brother's death sparks an unexpected friendship with Mrs. Jasmina Ali, the Pakistani shopkeeper from the village. Drawn together by their shared love of literature and the loss of their respective spouses, the Major and Mrs. Ali soon find their friendship blossoming into something more. But village society insists on embracing him as the quintessential local and her as the permanent foreigner. Can their relationship survive the risks one takes when pursuing happiness in the face of culture and tradition?

    Six years later, again in June, Paul's death draws his three grown sons and their families back to their ancestral home. Fenno, the eldest, a wry, introspective gay man, narrates the events of this unforeseen reunion. Far from his straitlaced expatriate life as a bookseller in Greenwich Village, Fenno is stunned by a series of revelations that threaten his carefully crafted defenses. Four years farther on, in yet another June, a chance meeting on the Long Island shore brings Fenno together with Fern Olitsky, the artist who once captivated his father. Now pregnant, Fern must weigh her guilt about the past against her wishes for the future and decide what family means to her. In prose rich with compassion and wit, Three Junes paints a haunting portrait of love's redemptive powers.