But they provided the city's founders with a refuge from the barbarians who had invaded their mainland homes. With energy and ingenuity, these displaced people created a maritime empire of unequaled splendor. At its height, the Republic of Venice was said to encompass "one quarter and one half of one quarter" of the known world. During those years, its merchant princess lived more lavishly than many kings. With the discovery of the New World, however, Venice's trading monopolies were broken. The long, slow decline that followed was protracted and infinitely poignant. Today, the decaying buildings adjoining the Rialto Bridge serve as haunting reminders of the bygone age of La Serenissima, the Most Serene Republic. Here is the dramatic story of the city that was once known as the most beautiful in the world - the bride of the Adriatic and the unchallenged mistress of the Mediterranean.

    Together with her quirky sidekick, Doris Pemberley, she's determined to solve mysteries and chase down criminals in the sleepy English village of Compton Poppleford. *** A new cozy mystery series from the author of the Penny Green Series, Emily Organ. *** 1932. Growing bored in the autumn of her years, Londoner Annabel Churchill decides to buy a private detective agency in a Dorset village. The purchase brings with it the eccentric Doris Pemberley and it’s not long before the two old ladies have their first case. No one has made more enemies than the local busybody, Mrs Furzgate, but when she suffers a fatal fall at Piddleton Hotel everyone assumes it was an accident. The detective duo, Churchill and Pemberley, suspect murder and are soon on the case. But is it possible they’ll upset even more people than Mrs Furzgate managed to? With the subtlety of two bulls in a china shop, Churchill and Pemberley employ unconventional sleuthing techniques. What appears to be a shortcoming is actually a skill: being consistently underestimated enables them to spring a clever surprise. For fans of light-hearted mysteries and sharp-witted elderly sleuths. Tragedy at Piddleton Hotel is the first book in the Churchill & Pemberley cozy mystery series. Book 1: Tragedy at Piddleton Hotel Book 2: Murder in Cold Mud

    Something new, to keep true love alive.They need Paris Beaufont.However, this fairy loses her lunch if she watches a romantic comedy. Love songs give her hives. She punched the last guy who tried to flirt with her.Needless to say, Paris Beaufont isn’t the romantic type.But she’s going to have to learn how to create budding love for others or she’s going to jail.When a series of criminal offenses forces Paris to attend fairy godmother college, she has to learn not to just stomach romance, but to master it.What this fairy godmother in-training learns isn’t just about love. And what she does for the college might change the planet forever— It is love that makes the world go round, after all.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    To Adrian she represented the chance to get away froma City shop and a suburban lodging by exploiting her theatrical talent and experience. To Rosy their progress towards the gayer South Coast resorts offered undreamed-of opportunities for drink and destruction. So the Monkspepper Hunt is driven to delirium and Lady Fenneltree's stately home reduced to a shambles. In due course the always efficient local constabulary caught up with the pair, whose ensuing trial was a like a triumph of the law and of the author's comic genius. The verdict was--but the story has to be read to be believed, if then. Even though the author does maintain that it is entirely credible, indeed that this, his first novel, is 'an almost true story'.

    On her sister's wedding day, Lassair meets an attractive and enigmatic stranger who brings a breath of the fascinating outside world to her backwater Fenland village. When he asks Lassair to use her unique talents to help locate a mysterious treasure she accepts, despite the dangers. But this is no ordinary treasure hunt; the object of the perilous search is five hundred years old and has a terrifying power of its own . . .

    How To is a guide to the third kind of approach. It's full of highly impractical advice for everything from landing a plane to digging a hole. Bestselling author and cartoonist Randall Munroe explains how to predict the weather by analyzing the pixels of your Facebook photos. He teaches you how to tell if you're a baby boomer or a 90's kid by measuring the radioactivity of your teeth. He offers tips for taking a selfie with a telescope, crossing a river by boiling it, and getting to your appointments on time by destroying the Moon. And if you want to get rid of the book once you're done with it, he walks you through your options for proper disposal, including dissolving it in the ocean, converting it to a vapor, using tectonic plates to subduct it into the Earth's mantle, or launching it into the Sun.By exploring the most complicated ways to do simple tasks, Munroe doesn't just make things difficult for himself and his readers. As he did so brilliantly in What If?, Munroe invites us to explore the most absurd reaches of the possible. Full of clever infographics and amusing illustrations, How To is a delightfully mind-bending way to better understand the science and technology underlying the things we do every day.

    While the Final Solution was a unique and unparalleled horror, German atrocities did not end there. The Nazis terrorized their own citizens, tortured and murdered POWs, and carried out countless executions throughout occupied Europe. Lord Russell of Liverpool was part of the legal team that brought Nazi war criminals to justice, and from this first-hand position, he published the sensational, bestselling The Scourge of the Swastika in 1954. Liverpool shows that the actions of the Third Reich, including the Holocaust, were illegal, not merely immoral.

