Just like our marriage." So opens Meg Wolitzer's compelling and provocative novel The Wife, as Joan Castleman sits beside her husband on their flight to Helsinki. Joan's husband, Joseph Castleman, is "one of those men who own the world...who has no idea how to take care of himself or anyone else, and who derives much of his style from the Dylan Thomas Handbook of Personal Hygiene and Etiquette." He is also one of America's preeminent novelists, about to receive a prestigious international award to honor his accomplishments, and Joan, who has spent forty years subjugating her own literary talents to fan the flames of his career, has finally decided to stop. From this gripping opening, Wolitzer flashes back fifty years to 1950s Smith College and Greenwich Village -- the beginning of the Castleman relationship -- and follows the course of the famous marriage that has brought them to this breaking point, culminating in a shocking ending that outs a carefully kept secret. Wolitzer's most important and ambitious book to date, The Wife is a wise, sharp-eyed, compulsively readable story about a woman forced to confront the sacrifices she's made in order to achieve the life she thought she wanted. But it's also an unusually candid look at the choices all men and women make for themselves, in marriage, work, and life. With her skillful storytelling and pitch-perfect observations, Wolitzer invites intriguing questions about the nature of partnership and the precarious position of an ambitious woman in a man's world.

    Thirty years later, Alex and Christine are spending a leisurely summer’s evening at home when they receive a call from a distraught Lydia: she is at the hospital. Zach is dead.In the wake of this profound loss, the three friends find themselves unmoored; all agree that Zach, with his generous, grounded spirit, was the irreplaceable one they couldn’t afford to lose. Inconsolable, Lydia moves in with Alex and Christine. But instead of loss bringing them closer, the three of them find over the following months that it warps their relationships, as old entanglements and grievances rise from the past, and love and sorrow give way to anger and bitterness.The lives of two close-knit couples are irrevocably changed by an untimely death in the latest from Tessa Hadley, the acclaimed novelist and short story master who “recruits admirers with each book” (Hilary Mantel).

    J. Fikry, the irascible owner, is about to discover just what that truly means.A. J. Fikry’s life is not at all what he expected it to be. His wife has died, his bookstore is experiencing the worst sales in its history, and now his prized possession, a rare collection of Poe poems, has been stolen. Slowly but surely, he is isolating himself from all the people of Alice Island—from Lambiase, the well-intentioned police officer who’s always felt kindly toward Fikry; from Ismay, his sister-in-law who is hell-bent on saving him from his dreary self; from Amelia, the lovely and idealistic (if eccentric) Knightley Press sales rep who keeps on taking the ferry over to Alice Island, refusing to be deterred by A.J.’s bad attitude. Even the books in his store have stopped holding pleasure for him. These days, A.J. can only see them as a sign of a world that is changing too rapidly.And then a mysterious package appears at the bookstore. It’s a small package, but large in weight. It’s that unexpected arrival that gives A. J. Fikry the opportunity to make his life over, the ability to see everything anew. It doesn’t take long for the locals to notice the change overcoming A.J.; or for that determined sales rep, Amelia, to see her curmudgeonly client in a new light; or for the wisdom of all those books to become again the lifeblood of A.J.’s world; or for everything to twist again into a version of his life that he didn’t see coming. As surprising as it is moving, The Storied Life of A. J. Fikry is an unforgettable tale of transformation and second chances, an irresistible affirmation of why we read, and why we love.

    Alfred Jones, life is a quiet mixture of civil service at the National Centre for Fisheries Excellence and marriage to Mary—an ambitious, no-nonsense financier. But a strange turn of fate from an unexpected direction forces Jones to upend his existence and spend all of his time in pursuit of another man’s ludicrous dream. Can there be salmon in the Yemen? Science says no. But if resources are limitless and the visionary is inspired, maybe salmon fishing in the Yemen isn’t impossible. Then again, maybe nothing is.

    The Forgotten Garden is a captivating, atmospheric and compulsively readable story of the past, secrets, family and memory from the international best-selling author Kate Morton.Cassandra is lost, alone and grieving. Her much loved grandmother, Nell, has just died and Cassandra, her life already shaken by a tragic accident ten years ago, feels like she has lost everything dear to her. But an unexpected and mysterious bequest from Nell turns Cassandra’s life upside down and ends up challenging everything she thought she knew about herself and her family.Inheriting a book of dark and intriguing fairytales written by Eliza Makepeace—the Victorian authoress who disappeared mysteriously in the early twentieth century—Cassandra takes her courage in both hands to follow in the footsteps of Nell on a quest to find out the truth about their history, their family and their past; little knowing that in the process, she will also discover a new life for herself.

    People depend on her to slaughter the hogs and nurse the dying. People are weak, and there is so much to do. At just seventeen she marries and moves down into the valley of Gap Creek, where perhaps life will be better.But Julie and Hank's new life in the valley, in the last years of the nineteenth century, is more complicated than the couple ever imagined. Sometimes it's hard to tell what to fear most—the fires and floods or the flesh-and-blood grifters, drunks, and busybodies who insinuate themselves into their new life. To survive, they must find out whether love can keep chaos and madness at bay. Their struggles with nature, with work, with the changing century, and with the disappointments and triumphs of their union make Gap Creek a timeless story of a marriage.A native of the North Carolina mountains, Robert Morgan was raised on land settled by his Welsh ancestors. An accomplished novelist and poet, he has won the James B. Hanes Poetry Prize, the North Carolina Award in Literature, and the Jacaranda Review Fiction Prize. His short stories have appeared in Prize Stories: The O. Henry Awards and New Stories from the South, and his novel The Truest Pleasure was a finalist for the Southern Book Critics Circle Award for Fiction.

