This Paul Dry Books rediscovered classic includes many photos courtesy of Leon Sciaky's son Peter, who has also written a short biographical sketch of his father's life in America."Farewell to Salonica is a fresh and charming book that throws a kindly light on a sector of human life unknown to most Americans."—New York Times"A gallery of beautiful and quaint sketches, revealing fascinating aspects of civilization in a strange city where East met West and the ancient past met the future…It creates an atmosphere of expectation and wonder and enjoyment. Most of all, an atmosphere of living."—Christian Science Monitor"An altogether charming book, so simply and truthfully written…The Salonica one reads about is not only a fascinating and complex city in which many national and cultural strains run side by side, but it is a critical city of Aegean politics…The breakdown of the Turkish Empire and its consequences for Balkan affairs are better understood when one has read this book. But it is not the political value of the book that should be emphasized so much as its quiet charm, its unpretentious and easy portrayal of a cultural pattern through an account of an engaging family…A warm and softly luminous book."—The Nation"This is a story of one man's intensely happy boyhood, set against the politically seething years at the turn of the century in the ever-coveted prize city of the Balkans, Salonica…written in a charming and effortless manner."—Philadelphia Inquirer"For the gift of a happy youth, Mr. Sciaky has repaid his city handsomely…it recalls Rebecca West's Black Lamb and Grey Falcon…It is an intensely personal story, yet so completely was [the young Sciaky] of his time and place that it is also the story of Salonica in the final phase of its existence; for the city that Sciaky knew, largely dominated by its 70,000 Spanish Jews, has gone…The author has made Salonica a living town, peopled by men and women of flesh and blood, people with all the human faults and weaknesses, but also with the lovable qualities that may be found in humanity everywhere by the man with skill to pick them out"—New York Herald Tribune"A charming portrait of an era."—Honolulu Advertiser"This picture of a Jewish childhood among rich merchants in Salonica has a glow, the radiant sunshine of a protected childhood."—Chicago SunLeon Sciaky was born in 1894, when the Turkish flag still waved over Salonica. His family left their beloved but turbulent homeland in 1915, settling in New York City. Sciaky lived in America—mainly upstate New York—with his wife, Frances, and son until his death in 1958. He taught at a number of progressive schools and camps and, in his last years, owned and operated a school and camp with Frances.

    Smith has pointed the academic study of religion in a new theoretical direction, one neither theological nor willfully ideological. Making use of examples as apparently diverse and exotic as the Maori cults in nineteenth-century New Zealand and the events of Jonestown, Smith shows that religion must be construed as conventional, anthropological, historical, and as an exercise of imagination. In his analyses, religion emerges as the product of historically and geographically situated human ingenuity, cognition, and curiosity—simply put, as the result of human labor, one of the decisive but wholly ordinary ways human beings create the worlds in which they live and make sense of them. "These seven essays . . . display the critical intelligence, creativity, and sheer common sense that make Smith one of the most methodologically sophisticated and suggestive historians of religion writing today. . . . Smith scrutinizes the fundamental problems of taxonomy and comparison in religious studies, suggestively redescribes such basic categories as canon and ritual, and shows how frequently studied myths may more likely reflect situational incongruities than vaunted mimetic congruities. His final essay, on Jonestown, demonstrates the interpretive power of the historian of religion to render intelligible that in our own day which seems most bizarre."—Richard S. Sarason, Religious Studies Review

    For those who have known and loved these works in the past, this is an invitation to reunite with old friends in a fresh new format. From Shakespeare s finesse to Oscar Wilde s wit, this unique collection brings together works as diverse and influential as The Pilgrim s Progress and Othello. As an anthology that invites readers to immerse themselves in the masterpieces of the literary giants, it is must-have addition to any library.

    along with a glossary of the important characters and terms used in the original book. Just in case that’s not enough for you, I’ve also included a list of possible study questions (book club discussion topics) and quotes from the book that I found interesting.Wrapping it all up is a discussion of the critical reviews for Killing Jesus as well as my overall opinion of the book. Plus much more!Whether you’re reading this for a book club, school report, or just want to get a quick preview before diving into the full length book, you can use this book review and study guide to get the most out of your experience reading Killing Jesus by Bill O'Reilly.I hope you enjoy this review summary book...~ Anthony Granger ~

    Tracing American Judaism from its origins in the colonial era through the present day, Jonathan Sarna explores the ways in which Judaism adapted in this new context. How did American culture—predominantly Protestant and overwhelmingly capitalist—affect Jewish religion and culture? And how did American Jews shape their own communities and faith in the new world? Jonathan Sarna, a preeminent scholar of American Judaism, tells the story of individuals struggling to remain Jewish while also becoming American. He offers a dynamic and timely history of assimilation and revitalization, of faith lost and faith regained.The first comprehensive history of American Judaism in over fifty years, this book is both a celebration of 350 years of Jewish life in America and essential reading for anyone interested in American religion and life.

     With enthusiasm and flair, Anita Diamant provides choices for every stage of a wedding—including celebrations before and after the ceremony itself—providing both traditional and contemporary options. She explains the Jewish tradition of love and marriage with references drawn from Biblical, Talmudic, and mystical texts and stories. She guides you step by step through planning the ceremony and the party that follows—from finding a rabbi and wording the invitation to organizing a processional and hiring a caterer. Samples of wedding invitations and ketubot (marriage contracts) are provided for inspiration and guidance, as well as poems that can be incorporated into the wedding ceremony or party and a variety of translations of traditional texts. “There is no such thing as a generic Jewish wedding,” writes Anita Diamant, “no matter what the rabbi tells you, no matter what the caterer tells you, no matter what your mother tells you.” Complete, authoritative, and indispensable, The Jewish Wedding Now provides personalized options—some new, some old—to create a wedding that combines spiritual meaning and joyous celebration and reflects your individual values and beliefs.