    Especially when he learns that he must marry within a year or be forever dealing with trustees.As the new Marquis of Athelney, the captain takes command of Kingscastle and discovers much to be done to set it in order. He must also contend with his aunt, Lady Willoughby Hawksmoor, who is determined that her daughter will be his wife. When she discovers he is far more interested in Eleanor Burgess, her underpaid and much put-upon companion, Lady Willoughby shows she will stop at nothing to keep them apart.

    But when his father forces him to attend the Adventurers’ Academy, where warriors, enchanters, and rogues learn how to fulfil quests to become heroes, Dagdron must face a whole new life. When Dagdron is accused of stealing the Arch of Avooblis, he and his ever-honourable roommate, Earl, embark on a quest to recover the magical crystal. Along the way, they must deal with the mysterious Headmaster Gwauldron, a snobby princess-enchantress, and the fact that their involvement with the Arch of Avooblis may very well cost them their lives.

    He faces a second hurdle—he is slowly being poisoned with arsenic. A double mystery unfolds when it comes to light Lady Emma’s deceased husband was also suffering from arsenic poisoning. Is there a curse on the Earls of Farnworth or are there other forces at work that will rob Gabe and Emma of their chance to find true love?

    When Neil Kingsblood, a typical middle-American banker with a comfortable life, makes the shocking discovery that he has African blood, the odyssey that ensues creates an unforgettable portrayal of two Americas, one black, one white. As timely as when it was first published in 1947, one need only open today's newspaper to see the same issues passionately being discussed between blacks and whites that we find in Kingsblood Royal, says Charles Johnson. Perhaps only now can we fully appreciate Sinclair Lewis's astonishing achievement.

    The action takes place in the Welsh Marches during the latter part of the reign of Henry II, after 1187. Eveline, the 16-year-old daughter of Sir Raymond Berenger, is rescued from a Welsh siege by the forces of Damian Lacy. She is betrothed to his uncle, Sir Hugo, who leaves on a crusade. Rebels led by Ranald Lacy attempt to kidnap her, and Damian fights them off, but a confused sequence of events convinces the King that she and her beloved are in league against him.

    Its mission: to cut the lifeline of British shipping and win the war with one mighty blow. How the Royal Navy tried to meet this threat and its desperate attempt to bring the giant Bismarck to bay is the story C. S. Forester tells with mounting excitement and suspense!

    Following in the tradition of such classics as Arthur Huff Fauset’s “Negro Folk Tales from the South” (1927), Zora Neale Hurston’s Mules and Men (1935), and Virginia Hamilton’s The People Could Fly (1985), acclaimed scholars Henry Louis Gates Jr. and Maria Tatar assemble a groundbreaking collection of folktales, myths, and legends that revitalizes a vibrant African American past to produce the most comprehensive and ambitious collection of African American folktales ever published in American literary history. Arguing for the value of these deceptively simple stories as part of a sophisticated, complex, and heterogeneous cultural heritage, Gates and Tatar show how these remarkable stories deserve a place alongside the classic works of African American literature, and American literature more broadly.Opening with two introductory essays and twenty seminal African tales as historical background, Gates and Tatar present nearly 150 African American stories, among them familiar Brer Rabbit classics, but also stories like “The Talking Skull” and “Witches Who Ride,” as well as out-of-print tales from the 1890s’ Southern Workman. Beginning with the figure of Anansi, the African trickster, master of improvisation—a spider who plots and weaves in scandalous ways—The Annotated African American Folktales then goes on to draw Caribbean and Creole tales into the orbit of the folkloric canon. It retrieves stories not seen since the Harlem Renaissance and brings back archival tales of “Negro folklore” that Booker T. Washington proclaimed had emanated from a “grapevine” that existed even before the American Revolution, stories brought over by slaves who had survived the Middle Passage. Furthermore, Gates and Tatar’s volume not only defines a new canon but reveals how these folktales were hijacked and misappropriated in previous incarnations, egregiously by Joel Chandler Harris, a Southern newspaperman, as well as by Walt Disney, who cannibalized and capitalized on Harris’s volumes by creating cartoon characters drawn from this African American lore.Presenting these tales with illuminating annotations and hundreds of revelatory illustrations, The Annotated African American Folktales reminds us that stories not only move, entertain, and instruct but, more fundamentally, inspire and keep hope alive.The Annotated African American Folktales includes:Introductory essays, nearly 150 African American stories, and 20 seminal African tales as historical backgroundThe familiar Brer Rabbit classics, as well as news-making vernacular tales from the 1890s’ Southern WorkmanAn entire section of  Caribbean and Latin American folktales that finally become incorporated into the canonApproximately 200 full-color, museum-quality images