Author of the New York Times bestsellers “Let the Great World Spin” and “Transatlantic,” McCann has been called “a giant among us” (Peter Carey), “dazzlingly talented” (O: The Oprah Magazine), and “that rare species in contemporary fiction: a literary writer who is an exceptional storyteller” (The Independent). He’s received a National Book Award, an Oscar nomination, and a slew of international prizes. His talents are on full display in his new short story, “Gone,” a deeply affecting literary thriller about a mother and son, alone in a cottage on the west coast of Ireland, and the search that ensues when the boy—whom she adopted years before, deaf and with “already a whole history written in him”—goes missing. He slips away in early morning, down to the cold sea with his new Christmas wetsuit, and as the hours and days drag on, the coast guard, police, dogs, fishermen, farmers, and schoolchildren holding hands search the sea and walk the fields while the television crews and detectives come and go, the police at the cottage seeming to “ghost into one another: almost as if they could slip into one another’s faces.” The mother, Rebecca, now under suspicion, is racked with guilt over the decisions that led to her son’s disappearance, and tormented by the judgment of others: "You bought what? A wetsuit? Why in the world? What sort of mother? How much wine did you drink?" For Rebecca, “every outcome was unwhisperable.” “Gone” is a charged narrative that propels you forward, heart in your throat, and a moving, intimate look at life’s struggles toward grace and a kind of redemption.

    In these twenty classic tales, Rumpole battles through the Old Bailey, whether defending various members of an incompetent South London crime family, taking on haute-cuisine chefs and showfolk or mocking the pomposity of his own profession, all the while being held in check by his wife, Hilda: the wonderful, fearsome She Who Must Be Obeyed. These collected stories, in Penguin Modern Classics for the first time, are a definitive introduction to one of the wisest and wittiest characters in British comic writing and a reminder of what justice should really be about. With a new introduction by Sam Leith, former literary editor of the Daily Telegraph and contributor to the Evening Standard, Guardian and Spectator.

    Compulsively readable and always accessible, each story takes the reader into the mind and heart of its central character, whether a young boy suffering from Lawrence Welk damage and teetering precariously on the edge of puberty ("The Music of Your Life") or a not-so-young-anymore man for whom fantasy and reality have become a terrifying blur and who finds himself slipping over the edge toward total meltdown ("Wildlife of Coastal Carolina"). Nostalgia plays a part in these stories as a somewhat jaded New York film critic looks back on his life and the movies that shaped him ("Spectators in Love"), and an aging flower-shop owner ruefully assesses the love he found and lost when, as an eighteen-year-old, he embarked on a Hollywood career that never soared but did include one particularly memorable appearance on the I Love Lucy television show ("Who Loves You?") These stories all create entire worlds within which the characters live and struggle to find their way. Funny, touching, serious, and tender, the tales within The Music of Your Life are sure to appeal to anyone who has ever known the awkwardness of being "different," and while life is often harsh for the stories' characters, the bold determination with which they persevere offers inspiration to all.

    These tender, subtle, and intimate stories give us men and women looking for something they seem to have missed, or missed out on, puzzling over not only their own lives but also the place they have come to occupy in the lives of others.Heartbreakingly beautiful, richly satisfying, The Complete Stories also includes David Malouf’s short fiction from Dream Stuff, Antipodes, and Child’s Play. It is a major literary event.

    She changes bodies and fights, again and again. But now the enemy has surrendered. There will be no further deployment. The war is over . . . but not for her.

    Harnham agrees to help her young protegee Anna write to her lover, she begins the development of an ill-fated misunderstanding.

    Weaving tales of India and of the new settlers in America, Chitra Divakaruni's stories explore themes of solitude, expectations, love and betrayal, as well as other reflections on life in both the East and the West.

    Travel back to the wacky Fifties in this comic compilation of the best of MAD's early years! From the Cold War and Richard Nixon (the first time around) to Howdy Doody and Mickey Mouse, this one's got it all...and then some!

    Many of the stories take place in the home, where what is behind the thin domestic barriers of doors tends toward violence, unseemly sexual encounters, and mental anguish. Schutt opens these doors in sudden, bold moments and exposes the unsettling intimacy of the rooms and corridors of our innermost lives. Yet at the same time, her characters are often hopeful, even optimistic.Startling and smartly wrought, A Day, a Night, Another Day, Summer is a breathtaking follow-up to Schutt's widely revered debut collection, Nightwork, and her critically acclaimed debut novel, Florida, which was a National Book Award Finalist.

    A series of personal stories from some of the non-Jews, including gypsies, political and religious activists, the physically challenged, and other "undesirables," who were persecuted but escaped the fate of the five million Gentiles murdered by the Nazis.

    But when she is told to teach the fascist Nazi curriculum, she refuses and starts a teacher’s rebellion, persuading eight thousand teachers to go on strike.The Germans arrest her, and terrified of what punishment her trial might bring, she is forced to go into hiding.Astrid's boyfriend, Jørgen Nystrøm, has joined the Norwegian Resistance. When his cover is blown he escapes to Shetland where he is taken on as crew for the Shetland Bus; a dangerous clandestine operation of small fishing boats that supply arms and intelligence to war-torn Norway.In Shetland, hearing Astrid is in trouble, Jørgen sets off through enemy waters to meet her.But the Nazis have a spy on Shetland and have been tipped off about the Shetland Bus.With the enemy in pursuit from both directions, will Astrid and Jørgen be able to find each other?Or will they be separated forever by the brutal Nazi regime?THE LIFELINE is a moving war & military saga following the separate stories of a young man and woman through the years of the Second World War as they fight for freedom in Norway and the Shetland Islands in Scotland.

    “I am looking for the artful way any given story is conveyed,” writes Roxane Gay in her introduction to The Best American Short Stories 2018, “but I also love when a story has a powerful message, when a story teaches me something about the world.” The artful, profound, and sometimes funny stories Gay chose for the collection transport readers from a fraught family reunion to an immigration detention center, from a psychiatric hospital to a coed class sleepover in a natural history museum. We meet a rebellious summer camper, a Twitter addict, and an Appalachian preacher—all characters and circumstances that show us what we “need to know about the lives of others.”

    Families, homes, lovers, marriages -- the safe havens they have been taught to depend on no longer guarantee shelter or stability.ONE WAY OR ANOTHER introduces Peter Cameron as an extraordinary writer, one distinguished not only by his prose, which is always abundantly witty and pitch-perfect, but also by a rare generosity of heart.Included in this book are two stories that were selected for the O. HENRY PRIZE STORIES: "Homework," first published in The New Yorker, and "Excerpts from Swan Lake," first published in The Kenyon Review.

    But this year won't be the same. Her daughter, Gracie, has joined her brother Jack at boarding school and Sandi dreads waking up to a quiet house. Even her husband, Paul, seems distant and preoccupied with farm work. So she never could have guessed what the day has in store...

    In the Daily Mail Angela Huth called "Good Evening, Mrs Craven" 'my especial find' and Ruth Gorb in the "Ham & High" contrasted the humour of some of the stories with the desolation of others: 'The mistress, unlike the wife, has to worry and mourn in secret for her man; a middle-aged spinster finds herself alone again when the camaraderie of the air-raids is over ...'