Phillips has long been hailed for work provocative in its candor, uncompromising in its inquiry, and at once rigorous and innovative in its attention to craft. Over the course of nine critically acclaimed collections, he has generated a sustained meditation on the restless and ever-shifting myth of human identity. Desire and loss, mastery and subjugation, belief and doubt, sex, animal instinct, human reason: these are among the lenses through which Phillips examines what it means to be that most bewildering, irresolvable conundrum, a human being in the world.These new poems are of a piece with Phillips's previous work in their characteristic clarity and originality of thought, in their unsparing approach to morality and psychology, and in both the strength and startling flexibility of their line. Speak Low is the record of a powerful vision that, in its illumination of the human condition, has established itself as a necessary step toward our understanding of who we are in the twenty-first century.Speak Low is a 2009 National Book Award Finalist for Poetry.

    What did I know of our language but pieces? Would I teach her to be pieces? Until a friend comforted, Don’t worry, you and your daughter will learn together. Today she stood sunlight on her shoulders lean and straight to share a song in Diné, her father’s language. To sing she motions simultaneously with her hands; I watch her be in multiple musics.—from “WHEREAS Statements”WHEREAS confronts the coercive language of the United States government in its responses, treaties, and apologies to Native American peoples and tribes, and reflects that language in its officiousness and duplicity back on its perpetrators. Through a virtuosic array of short lyrics, prose poems, longer narrative sequences, resolutions, and disclaimers, Layli Long Soldier has created a brilliantly innovative text to examine histories, landscapes, her own writing, and her predicament inside national affiliations. “I am,” she writes, “a citizen of the United States and an enrolled member of the Oglala Sioux Tribe, meaning I am a citizen of the Oglala Lakota Nation—and in this dual citizenship I must work, I must eat, I must art, I must mother, I must friend, I must listen, I must observe, constantly I must live.” This strident, plaintive book introduces a major new voice in contemporary literature.

    A harrowing incident years before left her a virtual prisoner in her own home, forever wary of the heartbreak and limitation of a girl’s life.Eleven years after they began fostering, the Moscatellis are raising three children as their own and Dahlia and Louie consider their family complete, but when the social worker begs them to take a young girl who has been horrifically abused and neglected, they can’t say no.Six-year-old Agnes Juniper arrives with no knowledge of her Native American heritage or herself beyond a box of trinkets given to her by her mother and dreamlike memories of her sister. Before long, this stranger in their midst has strengthened the bond in this unusual family, showing them how to contend with outside forces that want to tear them apart. Heartfelt and enthralling, All the Children Are Home is a moving testament to how love can survive in the face of devastating losses.

    Until one summer night, when a shocking betrayal sent Laura running through the pines, down the dock, and into a new life, leaving Casey and a first love in her wake.But the past is impossible to escape, and now, after seventeen years away, Laura is pulled home and into a reunion with Casey she can’t resist—one last scavenger hunt. With a twist: this time, the list of clues leads to the settings of their most cherished summer memories. From glistening Jade Cove to the vintage skating rink, each step they take becomes a bittersweet reminder of the friendship they once shared. But just as the game brings Laura and Casey back together, the clues unravel a stunning secret that threatens to tear them apart…“This is a lovely debut by Doan, exploring themes of motherhood, daughterhood, and first love with tenderness and humor. The writing is fresh and charming, a perfect read for anyone who spent her teenage years reading the racy bits of cheap paperbacks out loud to their best friends.”-Booklist, STARRED* review“Doan’s characters leap off the page…[An] accomplished debut novel…Will please readers who grew up with the novels of Judy Blume.”-Publishers Weekly“With a vivid sense of place and characters as real as your high school besties, this debut novel is sure to please fans of Kristin Hannah and Elin Hilderbrand.”-Library Journal“A poignant tale of mothers and daughters finding their ways home to each other.”-Kirkus Reviews“Summer Reads: Coolest Books of the Season”-Globe and Mail“Best New Books to Put in Your Beach Bag”-PopSugar “Best Books of Summer 2018”-Family Circle“Best New Books for Summer 2018”-Coastal Living“A trip down memory lane becomes a hunt for long-buried secrets in Amy Mason Doan’s gripping and poignant debut. An evocative tale of family, first love, and the unique and lasting gift of a friendship formed in girlhood.”-Meg Donohue, USA Today bestselling author“There is not a word or a plot line out of place in The Summer List, Amy Mason Doan’s fabulous debut. These characters and their stories are going to stick with you for a long, long time.”-Meg Mitchell Moore, author of The Admissions and The Captain’s Daughter“An ideal summer read…a compelling blend of love, betrayal, secrets and reconciliation…”-The Oregonian“An amazing debut.”-Authorlink“Read this one on the beach with your BFF.”-HelloGiggles"The perfect summer read. Beautifully drawn characters creating a page-turning mystery. I stayed up way too late to find out what happened! Impossible to put down!”-Bestselling author M. O’Keefe“In her mesmerizing debut, Amy Mason Doan challenges everything we think we know about family and forgiveness. Readers will be swept up in this haunting story of buried secrets and lost love.”-Lynda Cohen Loigman, author of The Two-Family House“With its exquisite detail, The Summer List wouldn’t let me go, and the unexpected ending gave me chills…Irresistible.”-Jennifer S. Brown, author of Modern Girls“A tender novel about friendship lost and rekindled, and uncovering the truth of the past.”-Polly Dugan, author of So Much a Part of You and The Sweetheart Deal“Moving…compelling…beautifully written characters.”-The Girly Book Club

