Seen on one of her thieving missions in the village of Freyzus, she is chased by suspicious townspeople to the edge of a deep gorge, where she jumps and disappears, vanishing into village legend.On the other side of the gorge, in an abandoned estate, Peyre Rouff lives out his self-imposed exile. Following a horrific hunting accident, he now focuses all of his attention on intricate taxidermic dioramas, keeping his thoughts from wandering too close to the day he lost everything.When Peyre encounters the wild girl, they find a link in their mutual estrangement from conventional society. He provides her with her material needs, while she brings light to places Peyre had thought dark forever. The two achieve an easy coexistence. But the careful patterns of the life Peyre has made for himself begin to unravel, and when the wider world learns of the girl's presence at the estate, Peyre is forced to confront not only his choices and their consequences, but society itself.In The Hunter and the Wild Girl, award-winning author Pauline Holdstock spins a haunting tale affirming the persistence of life, the power of human connection, adn the fundamental urge to be free.

    No longer able to linger over her beloved books or gaze at the paintings that move her spirit, she fills the void with music and memories of her family—a past that suddenly becomes all too present when her late father's journals are found amid the ruins of an old shipwreck.With the help of Morgan, a delinquent teenager performing community service, Elizabeth goes through the diaries, a journey through time that brings the two women closer together. Entry by entry, these unlikely friends are drawn deep into a world far removed from their own—to Porphyry Island on Lake Superior, where Elizabeth’s father manned the lighthouse seventy years before.As the words on these musty pages come alive, Elizabeth and Morgan begin to realize that their fates are connected to the isolated island in ways they never dreamed. While the discovery of Morgan's connection sheds light onto her own family mysteries, the faded pages of the journals hold more questions than answers for Elizabeth, and threaten the very core of who she is.

    With what little time she has left, she is determined to find the child taken from her when she, only a child herself, survived a rape at a residential school.It is 1968, and a harsh winter and harsher attitudes await Elinor, her daughter, and her granddaughter as they set out on an odyssey to right past wrongs, enduring a present that tests their spirit and chips away at their aboriginal heritage. Confronting a history of trauma, racism, love, and cultural survival, Tears in the Grass is the story of one woman's unflagging search for her lost child and her courage to open her heart to a world that tried to tear it out.

    Soon the backwoods are transformed into a parish and Joseph Becker, a woodcarver, is brought together with his future wife. Decades later when an architect plans a memorial to the Canadian dead in France, their grandchild Klara must use her family skills - to carve, and to create.

    Her extraordinary story, sometimes humorous and sometimes heartbreaking, illustrates an Inuit woman’s movement between worlds and ways of understanding. It also provides a clear-eyed record of the changes that swept through Inuit communities in the 1940s and 1950s. Mini Aodla Freeman was born in 1936 on Cape Hope Island in James Bay. At the age of sixteen, she began nurse's training at Ste. Therese School in Fort George, Ontario, and in 1957 she moved to Ottawa to work as a translator for the then Department of Northern Affairs and National Resources. Her memoir, Life Among the Qallunaat, was published in 1978 and has been translated into French, German, and Greenlandic. This reissue of Mini Aodla Freeman’s path-breaking work includes new material, an interview with the author, and an afterword by Keavy Martin and Julie Rak.

    Librarian's Note: An alternate cover for this ISBN can be found hereEli’s family returns to live in their ancestral home, where he invokes the spirit, and the mistakes, of his great-great-grandfather.

    In 1956, an arbitrary government decision to relocate them catapulted the Sayisi Dene into the 20th century. It replaced their traditional nomadic life of hunting and fishing with a slum settlement on the outskirts of Churchill, Manitoba. Inadequately housed, without jobs, unfamiliar with the language or the culture, their independence and self-determination deteriorated into a tragic cycle of discrimination, poverty, alcoholism and violent death.     By the early 1970s, the band realized they had to take their future into their own hands again. After searching for a suitable location, they set up a new community at Tadoule Lake, 250 miles north of Churchill. Today they run their own health, education and community programs. But the scars of the relocation will take years to heal, and Tadoule Lake is grappling with the problems of a people whose ties to the land, and to one another, have been tragically severed.     In Night Spirits, the survivors, including those who were children at the time of the move, as well as the few remaining elders, recount their stories. They offer a stark and brutally honest account of the near-destruction of the Sayisi Dene, and their struggle to reclaim their lives. It is a dark story, told in hope.