    He has glimpsed his neighbors—beautiful manicurist Rayleen, lonely old Ms. Hinman, bigoted and angry Mr. Lafferty, kind-hearted Felipe, and 9-year-old Grace and her former addict mother Eileen. But most of them have never seen Billy. Not until Grace begins to sit outside on the building’s front stoop for hours every day, inches from Billy’s patio. Troubled by this change in the natural order, Billy makes it far enough out onto his porch to ask Grace why she doesn’t sit inside where it’s safe. Her answer: “If I sit inside, then nobody will know I’m in trouble. And then nobody will help me.” Her answer changes everything.

    Set in modern-day India, it is the story of two compelling and achingly real women: Sera Dubash, an upper-middle-class Parsi housewife whose opulent surroundings hide the shame and disappointment of her abusive marriage, and Bhima, a stoic illiterate hardened by a life of despair and loss, who has worked in the Dubash household for more than twenty years.

    When Lemon, an old friend of her mother's, turns up on her doorstep Jinx is forced to confront her past, and with the pain of remembrance comes the possibility of redemption. But Lemon has his own secrets to share, and together they unravel an unforgettable family drama, stoked with violence and passion. Rich with voices from East London and the West Indies, Edwards' narrative is delivered with a unique and uncompromising bite that announces a new talent in British fiction.Longlisted for the 2011 Man Booker Prize.

    But when a routine throw goes disastrously off course, the fates of five people are upended. Henry's fight against self-doubt threatens to ruin his future. College president Guert Affenlight, a longtime bachelor, has fallen unexpectedly and helplessly in love. Owen Dunne, Henry's gay roommate and teammate, becomes caught up in a dangerous affair. Mike Schwartz, the Harpooners' team captain and Henry's best friend, realizes he has guided Henry's career at the expense of his own. And Pella Affenlight, Guert's daughter, returns to Westish after escaping an ill-fated marriage, determined to start a new life. As the season counts down to its climactic final game, these five are forced to confront their deepest hopes, anxieties, and secrets. In the process they forge new bonds, and help one another find their true paths. Written with boundless intelligence and filled with the tenderness of youth, The Art of Fielding is an expansive, warmhearted novel about ambition and its limits, about family and friendship and love, and about commitment - to oneself and to others.

    She spends her days, and often nights, tracking the every move of a wild wolf pack—their size, their behavior, their howl patterns. It is a fairly solitary existence, but Rachel is content.When she receives a call from the wealthy and mysterious Earl of Annerdale, who is interested in reintroducing the grey wolf to Northern England, Rachel agrees to a meeting. She is certain she wants no part of this project, but the Earl's estate is close to the village where Rachel grew up, and where her aging mother now lives in a care facility. It has been far too long since Rachel has gone home, and so she returns to face the ghosts of her past.The Wolf Border is a breathtaking story about the frontier of the human spirit, from one of the most celebrated young writers working today.

    So it doesn’t go unnoticed when a dark-haired stranger appears on his bicycle and begins photographing the mourners at Mrs. Connulty’s funeral. Florian Kilderry couldn’t know that the Connultys are said to own half the town: he has only come to Rathmoye to photograph the scorched remains of its burnt-out cinema. A few miles out in the country, Dillahan, a farmer and a decent man, has married again: Ellie is the young convent girl who came to work for him when he was widowed. Ellie leads a quiet, routine life, often alone while Dillahan runs the farm. Florian is planning to leave Ireland and start over. Ellie is settled in her new role as Dillahan’s wife. But Florian’s visit to Rathmoye introduces him to Ellie, and a dangerously reckless attachment begins. In a characteristically masterly way Trevor evokes the passions and frustrations felt by Ellie and Florian, and by the people of a small Irish town during one long summer.

    For Kat and her friends, it offers an escape; a chance to drop out for a while, with lazy summer days by the lake and intimate winter evenings around the fire. But as the seasons change, tensions begin to rise and when an unexpected visitor appears at their door, nothing will be the same again.Three decades later, Lila arrives at the same remote cottage. With her marriage in crisis, she finds solace in renovating the tumbledown house. Little by little she wonders about the previous inhabitants. How did they manage in such isolation? Why did they leave in such a hurry, with their belongings still strewn about? Most disturbing of all, why can t she shake the feeling that someone might be watching her?The Shadow Year is a story of secrets, tragedy, lies and betrayal. It’s a tale that explores the light and dark of human relationships and the potential the past has to not only touch our present, but also to alter our future.

    A highly regarded expert on housing for the elderly who is herself getting on in age, she drives “restlessly round England,” which is “her last love . . . She wants to see it all before she dies.” Amid the professional conferences she attends, she fits in visits to old friends, brings home-cooked dinners to her ex-husband, texts her son, who is grieving over the sudden death of his girlfriend, and drops in on her daughter, a quirky young woman who lives in a floodplain in the West Country. The space between vitality and mortality suddenly seems narrow, but Fran “is not ready to settle yet, with a cat upon her knee.” She still prizes her “frisson of autonomy,” her belief in herself as a dynamic individual doing meaningful work in the world.This dark and glittering novel moves back and forth between an interconnected group of family and friends in England, and a seemingly idyllic expat community in the Canary Islands. It is set against a backdrop of rising flood tides in Britain and the seismic fragility of the Canaries, where we also observe the flow of immigrants from an increasingly war-torn Middle East. With Margaret Drabble’s characteristic wit and deceptively simple prose, The Dark Flood Rises enthralls, entertains, and asks existential questions in equal measure. Of course, there is undeniable truth in Francesca’s insight: “Old age, it’s a fucking disaster!”

    Set in both the windswept countryside of Norfolk and the violent townships of South Africa, this is a story of what happens when trust is broken, secrets become buried and lives torn apart.