    And it is in submission to God and living a God­oriented life that man finds complete fulfilment and purpose of life. When he discovers God and worships Him, when he remembers Him, when his mind is turned towards Him with full concentration, when he makes a request or a plea, he establishes a contact with his Creator. In the words of the Hadith, at that particular moment he comes to whisper with his Lord. He has the tangible feeling that he is pouring his heart out to God and that God in turn is answering his call. He starts receiving inspiration from God. This is the beginning of living a God­Oriented Life and the development of a positive personality.

    This book presents Prophet Muhammad in the different roles he assumed within his community as a father, husband, statesman, chief of staff, and an individual with utmost compassion, wisdom, grace, humility, and trustworthiness.

    During our journey we will explore stories from Babylon, Greece, Ireland, Ethiopia, and various other cultures to fill in the missing pieces to one of the biggest mysteries on our planet. This 2nd Edition includes 40+ hours of additional audio and video content for your enjoyment. Make sure you download a free QR code scanner for your smart phone or tablet so you can take full advantage of the features in this book.

    McGurl asks both how the patronage of the university has reorganized American literature and even more important how the increasing intimacy of writing and schooling can be brought to bear on a reading of this literature.McGurl argues that far from occasioning a decline in the quality or interest of American writing, the rise of the creative writing program has instead generated a complex and evolving constellation of aesthetic problems that have been explored with energy and at times brilliance by authors ranging from Flannery O Connor to Vladimir Nabokov, Philip Roth, Raymond Carver, Joyce Carol Oates, and Toni Morrison.Through transformative readings of these and many other writers, "The Program Era" becomes a meditation on systematic creativity, an idea that until recently would have seemed a contradiction in terms, but which in our time has become central to cultural production both within and beyond the university.An engaging and stylishly written examination of an era we thought we knew, "The Program Era" will be at the center of debates about postwar literature and culture for years to come.

    A bestselling author explains how on September 11th an ancient fight-to-the-death conflict exploded on the shores of the United States.

    Kameron Carter meditates on the multiple legacies implicated in the production of a racialized world and that still mark how we function in it and think about ourselves. These are the legacies of colonialism and empire, political theories of the state, anthropological theories of the human, and philosophy itself, from the eighteenth-century Enlightenment to the present.Carter's claim is that Christian theology, and the signal transformation it (along with Christianity) underwent, is at the heart of these legacies. In that transformation, Christian anti-Judaism biologized itself so as to racialize itself. As a result, and with the legitimation of Christian theology, Christianity became the cultural property of the West, the religious ground of white supremacy and global hegemony. In short, Christianity became white. The racial imagination is thus a particular kind of theological problem.Not content only to describe this problem, Carter constructs a way forward for Christian theology. Through engagement with figures as disparate in outlook and as varied across the historical landscape as Immanuel Kant, Frederick Douglass, Jarena Lee, Michel Foucault, Cornel West, Albert Raboteau, Charles Long, James Cone, Irenaeus of Lyons, Gregory of Nyssa, and Maximus the Confessor, Carter reorients the whole of Christian theology, bringing it into the twenty-first century.Neither a simple reiteration of Black Theology nor another expression of the new theological orthodoxies, this groundbreaking book will be a major contribution to contemporary Christian theology, with ramifications in other areas of the humanities.

    ISIS), a group so brutal and hardline that even al-Qaida deemed them too extreme. Baghdadi, an introverted religious scholar, with a passion for soccer, now controls large swaths of land in Iraq and Syria. McCants shows how Baghdadi became radicalized in the Saddam Hussein era and found his path to power after connecting with other radicals in an American prison during the Iraq War, culminating in his declaration of a reborn Islamic empire bent on world conquest.

    In this timely and revealing book, Zachary Karabell traces the legacy of tolerance and cooperation from the advent of Islam to the present day.In an extraordinary narrative spanning fourteen centuries, Karabell introduces us to the court of the caliphs in Baghdad, where scholars of various faiths engaged in spirited debate. He evokes the wonders of medieval Spain, where Jewish sages, Muslim philosophers, and Christian monks together deciphered the meaning of God and the universe. He offers a portrait of the Crusades that goes beyond the rivalry of Saladin and Richard the Lionheart, and shows how Christians and Muslims lived side by side. And he paints a vivid picture of religious autonomy in the Ottoman Empire. As he explores the growing tensions of the modern era, Karabell traces the rise of Arab nationalism, the redrawing of the Middle East map in the wake of World War I, and the increased hostilities following the creation of the state of Israel. Through it all, he reminds us that dialogue and friendship have always punctuated times of war and discord. Today, while some Muslims, Christians, and Jews engage in confrontation, others—in Dubai, in Turkey, and around the globe—find common ground. Remembering the legacy of coexistence and recognizing its prevalence even today is a vital ingredient to a more stable, secure world.

    Modern critical biblical scholarship often points out how the church's teachings about Jesus have become encrusted with tradition so that it is hard to see what the core documents--the New Testament--really say about him. Now, with the insight of 200 years of modern critical scholarship and assuming an audience that includes both the well-churched and the non-churched, how should the church present the story and identity of the central personality of their faith, Jesus of Nazareth? Many people will be surprised at the story they hear.