This is essentially the second part of Little Women.Amy looked relieved, but naughty Jo took her at her word, for during the first call she sat with every limb gracefully composed, every fold correctly draped, calm as a summer sea, cool as a snowbank, and as silent as the sphinx. In vain Mrs. Chester alluded to her 'charming novel', and the Misses Chester introduced parties, picnics, the opera, and the fashions. Each and all were answered by a smile, a bow, and a demure "Yes" or "No" with the chill on.

    There's Popo the carpenter, who neglects his livelihood to build "the thing without a name." There's Man-man, who goes from running for public office to staging his own crucifixion, and the dreaded Big Foot, the bully with glass tear ducts. There's the lovely Mrs. Hereira, in thrall to her monstrous husband. In this tender, funny early novel, V. S. Naipaul renders their lives (and the legends their neighbors construct around them) with Dickensian verve and Chekhovian compassion.Set during World War II and narrated by an unnamed-but precociously observant-neighborhood boy, Miguel Street is a work of mercurial mood shifts, by turns sweetly melancholy and anarchically funny. It overflows with life on every page.

    When George and Sabine Harwood arrive in Trinidad from England, George is immediately seduced by the beguiling island, while Sabine feels isolated, heat-fatigued, and ill-at-ease. As they adapt to new circumstances, their marriage endures for better or worse, despite growing political unrest and racial tensions that affect their daily lives. But when George finds a cache of letters that Sabine has hidden from him, the discovery sets off a devastating series of consequences as other secrets begin to emerge.

    Years later, a terminally ill Kello asks Mona to revisit their native island and reclaim the property that their family had left behind. As Mona returns to the Caribbean to confront her family's turbulent past, the reader travels back in time—to nineteenth-century India, to British Trinidad, where her ancestors lived as indentured workers in the cane fields, and finally to urban North America.Steeped in the lyrical rhythms of Caribbean life, this exquisite, richly layered novel explores the immigrant experience with compassion and humour. It is a moving story of race and displacement, of love and betrayal, of endings and beginnings—a swinging bridge of the universal search for self.Praise forThe Swinging Bridge"Beautiful, luminous and an utter pleasure to read. A writer as necessary as Ramabai Espinet should be treasured by us for her unique voice and the unique world she shares with us."—Jamaica Kincaid"The Swinging Bridge is a sweeping story . . . of rich heritage—a blend of Indian and Caribbean sounds, scents and celebrations."—NOW Magazine"An extraordinary achievement in the exercise of remembering. . . . Highly charged with moral intent."—George Lamming

    War has always been a game to him, and he’s eager to glimpse it firsthand–until the freighter he and his mother are traveling to the United States on is torpedoed.   When Phillip comes to, he is on a small raft in the middle of the sea. Besides Stew Cat, his only companion is an old West Indian, Timothy. Phillip remembers his mother’s warning about black people: “They are different, and they live differently.”    But by the time the castaways arrive on a small island, Phillip’s head injury has made him blind and dependent on Timothy.

    A classic coming-of-age story in the tradition of The Catcher in the Rye and A Portrait of the Artist as a Young Man, Kincaid's novel focuses on a universal, tragic, and often comic theme: the loss of childhood.An adored only child, Annie has until recently lived an idyllic life. She is inseparable from her beautiful mother, a powerful presence, who is the very center of the little girl's existence. Loved and cherished, Annie grows and thrives within her mother's benign shadow. Looking back on her childhood, she reflects, "It was in such a paradise that I lived." When she turns twelve, however, Annie's life changes, in ways that are often mysterious to her. She begins to question the cultural assumptions of her island world; at school she instinctively rebels against authority; and most frighteningly, her mother, seeing Annie as a "young lady," ceases to be the source of unconditional adoration and takes on the new and unfamiliar guise of adversary. At the end of her school years, Annie decides to leave Antigua and her family, but not without a measure of sorrow, especially for the mother she once knew and never ceases to mourn. "For I could not be sure," she reflects, "whether for the rest of my life I would be able to tell when it was really my mother and when it was really her shadow standing between me and the rest of the world."

    With equal wit and sensitivity, he reflects the depression of hard times in London, where people live in cold, damp basements, hustling for survival.

    So Fiona practices by herself and attracts the attention of the dance teacher. But when her sister, Wallace, disappears, Fiona risks the dance audition and the acceptance she has worked so hard to get and finally finds her place in her family in her life.

    Bright, competitive, and opinionated, Rosa sees no reason she should learn to cook and keep house, for it is obvious her talents lie in running the farm she, alone, views as her birthright. But when her homeland changes from Spanish to British rule, it becomes increasingly unclear whether its free black property owners--Rosa's family among them--will be allowed to keep their assets, their land, and ultimately, their freedom.By 1830, Rosa is living among the Crow Nation in Bighorn, Montana with her children and her husband, Edward Rose, a Crow chief. Her son Victor is of the age where he must seek his vision and become a man. But his path forward is blocked by secrets Rosa has kept from him. So Rosa must take him to where his story began and, in turn, retrace her own roots, acknowledging along the way, the painful events that forced her from the middle of an ocean to the rugged terrain of a far-away land.

    A novel about a boy on the edge of adult responsibilities, this is the story of Shell - a Trinidadian boy wtho moves to a new village and meets two girls.

    Disgusted by the treatment of the slaves and her brother's willingness to marry her off, she and one of the slaves, Minerva, run away and join a band of pirates. For both girls the pirate life is their only chance for freedom in a society where both are treated like property, rather than individuals. Together they go in search of adventure, love, and a new life that breaks all restrictions of gender, race, and position. Told through Nancy's writings, their adventures will appeal to readers across the spectrum and around the world.

    The villagers learn, only too cruelly, that progress can mean the destruction of cherished values.

    It is a dreamlike summertime world of hooky and adventure, pranks and punishment, villains and first love, filled with memorable characters. Adults and young readers alike continue to enjoy this delightful classic of the promise and dreams of youth from one of America’s most beloved authors. ADVENTURES OF HUCKLEBERRY FINNHe has no mother, his father is a brutal drunkard, and he sleeps in a barrel. He’s Huck Finn—liar, sometime thief, and rebel against respectability. But when Huck meets a runaway slave named Jim, his life changes forever. On their exciting flight down the Mississippi aboard a raft, the boy nobody wanted matures into a young man of courage and conviction. As Ernest Hemingway said of this glorious novel, “All modern American literature comes from one book by Mark Twain called Huckleberry Finn.”--back cover

    But you won’t love him. You will destroy his life. The one you love will break your heart in two.So says the soothsayer, when predicting young Celia’s future. Raised in the tropics of Tobago by an aunt she loves and an uncle she fears, Celia has never felt that she belonged. When her uncle–a man the neighbors call Allah because he thinks himself mightier than God–does something unforgivable, Celia escapes to the bustling capital city.There she quickly embraces her burgeoning independence, but her search for a place to call home is soon complicated by an affectionate friendship with William, a thoughtful gardener, and a strong sexual tension with her employer. All too quickly, Celia finds herself fulfilling the soothsayer’s predictions and living a life of tangled desperation–trapped between the man who offers her passion and the one who offers his heart.