    Deeply researched and even more deeply felt, Perennial inhabits landscapes of emerging adulthood and explosive cruelty―the hills of Pittsburgh and the sere grass of Colorado; the spines of books in a high school library that has become a killing ground; the tenderness of children as they grow up and grow hard, becoming acquainted with dread, grief, and loss.

    A lyrical response to the struggles of Black lives in our world . . . to America’s crisis of conscience . . . to the centuries of loss, endless resilience, and unstoppable hope.   Includes an introduction by the author and a bold, graphically designed interior.

    We find her awake in the middle of the night, contemplating love and heartbreak in all their exhilarating and anguished specifics. With astonishing openness, in language both passionate and enchanting, she offers us an intimate map of a troubled and far-flung heart: “Can you believe I thought that?” she asks, “That we would always go/roaming brave and dangerous/on wild unlit roads?”At once witty and tender, with Dorothy Parker–like turns of the knife and memorable partings from lovers in New York, London, Rome and beyond, these poems capture a restless movement through loves and locales, and charm us at every turn with their forthrightness.From the Hardcover edition.

    Here, the poet holds his world in full focus but at an astonishing angle: from the violence of the seventeenth-century English Civil War as refracted through a mythic sea wanderer, right down to the dark interior of love.These poems arrange the contemporary continuum of home and abroad into a wonderment of cracked narrative sequences and tumultuous personae. With ears tuned to the vernacular, the collection vividly binds us to what is terrifying about happiness, loss, and the lure of the sea. House of Lords and Commons testifies to the particular courage it takes to wade unsettled, uncertain, and unfettered in the wake of our shared human experience.

    You haven't even learned it:ecstasy and suffering make the same face.--from "The Offering"May Day is both a distress call and a celebration of the arrival of spring. In this rich and unusually assured first collection, the poet Gretchen Marquette writes of the losses of a brother gone off to war in Afghanistan and Iraq, and a great love--losses that have left the world charged with absence and grief. But there is also the wonder of the natural world: the deer at the edge of the forest, the dog reliably coaxing the poet beyond herself and into the city park where by tradition every May Day is pageantry, a festival of surviving the long winter. "What does it mean to be in love?" one poem asks. "As it turns out, / the second best thing that can happen to you / is a broken heart."May Day introduces readers to a new poet of depth and power.

    Brown.From its inception in California in 1974 to its Broadway revival in 2022, the Obie Award–winning for colored girls who have considered suicide/when the rainbow is enuf has excited, inspired, and transformed audiences all over the country for nearly fifty years. Passionate and fearless, Shange’s words reveal what it meant to be a woman of color in the 20th century. First published in 1975, when it was praised by The New Yorker for “encompassing…every feeling and experience a woman has ever had,” for colored girls who have considered suicide/when the rainbow is enuf will be read and performed for generations to come. Now with new introductions by Jesmyn Ward and Broadway director Camille A. Brown, and one poem not included in the original, here is the complete text of a groundbreaking dramatic prose poem that resonates with unusual beauty in its fierce message to the world.

