Free of ideological bias, profound in its undertsanding, and compassionate in its human portrayals, it is filled with fresh revelations drawn from secret documents and from exclusive interviews with participants-French, American, Vietnamese, Chinese: diplomats, military commanders, high government officials, journalists, nurses, workers, and soldiers. Originally published a companion to the Emmy-winning PBS series, Karnow’s defining book is a precursor to Ken Burns’s ten-part forthcoming documentary series, The Vietnam War. Vietnam: A History puts events and decisions into such sharp focus that we come to understand – and make peace with – a convulsive epoch of our recent history.

    Imagine what Dr. Spock might have written if he were a healer from Bali...or an Aboriginal grandmother from the Australian desert...or a diviner from a rural village in West Africa. As the seven child care manuals in this book reveal, experts worldwide offer intriguingly different advice to new parents. A World of Babies brings alive infant care practices around the world in the form of baby and child care manuals written by members of seven real societies. The information, while presented in an imaginative fictive format, is based on extensive research by anthropologists, psychologists, and historians. Encountering fascinating facts about how people in other societies view and raise their babies, readers may be led to see the beliefs and practices of their own society from a new perspective. The creative format of this book brings alive a rich fund of ethnographic knowledge, vividly illustrating a simple but powerful truth: there exist many models of babyhood, each shaped by deeply held values and widely varying cultural contexts. After reading this book, you will never again view child-rearing as a matter of common sense. Judy DeLoache is Professor of Psychology at the Beckman Institute for Advanced Science and Technology at the University of Illinois at Urbana-Champaign. Alma Gottlieb is Professor of Anthropology at the University of Illinois at Urbana-Champaign.

    Wild, unpredictable, even dangerous, André is worshipped by his young son, who believes that his father can do no wrong.When the boy discovers his father’s true identity — and the crime sprees and prison sentences attached to it — his imagination is set on fire. Before long, he is imagining himself as a character in one of his father’s stories. At once attracted and repelled, Deni can’t escape the sense that his father’s life holds the key to understanding himself and to making sense of his own passions, aversions, and motivations.Eventually he finds himself snared in the controlling impulses of his mysterious father and increasingly obsessed by his father’s own muted recollections of the childhood he’d fled long ago — his birth to a poor family in the Gaspé, his hunger for excitement and a better life, his crimes spreading out from Quebec to the American west, his identity as ephemeral as the wind.Cures for Hunger is a gripping memoir of a young man’s quest to understand the hunger that burns for the unattainable, the story of the heart of a boy looking for the soul of a man and the darkness that he finds within.

    In restaurants and hotel rooms, the couple begin telling folk tales to each other, perhaps as a way to fill the undefined space between them. Theirs is a comic and enigmatic relationship in which emotions are often muted and sometimes masked by verbal play and philosophical questions, and further complicated by the woman’s frequent unexplained disappearances.You Are Eating an Orange. You Are Naked. is an intimate novel of memory and longing that challenges Western tropes and Orientalism. Embracing the playful surrealism of Haruki Murakami and the atmospheric narratives of filmmaker Wong Kar-wai, Sheung-King’s debut is at once lyrical and punctuated, and wholly unique, and marks the arrival of a bold new voice in Asian-Canadian literature.Praise for You Are Eating an Orange. You Are Naked.:Longlisted for CBC's Canada Reads 2021“One of the best book debuts of 2020” — The Globe and Mail“Sheung-King has written a wonderfully unexpected and maverick love story but also a novel of ideas that hopscotches between Toronto, Macau, Hong Kong, Tokyo, and Prague. It is enchanting, funny, and a joy to read.”—Kyo Maclear, author of Birds Art Life“A tale of two rich and rootless people that oozes the horror and confusion of love, while staying somehow still desperately romantic, and so gloriously sad. This novel is also about something else: it gives the cold shoulder to the dominant gaze and its demands to control the Asian body, carving out a thrilling space beyond whiteness. I didn’t want it to end.” —Thea Lim, author of An Ocean of Minutes, a finalist for the Scotiabank Giller Prize“In a cruel paradox for writers who are just trying to recount their lives, the tropes of diasporic lit have made it nearly impossible to write about belonging without also placing whiteness at the center of attention—the tropes exist because stories that do this are regularly rewarded with publication. But You Are Eating an Orange. You Are Naked. sidesteps this trap all together: It is bored by Western approval.” — Thea Lim, The Nation.“He practically sets the page on fire." —Brett Josef Grubisic, Toronto Star

    Everyone else is annihilated. When a medic finally rescues Paco almost two days later, he is waiting to die, flies and maggots covering his burnt, shattered body. He winds up back in the US with his legs full of pins, daily rations of Librium and Valium, and no sense of what to do next. One evening, on the tail of a rainstorm, he limps off the bus and into the small town of Boone, determined to find a real job and a real bed—but no matter how hard he works, nothing muffles the anguish in his mind and body. Brilliantly and vividly written, Paco's Story—winner of a National Book Award—plunges you into the violence and casual cruelty of the Vietnam War, and the ghostly aftermath that often dealt the harshest blows.

