In response he began to write daily prose-poem letters to Yesenin. Through this one-sided correspondence, Harrison unloads to this unlikely hero, ranting and raving about politics, drinking problems, family concerns, farm life, and a full range of daily occurrences. The rope remains ever present.Yet sometime through these letters there is a significant shift. Rather than feeling inextricably linked to Yesenin's inevitable path, Harrison becomes furious, arguing about their imagined relationship: "I'm beginning to doubt whether we ever would have been friends."In the end, Harrison listened to his own poems: "My year-old daughter's red robe hangs from the doorknob shouting Stop."

    As his friends look on, they watch something awful unfold: Otto lands with an odd smack and knocks himself unconscious, blood spilling from his nose and mouth. Georgie arrives on the scene first and sees a small turtle, its shell cracked, floating just below the water's surface. Otto and the turtle survive the collision, though both need help, and Georgie finds his compassions torn. This title story sets the tone for the rest of Arthur Bradford's Turtleface and Beyond, a strangely funny collection featuring prosthetically limbed lovers, a snakebitten hitchhiker turned wedding crasher, a lawyer at the end of his rope, a ménage à trois at Thailand's Resort Tik Tok, and a whole host of near disasters, narrow escapes, and complicated victories, all narrated by Georgie, who struggles with his poor decisions but finds redemption in the telling of each of his tales. Big-hearted and hilariously high-fueled, Turtleface and Beyond marks the return of a beloved and unforgettable voice in fiction.

    Ida clings to her dream of returning to New York while weathering storms both meteorological and emotional, and comes to understand that nobody's luck—even hers—is all bad.Claudia Zuluaga's fiction has appeared in Narrative Magazine, Lost Magazine, JMWW, Linnaean Street, and the Best of the Web series. Zuluaga is a lecturer in the English department at John Jay College of Criminal Justice (CUNY) in New York City.

    Shifting between Slovenia’s postcommunist present and its wartime occupation by the Axis powers, The Tree with No Name is Drago Jancar’s masterpiece: a compelling and universally significant story of an individual confronting the constraints set on truth by his–and every–culture.

    A mother who gave up her daughter, a naval captain drowned at sea, a marriage to save a child. And a truth that changes everything.

    edition. British publication by Hart-Davis, McGibbon Ltd ('76).-- A companion to The Best of Myles, Further Cuttings culls more scathing selections from "Cruiskeen Lawn", Flann O'Brien's column in the Irish Times written under the pseudonym Myles na Gopaleen.-- This volume covers the years 1947-1957 and finds O'Brien's alter ego clashing with the law on numerous charges, including larceny, using bad language, and marrying without the consent of his parents. It also includes several bizarre obituaries, witty criticisms of George Bernard Shaw, Sean O' Faolain, and other literary figures, the return of the preposterous "Brother", and the first article ever ascribed to Myles (published in 1940).

    In this superb anthology can be found the best of the English-speaking world’s inspirational and reassuring verse, including such classics as Rudyard Kipling’s ‘If’ and W.H. Davies’ ‘Leisure’. This beautifully illustrated collection of over 120 poems is sure to offer solace, hearten the soul and motivate the human spirit.

    But the work there is exacting and dangerous—with men’s worth measured in ledger columns. Whispers of a union strike pass from bunk to bunk. Against the rasp of the misery whip and the crash of felled hemlock and red spruce, Cur encounters a cast of characters who will challenge his loyalties: a minister grasping after his dwindling congregation, a Syrian peddler who longs to put down his pack and open a store, a slighted Slovenian wife turned activist, and a trio of reckless land barons. Cur must accept or betray the call to lead a rebellion—and finally reconcile a forbidden love.Manuel Muñoz says of reading Matthew Neill Null’s image-rich prose, “The real pleasure—and certainly not the only one—is in the sentences, as complex, deliberately assured, and lethal as Flannery O’Connor’s.” A startling elegy that establishes its author as a tremendous new literary voice, Honey from the Lion evokes the ecological devastation and human tragedy behind the Gilded Age, and sings both the land and ordinary lives in all their extraordinary resilience.

    Driving through the Chihuahua Desert, they retrace the route of 19th century American writer Ambrose Bierce (who disappeared during the Mexican Revolution) and try to piece together their lives after a devastating incident involving their adolescent son. With tenderness and precision, Gander explores the intimacies of the couple's relationship as they travel through Mexican towns, through picturesque canyons, and desert capes, on a journey through the heart of the Mexican landscape. Taking a shortcut through the brutally hot desert home, their car overheats miles from nowhere, the story spinning out of control, with devastating consequences.

    While some of these narratives are loosely based in fact, they are written with a large dollop of literary license. The characters are not "politically correct" in today's parlance and speak in the vernacular of their time and culture. Some of them you will like ...others you may not. No disrespect or offense is intended in the telling. These are their stories.The lead story "Fat of The Land" was a past runner-up in the national Raymond Carver short story awards.

    VERA & LINUS is a series of short sketches. The book's theme is the love between the two protagonists, Vera and Linus. They are mischief makers and tricksters of the most daring sort, and they are constantly up to no good, but the language holds them with a clear restraint, a restraint born perhaps out of the peculiar nature of their love, a love both for each other and the things of the world. Their mastery, and shifting natures allow them to compel the workaday world as they see it, but not to rule over each other, and so their game begins, as Vera struggles to outwit Linus, and Linus to outwit Vera.

    In the Byzantine court, a noble with a crippled hand is called upon to ensure that a holy man poses no threat to the throne. On an island in Lake Michigan, a religious community crumbles after an ardent convert digs a little too deep. And the black detective Jackson Hieronymus Burke rises to fame and falls from favor in two stories that recount his origins in Havana and the height of his success in Kaiser Wilhelm’s Germany. Ben Stroud’s historical reimaginings twist together with contemporary stories to reveal startling truths about human nature across the centuries. In his able hands, Byzantium makes us believe that these are accounts we haven’t heard yet. As the chronicler of Burke’s exploits muses, “After all, where does history exist, except in our imagination? Does that make it any less true?”

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    First published in 1935 and virtually unavailable for years, this extraordinary novel tells the story of a young American--the unnamed narrator--who hitchhikes his way across Asia, from Beirut to China, living off the land and depending on the hospitality of the people he meets along the road. As Pico Iyer writes in the introduction, [Prokosch] catches the peculiar logic that makes travel a land of alternative reality, a foreign state in itself that is an intoxication.

    A girl sins and expects a thunder to strike her. Two grown up souls in the rain. The twist of heart of a heartbreak motel’s founder. A doctor prescribes daily dose of “I love you”s to cure Alzheimer. A boy gets hit by Ugg boots multiple times. A chocolate prince turns to ice. The ocean girl and her secret meetings with the desert boys mother.