This anthology brings together writings on Delhi by residents, refugees, travellers and invaders who have engaged with the city at various movements in its long history. Edited by Khushwant Singh, this is a collection as varied and lively - sometimes serious, sometimes richly humorous - as Delhi itself.

    A quarter of a billion strong and growing, the community has produced three Nobel laureates, world-class scientists, legendary political leaders and revolutionaries, iconic movie stars and directors and an unending stream of writers, philosophers, painters, poets and musicians of the first rank. But, bald facts aside, just who are the Bengalis? What is the community all about, stereotypically and beyond stereotype? In order to find the answers to these and related questions, the author (a Bengali born and steeped in his own culture but objective enough to give us a balanced reckoning of his fellows) delves deep into the culture, literature, history and social mores of the Bengalis. He writes with acuity about the many strengths of the community but does not flinch from showing us its weaknesses and tormented history. He points out that Bengalis are among the most civilized and intellectually refined people on earth but have also been responsible for genocide and racism of the worst kind. Their cuisine is justly celebrated but few remember the cause and effect of millions of Bengalis dying of famine. Renowned for their liberal attitudes, they are also capable of virulent religious fundamentalism. Argumentative and meditative, pompous and grounded, hypocritical and wise, flippant and deep... Bengalis are all this and much, much more. With erudition, wit and empathy, this book manages to capture their very essence. Unarguably, it is the definitive portrait of one of the world’s most vibrant and distinctive communities.

    Set in India, England, and New York City, A Lovesong for India reveals what unites us across oceans, cultures, and lifetimes.In “Innocence,” an older couple, whose social standing is marred from a decades-old scandal, rent out rooms in their Delhi home for both companionship and income. Isolated and battling blame and guilt, the couple becomes deeply invested in the lives of their two tenants. With the addition of a third renter—a beautiful and provocative woman from India—tensions in the household push the story to its feverish conclusion.The story “Talent” finds Jhabvala in New York City reflecting on the friction between family and societal expectations. Magda is a talent scout whose entire life is her work until she meets Ellie, a singer whose immense ability and unguarded personality captivate Magda. Soon Ellie is integrated into Magda’s extended family for better or worse.Remarkable and unwavering, this collection is the hallmark of Jhabvala’s celebrated career and a testament to her “balance, subtlety, wry humor, and beauty” —The New York Times.

    Characteristically, he pulls no punches, whether he’s talking about movies, women or the media. Even when it comes to his own films, he embraces his failures as much his successes and dissects them with rare honesty and humility.Refreshingly contrarian and politically incorrect, this book discloses a perspective as colourful and larger than life as Indian films. It is not for RGV fans alone but for all those passionate about cinema and the people associated with it.

    The present Sixth edition updates the book to February 18, 2002. It deals not only with the Pokhran Nuclear Test and Kargil war and the events leading to the Vajpayee-Musharraf Summit but also with the ever-increasing dimensions of international terrorism which resulted in the destruction of the World Trade Center and attack on the Indian Parliament.

    Everything changes for Aster the night her brother dies. Suddenly she's the only hope of the family, and instead of an early marriage to a boy from her small village in Pakistan, her parents decide to send her to the government high school in her brother's place. Aster is excited about this unexpected opportunity for a career, but, as a Christian, she is unprepared her for the difficulties of attending a Muslim school: her fellow students are far from welcoming and one of her teachers takes an instant dislike to her. One day, she is accused of intentionally making a spelling mistake to insult the holy prophet. Her teacher is incensed and accuses her of blasphemy. A violent crowd forms outside the school and Aster is taken to jail to be tried at a later date.A young social justice lawyer takes up her case, and Aster's Australian cousin, Maryam, starts an online campaign to free Aster. But will it be enough to save her?

    More than a decade later, he is a global sensation with an international media empire that is rooted in this philosophy. In How to Cook Indian, Kapoor introduces American audiences to this simple cooking approach with a definitive book that is the only Indian cookbook you will ever need. His collection covers the depth and diversity of Indian recipes, including such favorites as butter chicken, palak paneer, and samosas, along with less-familiar dishes that are sure to become new favorites, including soups and shorbas; kebabs, snacks, and starters; main dishes; pickles and chutneys; breads; and more. The ingredients are easy to find, and suggested substitutions make these simple recipes even easier.Praise for How to Cook Indian:"Those interested in expanding upon their collection of (brilliant, essential, important) books from Madhur Jaffrey, or in adding a reference work to accompany Suvir Saran's terrific Indian Home Cooking, may do well to make Kapoor's acquaintance." -The New York Times "He may not be an icon here yet, but Sanjeev Kapoor is certainly one in India, where he has been called 'the Rachael Ray of India' (but by Ray's own admission, he has a bigger audience, has published more books, and been on TV longer). Kapoor makes his U.S. debut with How to Cook Indian." --Publishers Weekly "It's time for Americans to finally learn about India's first and biggest celebrity chef, Sanjeev Kapoor. With a daily television show that has 500 million viewers in 120 countries, as well as more than 140 cookbooks and over 20 restaurants to his name-plus his own TV station in the making-Kapoor has a huge following of housewives, their mothers-in-law, and even their husbands." -Food & Wine "Cool as a grated cucumber and mellow as a mango lassi, Sanjeev Kapoor is poised to conquer those few corners of the world where he and his food are not yet well known." -Washington Post