    Mei-ling works after school, and her father holds down several jobs, in a frantic effort to come up with the head tax that will allow her mother and brother to come to Canada. They must have that money before the Exclusion Act bars any more Chinese from immigrating. Mei-ling cannot stop thinking about what will happen if they are unable to come up with the money to reunite their family?

    naval history.Sailors to the End tells the dramatic and until now forgotten story of the 1967 fire on board the USS Forrestal during its time at Yankee Station off the coast of Vietnam. The aircraft carrier, the mightiest of the U.S. fleet, was preparing to launch attacks into North Vietnam when one of its jets accidentally fired a rocket across the flight deck and into an aircraft occupied by pilot John McCain. A huge fire ensued, and McCain barely escaped before a 1,000-pound bomb on his plane exploded, causing a chain reaction with other bombs on surrounding planes. The crew struggled for days to extinguish the fires, the five thousand men on board experiencing different kinds of hell -- some trapped in damaged compartments waiting to die, some battling rivers of flaming jet fuel in order to rescue their buddies. Almost all of them were innocent eighteen- and nineteen-year-olds, but in an instant they were thrust into a tragedy that nearly destroyed the ship and took the lives of 134 men.Written with the intensity and excitement of a thriller, and based on never-before-disclosed information and extensive interviews with the fire's survivors, here is the first full, minute-by-minute account of the disaster. Told through the stories of a dozen sailors, including John Beling, the carrier's beloved captain who was made a scapegoat for the disaster, Sailors to the End follows the Forrestal from its home in Norfolk, Virginia, through its mission in Vietnam. Focusing on the fateful fire and its aftermath, this book provides a gripping tale of heartache and heroism as young men find themselves trapped on a burning ship with bombs exploding all around them.Sailors to the End also corrects the official view of the fire, providing evidence that the U.S. government compromised the ship's safety by insisting on increased bombing despite the shortage of reliable weapons. For thirty-five years, the terrible loss of life has been blamed on the sailors themselves, but this meticulously documented history shows that they were truly the victims and heroes, deserving recognition for their efforts during a sweeping tragedy that until now has been only a footnote in history. Gregory A. Freeman dramatically brings this story to life, creating a work that is both riveting and moving.

    We meet his future wife, chanting Hai Rams for Gandhiji and choosing education over marriage. On one side of the line divides this book, we follow them as their homeland splits in two and they are drawn together, moving to Canada and raising their children in mining towns and in crowded city apartments. And when we turn the book over, we find the daughter's tale—we see how the rupture of Partition, the asymmetry of a father's leg, the virus of a mother's rage, makes its way to the next generation.Told through the lenses of biology, physics, history and poetry, this is a memoir that defies form and convention to immerse the reader in the feeling of what remains when we've heard as much of the truth as our families will allow, and we're left to search for ourselves among the pieces they've carried with them.

    Benny Cooperman, a private eye in Grantham, Ontario, Canada with a hard head and a tender heart, was ready to help her in any way he could. Was her husband Chester having an affair, is her concern. But when Ches commits suicide the day Benny begins his investigation, the detective realizes he may be dealing with something beyond a simple "family affair."Probing into the curious circumstances surrounding the death, Benny finds himself in the midst of a strange group of people--one that involves a mysterious psychiatrist, shady eminent citizens, and soon a few more suicides. Or are they murders?

    Senator; Secretary of the Navy; recipient of the Navy Cross, Silver Star and Purple Heart as a combat Marine; and a self-described “military brat” - has written an extraordinary memoir of his early years, “a love story - love of family, love of country, love of service,” in his words.Webb’s mother grew up in the poverty-stricken cotton fields of Eastern Arkansas. His father and life-time hero was the first of many generations of Webbs, whose roots are in Appalachia, to finish high school. He flew bombers in World War II, cargo planes in the Berlin Airlift, graduated from college in middle age, and became an expert in the nation’s most advanced weaponry.Webb’s account of his childhood is a tremendous American saga as the family endures the constant moves and challenges of the rarely examined Post-World War II military, with his stern but emotionally invested father, loving and resolute mother, a granite-like grandmother who held the family together during his father’s frequent deployments, and an assortment of invincible aunts, siblings, and cousins. His account of his four years at Annapolis are painfully honest but in the end triumphant. His description of Vietnam’s most brutal battlefields breaks new literary ground. One of the most highly decorated combat Marines of that war, he is a respected expert on the history and conduct of the war. Webb’s novelist’s eyes and ears invest this work with remarkable power, whether he is describing the resiliency that grew from constant relocations during his childhood, the longing for his absent father, his poignant goodbye to his parents as he leaves for Vietnam, his role as a 23-year-old lieutenant through months of constant combat, or his election to the Senate where he was known for his expertise in national defense, foreign policy, and economic fairness. This is a life that could only happen in America.

    Only Breed can destroy it.Late in 1974, six Green Berets were sent into China on a desperate mission. They were called the Black Sheep. Compromised, the mission failed. The men fled through a bat cave and barely escaped with their lives.Fifty years later, assassins are killing the Black Sheep one by one. Their leader, Sam Crockett, was a close friend of Breed's father. When Crockett goes missing, Breed sets out to find the vet, and thwart the assassins sent to kill him.Breed finds Crockett and learns the horrifying secret of the bat cave. Anya Stein, of the CIA, sends Breed on a mission tailor-made for a man of his lethal qualifications. The only problem—it could be his last.Target Deck—Book Three in the stunning Breed action thriller series. Perfect for fans of Lee Child, Jason Kasper, and Jack Carr.