    . . . Mouths capable of speaking to us. But we stop them up with concrete and build over them and whatever it is they wanted to say gets whispered down empty alleys and turns into wind. . . .” These are among the last words of Professor David Hollis before he throws himself off a ferry into the frigid waters of Lake Ontario. A renowned professor of “forensic geology,” David leaves in his wake both a historical mystery and an academic scandal. He postulated that on the site where a sports arena is about to be built lie the ruins of a Victorian boat containing an extraordinary treasure: a strongbox full of hundreds of never-seen photographs of early Toronto, a priceless record of a lost city. His colleagues, however, are convinced that he faked his research materials.Determined to vindicate him, his widow, Marianne, sets up camp in a hotel overlooking the construction site, watching and waiting for the boat to be unearthed. The only person to share her vigil is John Lewis, fiancé to her daughter, Bridget. An orphan who had come to love David as his own father, John finds himself caught in a struggle between mother and daughter–all the while keeping a dark secret from both women.Interwoven into the contemporary story is another narrative set in 1850s: the tale of Jem Hallam, a young apothecary struggling to make a living in the harsh new city so he can bring his wife and daughters from England. Crushed by ruthless competitors, he develops an unlikely friendship with two other down-on-their-luck Torontonians: Samuel Ennis, a brilliant but dissolute Irishman, and Claudia Rowe, a destitute widow. Together they establish a photography business and set out to create images of a fledgling city where wooden sidewalks are put together with penny nails, where Indians spear salmon at the river mouth and the occasional bear ambles down King Street, where department stores display international wares and fine mansions sit cheek-by-jowl with shantytowns.Consolation moves back and forth between David Hollis’s legacy and Jem Hallam’s struggle to survive, ultimately revealing a mysterious connection between the two narratives. Exquisitely crafted and masterfully written, Michael Redhill’s superlative book reveals how history is often transformed into a species of fantasy, and how time alters the contours of even the things we hold most certain. As complex and layered as the city whose story it tells, Consolation evokes the mysteries of love and memory, and what suffering the absence of the beloved truly means.

    Angela Morrison has it all. She’s married to a wealthy man, adores her son, grows orchids, and volunteers at Our Daily Bread Food Pantry. What more could she want? More — much more. And she’s willing to risk everything after meeting Carsten, the landscaper with the glacier-blue eyes. Sister Eileen, who runs Our Daily Bread Food Pantry, struggles with the silence of God and harbours a secret she believes is unforgivable. She yearns to convince Angela she is loved by God, despite her selfishness and destructive behaviour, but in order for that to be authentic Eileen must learn to love her first, and that’s no easy task — especially after Angela causes a terrible tragedy. Through the crucible of their relationship, Angela and Eileen discover how caring for the most difficult among us and practising forgiveness, no matter how painful, opens a door to the miracle of transformation.

    From all across the continent come tales of creation and love, of heroes and war, of animals, tricksters, and the end of the world. Alfonso Ortiz, an eminent anthropologist, and Richard Erdoes, an artist and master storyteller, Indian voices in the best folkloric sources of the nineteenth century to make this the most comprehensive and authentic volume of American Indian myths available anywhere.With black-and-white drawings throughoutPart of the Pantheon Fairy Tale and Folklore Library

    Inside, he makes a serendipitous discovery: a mid-nineteenth-century account of a sinister storm cloud that plagued an isolated Scottish village and caused many gruesome and unexplainable deaths. Harry knows the village well; he travelled there as a young man to take up a teaching post following the death of his parents. It was there that he met the woman whose love and betrayal have haunted him every day since. Presented with this astonishing record, Harry resolves to seek out the ghosts of his past and return to the very place where he encountered the fathomless depths of his own heart. With Cloud, critically acclaimed Canadian author Eric McCormack has written a masterpiece of literary Gothicism, an intimate and perplexing study of how the past haunts us, and how we remain mysterious to others, and even ourselves.