    A South Indian Journey is a magical mixture of history and travelogue, and an unforgettable portrait of India - past, present and future.'A wonderful introduction to the history and culture of the south, and a work of love' William Dalrymple'A supremely well-informed and affectionate portrait of Tamil Nadu and its people...One of the most enlightening books on South India ever written' Rough Guide to IndiaMichael Wood was born and educated in Manchester. He was an open scholar in Modern History at Oriel College, Oxford, where he held a Bishop Fraser scholarship in Medieval History as a postgraduate. He has made a number of internationally successful tv series, including In the Footsteps of Alexander the Great, and four of his books have been UK non-

    ‘One of these newborns will ravage the world and erase the name of Krishna from the face of the earth.’As the world trembles on the threshold of Kali Yuga—4,32,000 years of unprecedented evil—it waits for a saviour to rise. Meanwhile, in the dark netherland of the asuras, the meek Vama shudders as he learns that he is actually Pradyumna,the son of Krishna. And that his journey has just begun.From the asura kingdom to Dwaraka and then Kurukshetra, destiny forces him to battle monsters, angrygods and blazing weapons, and overpower his own weaknesses. Will he be able to rise to the challenge in time to savethe world? Or is he the destroyer prophesied by Narada?Pradyumna is the gripping saga of the rise of this mighty, swashbuckling hero whom all of humanity awaits.

    Saadat Hasan Manto, one of the greatest short story writers of the Urdu language, was also a film journalist and story-writer for the Hindi film industry in Bombay. As an insider he was privy to the most private moments of the men and women who have dazzled generations of audiences. In this series of sketches, Ashok Kumar, the screen idol of yore, emerges as a shy, yet brilliant actor, forever looking to flee the eager advances of his female fans; Nargis comes across as just another young girl looking for companionship among her peers before she steps on the ladder that will forever take her away from the comforts of an ordinary middle-class life; and Shyam the dashing, handsome hero is portrayed as a straightforward, flirtatious young man pining for the woman he loves. Manto also describes in detail the obsessions of Sitara Devi; the unfulfilled desires of Paro Devi; and the intriguing twists and turns which transform Neena Devi from an ordinary housewife into a pawn in the hands of film companies. He writes with relish about the bunglings of the comedian V.H. Desai and the incredible dedication of Nawab Kaashmiri to the art of acting. There are also stories about the rise of Nur Jehan as the greatest singer of her times; and the various peccadilloes of the musician, Rafiq Ghaznavi. With subjects ranging from film journalism to the sexual eccentricities of these stars, Manto brings to life a generation with his characteristic verve and honesty.

    Sam Miller investigates how the ancient Greeks, the Romans, the Chinese, Arabs, Africans, Europeans and Americans - everyone really, except for Indians themselves - came to imagine India. His account of the engagement between foreigners and India spans the centuries from Alexander the Great to Slumdog Millionaire. It features, among many others, Thomas the Apostle, the Chinese monk Xuanzang, Marco Polo, Ibn Battuta, Vasco da Gama, Babur, Clive of India, several Victorian pornographers, Mark Twain, EM Forster, Allen Ginsberg, the Beatles and Steve Jobs. Interspersed between these tales is the story of Sam Miller's own 25-year-long love affair with India. The result is a spellbinding, 2500-year-long journey through Indian history, culture and society, in the company of an author who informs, educates and entertains in equal measure, as he travels in the footsteps of foreign chroniclers, exposes some of their fabulous fantasies and overturns longheld stereotypes about race, identity and migration. A tour de force that is at once scholarly and thought-provoking, delightfully eccentric and laugh-out-loud funny, this book is destined to become a much-loved classic.