    Viet Nam, 1963. A female Viet Cong assassin is trawling the boulevards of Saigon, catching US Army officers off-guard with a single pistol shot, then riding off on the back of a scooter. Although the US military is not officially in combat, sixteen thousand American servicemen are stationed in Viet Nam “advising” the military and government. Among them are Ellsworth Miser and Clovis Robeson, two army investigators who have been tasked with tracking down the daring killer.Set in the besieged capital of a new nation on the eve of the coup that would bring down the Diem regime and launch the Americans into the Viet Nam War, Play the Red Queen is Juris Jurjevics’s capstone contribution to a lifelong literary legacy: a tour-de-force mystery-cum-social history, breathtakingly atmospheric and heartbreakingly alive with the laws and lawlessness of war.

    It, too, is destined to become a classic text on the absurdities of war. Evocative, emotionally wrenching, and yet clear-eyed and dispassionate, Pumpkinflowers is a stunning achievement.” —Kai Bird, Pulitzer Prize–winning biographer and New York Times bestselling author of The Good SpyIt was one small hilltop in a small, unnamed war in the late 1990s, but it would send out ripples still felt worldwide today. The hill, in Lebanon, was called the Pumpkin; flowers was the military code word for “casualties.” Award-winning writer Matti Friedman re-creates the harrowing experience of a band of young soldiers--the author among them--charged with holding this remote outpost, a task that changed them forever and foreshadowed the unwinnable conflicts the United States would soon confront in Iraq, Afghanistan, and elsewhere.Part memoir, part reportage, part military history, this powerful narrative captures the birth of today’s chaotic Middle East and the rise of a twenty-first-century type of war in which there is never a clear victor, and media images can be as important as the battle itself. Raw and beautifully rendered, Pumpkinflowers will take its place among classic war narratives by George Orwell, Philip Caputo, and Vasily Grossman. It is an unflinching look at the way we conduct war today.

    There’s Tuyen, a lesbian avant-garde artist and the daughter of Vietnamese parents who’ve never recovered from losing one of their children in the crush to board a boat out of Vietnam in the 1970s. Tuyen defines herself in opposition to just about everything her family believes in and strives for. She’s in love with her best friend Carla, a biracial bicycle courier, who’s still reeling from the loss of her mother to suicide eighteen years earlier and who must now deal with her brother Jamal’s latest acts of delinquency. Oku is a jazz-loving poet who, unbeknownst to his Jamaican-born parents, has dropped out of university. He is in constant conflict with his narrow-minded and verbally abusive father and tormented by his unrequited love for Jackie, a gorgeous black woman who runs a hip clothing shop on Queen Street West and dates only white men. Like each of her friends, Jackie feels alienated from her parents, former hipsters from Nova Scotia who never made it out of subsidized housing after their lives became entangled with desire and disappointment. The four characters try to make a life for themselves in the city, supporting one another through their family struggles.There’s a fifth main character, Quy, the child who Tuyen’s parents lost in Vietnam. In his first-person narrative, Quy describes how he survived in various refugee camps, then in the Thai underworld. After years of being hardened, he has finally made his way to Toronto and will soon be reunited with his family – whether to love them or hurt them, it’s not clear. His story builds to a breathless crescendo in an ending that will both shock and satisfy readers. What We All Long For is a gripping and, at times, heart-rending story about identity, longing and loss in a cosmopolitan city. No other writer has presented such a powerful and richly textured portrait of present-day Toronto. Rinaldo Walcott writes in The Globe and Mail: “… every great city has its literary moments, and contemporary Toronto has been longing for one. We can now say with certainty that we no longer have to long for a novel that speaks this city’s uniqueness: Dionne Brand has given us exactly that.” Donna Bailey Nurse writes in the National Post: “What We All Long For is a watershed novel. From now on, Canadian writers will be pressed to portray contemporary Toronto in all its multiracial colour and polyphonic sound.” But What We All Long For is not only about a particular city. It’s about the universal experience of being human. As Walcott puts it, “Brand makes us see ourselves differently and anew. She translates our desires and experiences into a language, an art that allows us to voice that which we live, but could not utter or bring to voice until she did so for us.”

    One of the many Hong Kong "astronaut" fathers, he stays there to work, while the rest of the family immigrated to Canada before the 1997 Handover, when the British returned sovereignty over Hong Kong to China.As she revisits memories of her father through the years, she struggles with unresolved questions and misunderstandings. Turning to her mother and grandmother for answers, she discovers her own life refracted brightly in theirs.Buoyant, heartbreaking, and unexpectedly funny, Ghost Forest is a slim novel that envelops the reader in joy and sorrow. Fung writes with a poetic and haunting voice, layering detail and abstraction, weaving memory and oral history to paint a moving portrait of a Chinese-Canadian astronaut family.