    Fiercely proud of his Chinese heritage, he is quick to spot the business opportunities rife in a divided country, though he also harbors a weakness for gambling haunts and the women who frequent them. He devotedly ignores all news of the fighting that swirls around him, but when his only son gets in trouble with the Vietnamese authorities, Percival faces the limits of his connections and wealth and is forced to send him away. In the loneliness that follows, Percival finds solace in Jacqueline, a beautiful woman of mixed French and Vietnamese heritage whom he is able to confide in. But Percival's new-found happiness is precarious, and as the complexities of war encroach further into his world, he must confront the tragedy of all he has refused to see. Graced with intriguingly flawed but wonderfully human characters moving through a richly drawn historical landscape, The Headmaster's Wager is an unforgettable story of love, betrayal and sacrifice.

    The coming of the railroad to the Canadian Rockies has brought a parade of newcomers to the heavenly Bow Valley—climbers, coal miners, artists, scientists, runaway aristocrats and remittance men. Among the latter is the poacher Herbie Wishart, who arrived on a one-way ticket and has reinvented himself as a trail guide and teller of tall tales.Herbie becomes outfitter for a fossil-hunting expedition headed by a prominent Washington, D.C., archaeologist. Rumours say that the findings of the secrecy-shrouded Hodgson expedition, as it comes to be known, could overturn all previous knowledge about early life forms. Brought along to help in the quarry for the summer are Hodgson’s adult children, mopey Humphrey and the captivating Isabel, with whom Herbie strikes up a campside alliance. But when an early snowstorm hits and trailside grudges come to a head, the expedition mysteriously disappears. The tragedy threatens to stain the Rocky Mountain park’s reputation just as its newly elected government overseers begin to sell the pristine Canadian wilderness to the world. Despite all efforts from that year on to solve, or bury, the mystery, the disappearance will haunt Gateway, and define the futures of Herbie Wishart and his stubbornly female descendants.The Three Sisters Bar and Hotel is at once sweeping and intimate, and bursting with heart, wit and larger-than-life characters who rival the Rocky Mountain landscape for sheer brio. Katherine Govier proves she is one of Canada’s master storytellers with this new novel, which is a groundbreaking portrait of Western Canada’s past, with all its contradictions and complexities, an intimate story of romance and family, and a tantalizing historical—and prehistorical—mystery.

    Finalist for the TD Canadian Children's Literature Award, the Marilyn Baillie Picture Book Award and the Ruth Schwartz AwardIn just four days young Shi-shi-etko will have to leave her family and all that she knows to attend residential school.She spends her last days at home treasuring the beauty of her world -- the dancing sunlight, the tall grass, each shiny rock, the tadpoles in the creek, her grandfather's paddle song. Her mother, father and grandmother, each in turn, share valuable teachings that they want her to remember. And so Shi-shi-etko carefully gathers her memories for safekeeping.Richly hued illustrations complement this gently moving and poetic account of a child who finds solace all around her, even though she is on the verge of great loss -- a loss that native people have endured for generations because of the residential schools system.

    The name meant untold riches and promise to Jutka, a young Hungarian girl who was captivated by stories of a vast, majestic country where people were able to breathe free of hatred and prejudice. Freedom was in short supply, but hatred was everywhere in Hungary as hundreds of thousands of Jews were deported to concentration camps during the last year of WWII. Jutka, her friends, and her family are sent to Auschwitz.In that hellish place, there was another Kanada. It was the ironic name given to the storehouse at Auschwitz where the possessions, clothing and jewelry stripped from the victims were deposited, and where Jutka was put to work. The war may have ended, but it did not end the suffering of many of the inmates of concentration camps. Many had no homes to go to, and if they did, they were not welcome. Hundreds went back to Poland and were murdered. Famished, diseased, and homeless, they lived in the hopelessness of camps, wondering if they could ever find a home in the world. Some went to Israel, but for Jutka there was only one dream left her: the dream of a country full of hope, where she would no longer have to live in fear.Eva Wiseman's powerful novel describes the war and its long, difficult aftermath with compassion and tenderness.From the Trade Paperback edition.