    Dilip Kumar (born as Yousuf Khan), who began as a diffident novice in Hindi cinema in the early 1940s, went on to attain the pinnacle of stardom within a short time. He came up with spellbinding performances in one hit film after another – in his almost six-decade-long career – on the basis of his innovative capability, determination, hard work and never-say-die attitude. In this unique volume, Dilip Kumar traces his journey right from his birth to the present. In the process, he candidly recounts his interactions and relationships with a wide variety of people not only from his family and the film fraternity but also from other walks of life, including politicians. While seeking to set the record straight, as he feels that a lot of what has been written about him so far is ‘full of distortions and misinformation’, he narrates, in graphic detail, how he got married to Saira Banu, which reads like a fairy tale! Dilip Kumar relates, matter-of-factly, the event that changed his life: his meeting with Devika Rani, the boss of Bombay Talkies, when she offered him an acting job. His first film was Jwar Bhata (1944). He details how he had to learn everything from scratch and how he had to develop his own distinct histrionics and style, which would set him apart from his contemporaries. After that, he soon soared to great heights with movies such as Jugnu, Shaheed, Mela, Andaz, Deedar, Daag and Devdas. In these movies he played the tragedian with such intensity that his psyche was adversely affected. He consulted a British psychiatrist, who advised him to switch over to comedy. The result was spectacular performances in laugh riots such as Azaad and Kohinoor, apart from a scintillating portrayal as a gritty tonga driver in Naya Daur. After a five-year break he started his ‘second innings’ with Kranti (1981), after which he appeared in a series of hits such as Vidhaata, Shakti, Mashaal, Karma, Saudagar and Qila.

    Drawing from the Hindu sacred text the Shiva Mahapurana--said to be written by Shiva himself--Vanamali selects the essential stories of Shiva, both those from his dark wild side and those from his benevolent peaceful side. Vanamali discusses Shiva’s many avatars such as Shambunatha and Bhola, as well as Dakshinamurti who taught the shastras and tantras to the rishis. She explores Shiva’s relationships with Durga, Shakti, Sati, and Parvati and with his sons Ganesha and Kartikeya. Examining Shiva’s acceptance of outsiders, Vanamali explains why ghosts and ghouls are his attendants and why his greatest devotees are demon kings, like Ravana. She includes famous Shiva stories such as the Descent of the River Ganga and Churning the Milky Ocean as well as those that reveal the origin of the festival of lights, Diwali; his creation of the cosmic couple, or hierogamos; and how Shiva and Parvati taught the world the secrets of Kundalini Shakti. The author also draws upon Shaivite teachings to illustrate the differences between Western science and Vedic science and their explanations for the origins of consciousness. Integrating Shiva’s two sides, the fierce and the peaceful, Vanamali reveals that Shiva’s form depends on the needs of the devotee. Understanding his teachings allows one to see through the illusions at the root of all grief and alienation in human life, for Shiva is the wielder of maya who does not fall under its spell. While Ganesha is known as the remover of obstacles, Shiva is the remover of tears.

    As he observes the slow but sure destruction of everything the Jarawa require for their survival, Harish is moved by a need to understand, to do something. His unlikely friend and partner on this quest is uncle Pame, a seventy-year-old Karen boatman whose father was brought to the islands from Burma by the British in the 1920s. The islands also bring him to Seema, a 'local born'-a descendant of the convicts who were lodged in the infamous cellular jail of port Blair. Seema has seen the world, but unlike most educated islanders of her generation, she has decided to return home. Harishs earnestness, his fascination and growing love for the islands, their shared attempt to understand the Jarawa and the loss of her own first love, all draw Seema closer to Harish. As many things seem to fall in place and parallel journeys converge, an unknown contender appears-the giant tsunami of December 2004. The last wave is a story of lost loves, but also of a culture, a community, an ecology poised on the sharp edge of time and history.

    Sometime, somewhere, the conspiracy of silence around Child Sexual Abuse (CSA) in Indian homes had to be shattered. This path-breaking book—the first of its kind in the country and subcontinent—attempts to give that sexually abused child a powerful voice. It provides damning disclosures about men, and some women, in middle and upper-class families who sexually abuse their children, then silence them into submission. Based on studies, reports and investigation, this book reveals that a minimum of 20% of girls and boys under the age of 16 are regularly being sexually abused; half of them in their own homes, by adults who have the child's trust. In Bitter Chocolate, journalist and best-selling author Pinki Virani travels across the country to record the testimonies of the police, doctors, child psychologists, mental health professionals, social workers, lawyers and the traumatized victims themselves. The book opens with an account—brave and devoid of self-pity—of the author's own experience. Going beyond blaming, Pinki Virani then proceeds with her insightful analysis of the issue in three notebooks. The first spells out what constitutes CSA, why and how this happens, its devastating after-effects which haunt the victims as they grow into adulthood. The second notebook describes these effects through two real-life stories of women who were betrayed as children by men of their family. The third provides practical solutions on how to counter CSA, including a framework involving the law, the parent and their child. A special chapter addresses adults who have never before disclosed their sexual abuse as children. Plus: a nationally coordinated helpline. Accessible yet comprehensive, Bitter Chocolate is written for the young parent and guardian, principal and teacher, judge and police, lawyer and public prosecutor, teenager and tomorrow's citizen.