    / The elms made tents of solace over grimy / streets and alley cats purred me to sleep.” She writes in graphic, unflinching language about the poor, banished now by politicians because they are no longer “real people like corporations.” There are elegies for her peer group of poets, gone now, whose work she cherishes but from whom she cannot help but want more. There are laments for the suicide of dolphins and for her beloved cats, as she remembers “exactly how I loved each.” She continues to celebrate Jewish holidays in compellingly original ways and sings praises of her marriage and the small pleasures of daily life.This is a stunning collection that will please those who already know Marge Piercy’s work and offer a splendid introduction to it for those who don’t.

    In Molly Brodak’s dazzling memoir, Bandit, her eye is so honest, I found myself nodding like I was agreeing with her, sometimes cringing at what she sustained, and laughing—often. I can’t wait to buy a copy for everyone I know.”—Kathryn Stockett, author of The HelpIn the summer of 1994, when Molly Brodak was thirteen years old, her father robbed eleven banks, until the police finally caught up with him while he was sitting at a bar drinking beer, a bag of stolen money plainly visible in the backseat of his parked car. Dubbed the “Mario Brothers Bandit” by the FBI, he served seven years in prison and was released, only to rob another bank several years later and end up back behind bars.In her powerful, provocative debut memoir, Bandit, Molly Brodak recounts her childhood and attempts to make sense of her complicated relationship with her father, a man she only half knew. At some angles he was a normal father: there was a job at the GM factory, a house with a yard, birthday treats for Molly and her sister. But there were darker glimmers, too—another wife he never mentioned to her mother, late-night rages directed at the TV, the red Corvette that suddenly appeared in the driveway, a gift for her sister. Growing up with this larger-than-life, mercurial man, Brodak’s strategy was to “get small” and stay out of the way. In Bandit, she unearths and reckons with her childhood memories and the fracturing impact her father had on their family—and in the process attempts to make peace with the parts of herself that she inherited from this bewildering, beguiling man.Written in precise, spellbinding prose, Bandit is a stunning, gut-punching story of family and memory, of the tragic fallibility of the stories we tell ourselves, and of the contours of a father’s responsibility for his children.

    In these poems, Justin Phillip Reed experiments with language to explore inequity and injustice and to critique and lament the culture of white supremacy and the dominant social order. Political and personal, tender, daring, and insightful―the author unpacks his intimacies, weaponizing poetry to take on masculinity, sexuality, exploitation, and the prison industrial complex and unmask all the failures of the structures into which society sorts us.

    A passionate follower of WEB. Du Bois, he believes that black people should rise up to claim their place as equals.Sixteen-year-old Angel Hill is a loner, mostly disregarded by her peers as a goody-goody. Her father is dying, and her family’s financial situation is in turmoil. Also, as a loyal follower of Booker T. Washington, she believes, through education and tolerance, that black people should rise slowly and without forced conflict.Though they’ve attended the same schools, Isaiah never noticed Angel as anything but a dorky, Bible toting church girl. Then their English teacher offers them a job on her mobile library, a three-wheel, two-seater bike. Angel can’t turn down the money and Isaiah is soon eager to be in such close quarters with Angel every afternoon.But life changes on May 31, 1921 when a vicious white mob storms the community of Greenwood, leaving the town destroyed and thousands of residents displaced. Only then, Isaiah, Angel, and their peers realize who their real enemies are.

    A vibrant and transcendent journey about growth and healing. Ancestry and honoring one’s roots. Expatriation and rising up to find a home within yourself.Divided into five chapters and illustrated by Kaur, the sun and her flowers is a journey of wilting, falling, rooting, rising, and blooming. A celebration of love in all its forms. this is the recipe of lifesaid my motheras she held me in her arms as i wept think of those flowers you plantin the garden each year they will teach youthat people toomust wiltfallrootrisein order to bloom