They shout out to him: 'good luck, and don't get slurped up!'. It's about to get even weirder at the castle where there is a battle of wills going on between the mysterious Count and what he terms, the 'blood-sucking b*tches!' in the village, led by the infamous van High-Heelsing. But who will prevail on the runway? As each kween sashays towards the jugular, the reader is taken on a journey to the ultimate lip sync for your life finale.

    Avialae is a webcomic about a gross bird boy and his nerdy ornithologist boyfriend-- I mean neighbor who helps him out during the painful and bloody process of growing wings.

    Moving between a childhood marked by love and abuse and the breaking marriage of that adult child, Donika Kelly charts memory and the body as landscapes to be traversed and tended. These poems construct life rafts and sanctuaries even in their most devastating confrontations with what a person can bear, with how families harm themselves. With the companionship of “the oracle”—an observer of memory who knows how each close call with oblivion ends—the act of remembrance becomes curative, and personal mythologies give way to a future defined less by wounds than by possibility.In this gorgeous and heartrending second collection, we find the home one builds inside oneself after reckoning with a legacy of trauma—a home whose construction starts “with a razing.”

    Johnson's story of AIDS, abuse, and hope received extensive media coverage. Foreword by Paul Monette; Afterword by Fred Rogers, with a new Afterword by the author.

    Twenty voices.Endless possibilities.There's the girl who is in love with Holden Caulfield. The boy who wants to be strong who falls for the girl who's convinced she needs to be weak. The girl who writes love songs for a girl she can't have. The two boys teetering on the brink of their first anniversary. And everyone in between.As he did in the highly acclaimed Boy Meets Boy, David Levithan gives us a world of unforgettable voices that readers will want to visit again and again. It's the realm of possibility open to us all - where love, joy, and the stories we tell will linger.

    Examining how trauma becomes a part of the language we use, Scott takes us back to our roots: childhood incidents, the violence our scars betray, forgotten forebears and histories. The hungers of sexual encounters are underscored by the risks that threaten when we give ourselves to or accept another. But the poems celebrate joy and tenderness, too, as in a sequence re-imagining the love poetry of Verlaine.The collection crescendos to Scott's tour de force, 'Oh My Soho!', where a night stroll under the street lamps of Soho Square becomes a search for true lineage, a reclamation of stolen ancestors, hope for healing, and, above all, the finding of our truest selves.

    Julian Warner, a father at last, wrestles with a question his husband posed: what will you tell our son about the people you came from, now that they're gone? Finding the answers takes Julian back in time to Eisenhower's immigration border raids, an epistolary love affair during the Vietnam War, crumbling marriages, queer migrations to Cambridge and New York, up to the disorienting polarization of Obama's second term. And in these answers lies a hope: that by uncloseting ourselves--as immigrants, smart women, gay people--we find power in empathy.

    It is a coming out journey, an exploration of sexuality, femininity, loving, and being loved.

    Meanwhile, in 'Erlinda and Mr Coffin', Southern etiquette is unashamedly turned upside down in a tale of amateur theatricals reminiscent of Dickens and Victorian melodrama. Yet it is in 'Three Stratagems', 'The Zenner Trophy', 'Pages from an Abandoned Journal' and 'The Ladies in the Library' (with more than a hint of Thomas Mann's Death in Venice in the latter) that we see Vidal as we know him best: cynical and provocative in these subtle tales of what was known in those days as 'sexual inversion'.

    Reprint.

    Cocteau never formally acknowledged the book, except in so far as he allowed it to appear in the 'authorized' bibliography drawn up in connection with his

    In this straightforward, sensitive novel, Toder conveys the joys--and fears--of a woman coming to terms with her attraction to other women.

    We are witness here to an almost religious celebration of the flesh: a flesh vital with the vulnerability of love and loss, to desire and its departure. In an extraordinary blend of McMillan’s own colloquial Yorkshire rhythms with a sinewy, Metaphysical music and Thom Gunn’s torque and speed – ‘your kiss was deep enough to stand in’ – the poems in this first collection confront what it is to be a man and interrogate the very idea of masculinity. This is poetry where every instance of human connection, from the casual encounter to the intimate relationship, becomes redeemable and revelatory.Dispensing with conventional punctuation, the poet is attentive and alert to the quality of breathing, giving the work an extraordinary sense of being vividly poised and present – drawing lines that are deft, lyrical and perfectly pitched from a world of urban dereliction. An elegant stylist and unfashionably honest poet, McMillan’s eye and ear are tuned, exactly, to both the mechanics of the body and the miracles of the heart.

    Now, Nepantla will appear for the first time in print as a survey of poetry by queer poets of color throughout U.S. history, including literary legends such as Audre Lorde, James Baldwin, June Jordan, Ai, and Pat Parker alongside contemporaries such as Natalie Diaz, Ocean Vuong, Danez Smith, Joshua Jennifer Espinoza, Robin Coste Lewis, Joy Harjo, Richard Blanco, Erika L. Sanchez, Jericho Brown, Carl Phillips, Tommy Pico, Eduardo C. Corral, Chen Chen, and more.

    M. Forster's famous description of C. P. Cavafy--the most widely known and best loved modern Greek poet--perfectly captures the unique perspective Cavafy brought to bear on history andgeography, sexuality and language. Cavafy wrote about people on the periphery, whose religious, ethnic and cultural identities are blurred, and he was one of the pioneers in expressing a specifically homosexual sensibility. His poems present brief and vivid evocations of historical scenes andsensual moments, often infused with his distinctive sense of irony. They have established him as one of the most important poets of the twentieth century. The only bilingual edition of Cavafy's collected poems currently available, this volume presents the most authentic Greek text of every poem heever published, together with a new English translation that beautifully conveys the accent and rhythm of Cavafy's individual tone of voice. In addition, the volume includes an extensive introduction by Peter Mackridge, explanatory notes that gloss Greek historical names and events alluded to in thepoems, a chronological list of the poems, and indexes of Greek and English titles.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expertintroductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.