. . Dying City is a political play and also a psychodrama about what Arthur Miller called the politics of the soul. It’s about public conscience and private grief, and real and symbolic catastrophes.”?The New York Observer “Anyone who doubts that Mr. Shinn is among the most provocative and probing of American playwrights today need only experience the . . . sophisticated welding of form and content that is Dying City.”?The New York Times In Christopher Shinn’s new play Dying City, a young therapist, Kelly, whose husband Craig was killed while on military duty in Iraq, is confronted a year later by his identical twin Peter, who suspects that Craig’s death was not accidental. Set in a spare downtown-Manhattan apartment after dark, scenes shift from the confrontation between Peter and Kelly, to Kelly’s complicated farewell with her husband Craig. Shinn’s creepy, sophisticated drama?infused with references to 9/11 and the war in Iraq?explores how contemporary politics and recent history have transformed the lives of these three characters. Christopher Shinn was born in Hartford, Connecticut, and lives in New York. His plays include Where Do We Live, Other People, What Didn’t Happen, and On the Mountain, which have been widely produced in New York, across the United States, and in London. He is the recipient of an OBIE Award in Playwriting, as well as the Robert S. Chesney Award. He teaches playwriting at The New School for Drama.

    A romantic comedy that recognizes the absurdity of life.

    Proclaimed by reviewers to be “a rural J.D. Salinger,” Baker received the prestigious Danuta Gleed Award and her collection was listed among Maclean’s Top 10 Books of the Year.The Horseman’s Gravesreturns us to the harsh locale of Sand Hills on the Saskatchewan-Alberta border, where Baker unfolds a tale of a small German immigrant community caught between the promise of this new land and the weight of a European past, with its hatred, fear and old-country superstitions. Lathias is a half-breed farmhand, a young loner who becomes the unofficial guardian to the Schoff boy, a golden child until a terrible farm accident scars his face and his mind. Both boys are drawn to Elisabeth, a savagely beautiful girl, whose stepfather, Leo, is the local scapegrace, a man whose cruelty is both a source of amusement and shame to the townspeople. When Elisabeth, watched only by the Schoff boy, falls through the ice into the river, no one foresees how it will be the end—and the beginning—of everything. A novel so lyrical and hypnotic that it begs to be read aloud,The Horseman’s Graves is a pitch-perfect rendering of small-town immigrant life. Told through the unforgettable narrative voice of a seeall neighbour, it is filled with memorable characters: a blustering, pious priest; a mysterious “witch” faith healer; the town busybody; a fearful young farm wife who is virtually worked to death. An extraordinarily accomplished work, The Horseman’s Graves is a profound testament to our universal search for love and redemption.

    Klein’s most innovative and visionary work. The five “books” of the novel are a modern testament of Jewish experience to which are appended “glosses” or commentaries in the form of drama, epistle, poetry, and psalm. The action centres on a young writer from Montreal, whose search for his legendary Uncle Melech becomes a journey of revelation through Italy, Morocco, and the Holy Land. Dissident and exile, reformer and scholar, Melech is a messianic figure who enacts the destiny of his people and embodies the spiritual yearnings of everyman.The Second Scroll, Klein’s only novel, combines the lyric genius of his poetic works with compelling reportage to create one of the most eloquent and original works in Canadian fiction.

    Through the skillfully disarming use of clichéd language and homilies, the play explores with subtle grace and depth the way the death of a child tears one family apart, while showcasing the talents of a promising young playwright who "in [a] very modern way [is] making a rather old-fashioned case for the power of the written word" (Jason Zinoman, The New York Times).Fresh from its critically acclaimed off-off-Broadway run this past spring, God's Ear moves off-Broadway to the Vineyard Theatre in April 2008.

    In The Maids, two domestic workers, deeply resentful of their inferior social position, try to revenge themselves against society by destroying their employer. When their attempt to betray their mistress's lover to the police fails and they are in danger of being found out, they dream of murdering Madame, little aware of the true power behind their darkest fantasy.In the second play Deathwatch, two convicts try to impress a third, who is on the verge of achieving legendary status in criminal circles. But neither realizes the lengths to which they will go to gain respect or that, in the end, nothing they can do--including murder--will get them what they are searching for.

    Their past and present selves collide in this haunting and beautiful tale of togetherness. All relationships have their ups and downs; the optimism of youth becomes the wisdom of experience. Love is a leap of faith.

    

    But before she can hit send, her girlfriend reveals that he has always identified as a man and now wants to start living as one.Now Alice must face a question she never thought she'd ask . . . does this mean she's straight?A bittersweet comedy about gender, sexuality and being a long way from home.A programme text edition which was published to coincide with the world premiere at Theatre503, London, on 27 October 2015

    Closer to home, though, language is failing him. He doesn't know what to say to his wife, Mary, to keep her from leaving him, and he doesn't recognize the deep feelings that his lab assistant, Emma, has for him.

    The parents that she always obeyed and trusted, had sold her into marriage to him in exchange for power and money. When she tries to back out of the marriage, Lucifer threatens to kill and destroy everyone that she loves.​ Reeling from the betrayals in her life and her impending marriage made in hell, Saniyah spends a passion filled forbidden night, with Devil a dancer that she met at her bachelorette party. What she thinks is one night of passion, turns into a permanent bond to her future husband’s son. When Lucifer finds out, he declares war against the newly mated pair.​ Devil and Saniyah are now on the run and trying to find allies in the fight against Lucifer. Devil goes to his former best friend Pola for help. The problem is, Pola wants Saniyah in his bed. An offer is made to Saniyah, that will test her morals and push her sexual limits. Will Saniyah give herself to Pola for help? Or will the price of temptation, be too much to pay?

    Recommended for all collections." - Choice

    The game setting? A subdivision with identical houses. The goal? Smash through an army of zombies to escape the neighborhood for good. But as the line blurs between virtual and reality, both parents and players realize that fear has a life of its own. "Playing like a nifty episode of 'The Twilight Zone', the story builds to an affectingly grues

    When a series of dramatic events brings a strange man to her door, Mary emerges from the comfortable isolation that she knows to follow her dreams in Boston. Those desires do not come without sacrifice and hard choices. When her past comes back to haunt her, Mary must decide whether there is room for both her aspirations and her heart—or if she must surrender one to have the other.

    But when Cameron finds a patient hanged in the utilities closet, his infatuation with other people's stories becomes an obsession. Assuming the man's identity, Cameron seeks out and forges a relationship with the victim's mentally challenged sister, who lives in a home uptown. As Cameron becomes more involved in the woman's life, he begins to discover truths that will challenge him to the very core of his existence.