G. Sebald's first novel, never before translated into English, is perhaps his most amazing and certainly his most alarming. Sebald—the acknowledged master of memory's uncanniness—takes the painful pleasures of unknowability to new intensities in Vertigo. Here in their first flowering are the signature elements of Sebald's hugely acclaimed novels The Emigrants and The Rings of Saturn. An unnamed narrator, beset by nervous ailments, is again our guide on a hair-raising journey through the past and across Europe, amid restless literary ghosts—Kafka, Stendhal, Casanova. In four dizzying sections, the narrator plunges the reader into vertigo, into that "swimming of the head," as Webster's defines it: in other words, into that state so unsettling, so fascinating, and so "stunning and strange," as The New York Times Book Review declared about The Emigrants, that it is "like a dream you want to last forever."

    Horace Gregory, in this modern translation, turns his poetic gifts toward a deft reconstruction of Ovid's ancient themes, using contemporary idiom to bring today's reader all the ageless drama and psychological truths vividly intact. --From the book jacket

    Hailed by critics as animating "the grand sweep and the intimate details that bring the distant past vividly to life" (Economist) in a way that makes "your hair stand on end" (Christian Science Monitor) and spanning nearly a thousand years of history, this "highly informative, highly readable" (Dallas Morning News) work examines not just how we think of ancient Rome but challenges the comfortable historical perspectives that have existed for centuries. With its nuanced attention to class, democratic struggles, and the lives of entire groups of people omitted from the historical narrative for centuries, SPQR will to shape our view of Roman history for decades to come.

    It was a time of assassinations and civil war, of armies so out of control that they had no qualms about occupying the city of Rome, and of ambitious men who ruthlessly seized power only to have it wrenched from their grasps. In 69 AD, Gwyn Morgan offers a fresh look at this period, based on two considerations to which insufficient attention has been paid in the past. First, that we need to unravel rather than cherry-pick between the conflicting accounts of Tacitus, Plutarch and Suetonius, our three main sources of information. And second, that the role of the armies, as distinct from that of their commanders, has too often been exaggerated. The result is a remarkably accurate and insightful narrative history, filled with colorful portraits of the leading participants and new insights into the nature of the Roman military. A strikingly vivid account of ancient Rome, 69 AD is an original and compelling account of one of the best known but perhaps least understood periods in all Roman history. It will engage and enlighten all readers with a love for the tumultuous soap opera that was Roman political life.

    Volume 1 was published in 1776, going thru six printings; 2-3 in 1781; 4-6 in 1788-89. It was a major literary achievement of the 18th century, adopted as a model for the methodologies of historians.The books cover the Roman Empire after Marcus Aurelius, from 180 to 1590. They take as their material the behavior & decisions that led to the eventual fall of the Empire in East & West, offering explanations.Gibbon is called the 1st modern historian of ancient Rome. By virtue of its mostly objective approach & accurate use of reference material, his work was adopted as a model for the methodologies of 19-20th century historians. His pessimism & detached irony was common to the historical genre of his era. Although he published other books, Gibbon devoted much of his life (1772-89) to this one work. His Memoirs of My Life & Writings is devoted largely to his reflections on how the book virtually became his life. He compared the publication of each succeeding volume to a newborn.Gibbon offers an explanation for why the Roman Empire fell, a task difficult because of few comprehensive written sources, tho he wasn't the only historian to tackle the subject. Most of his ideas are taken from what few relevant records were available: those of Roman moralists of the 4-5th centuries. According to Gibbon, the Empire succumbed to barbarian invasions because of lost of civic virtue. They'd become weak, outsourcing defence to barbarian mercenaries, who became so numerous & ingrained that they took over. Romans had become effeminate, incapable of tough military lifestyles. In addition, Christianity created belief that a better life existed after death, fostering indifference to the present, sapping patriotism. Its comparative pacifism tended to hamper martial spirit. Lastly, like other Enlightenment thinkers, he held in contempt the Middle Ages as a priest-ridden, superstitious, dark age. It wasn't until his age of reason that history could progress.

    When conflict between Rome and Carthage resumed in 219 B.C., after a brief hiatus from the first Punic War, the Romans decided to invade Spain. Eluding several Roman legions sent out to intercept him in Spain and France, Hannibal Barca astoundingly led his small army of mercenaries over the Alps and thundered down into the Po Valley. The Carthaginian swept all resistance from his path and, as one victory led to another, drove a wedge between Rome and its allies. Hannibal marched up and down the Italian peninsula for 18 years, appearing well nigh invincible to a Rome which began to doubt itself for the first time in its history.This violent and exciting narrative will thrill you with the accounts of heroism and brilliance displayed on both sides as the war raged mercilessly across the entire Western Mediterranean. Learn how the patience of Fabius Maximus and the genius of Lucius Cornelius Scipio finally turned the tide in this, the world's first "global" conflict...a conflict whose aftermath proved to be one of the most decisive and enduring events in world history. And finally, learn the secret to the success of Hannibal, the most brilliant military commander of all time.

    This is the first non-specialist book to be devoted to this extraordinary, yet little known, Roman emperor folowing his carrer from obscurity to saviour of the Empire. The author's original research uses the most up to date interpretations of ancient literature and inscriptions to examine Aurelian's methods and achievements .Details of the little described 3rd Century Roman army are also included and the book is illustrated with many photographs.

    She had no relatives left, she'd lost her family farm to back taxes, and her doctor had just given her two years to live--but only if she lived restfully. He offered her a spot in the county's charity home. Instead, she decided she wanted to see the Pacific Ocean just once before she died. She bought a cast-off brown gelding named Tarzan, donned men's dungarees, loaded up her horse, and headed out from Maine in mid-November, hoping to beat the snow. She had no map, no GPS, no phone. But she had her ex-racehorse, her faithful mutt, and her own unfailing belief that Americans would treat a stranger with kindness.Between 1954 and 1956, Annie, Tarzan, and her dog, Depeche Toi, journeyed more than 4,000 miles, through America's big cities and small towns, meeting ordinary people and celebrities--from Andrew Wyeth (who sketched Tarzan) to Art Linkletter and Groucho Marx. She received many offers--a permanent home at a riding stable in New Jersey, a job at a gas station in rural Kentucky, even a marriage proposal from a Wyoming rancher who loved animals as much as she did. As Annie trudged through blizzards, forded rivers, climbed mountains, and clung to the narrow shoulder as cars whipped by her at terrifying speeds, she captured the imagination of an apprehensive Cold War America. At a time when small towns were being bypassed by Eisenhower's brand-new interstate highway system, and the reach and impact of television was just beginning to be understood, Annie and her four-footed companions inspired an outpouring of neighborliness in a rapidly changing world.

    Instead of following the standard procedure of social history, he presents a series of vignettes focusing on the "ways of life" of various members of that society, from the slave to the emperor. The book opens with a description of the historical context and includes examination of topics such as the family, religion, urban and rural life, and leisure activities. This revised edition of Casson's engaging work, originally published in 1975 as Daily Life in Ancient Rome, includes two new chapters as well as full documentation of the sources.

    This shameful memento came to symbolize not only his father’s tragically misguided allegiance but also a shattered marriage and ultimately the unconscionable separation of a mother and son.In this revelatory memoir, the author confronts his parents’ complex past as he reconstructs the fortunes and disillusions of an entire family upheaved during the changes of twentieth-century Europe. The Münninghoffs were driven by greed, rebellion, and rage. An embattled dynasty, they were torn between the right and the wrong side of history. Their saga haunted Alexander’s life for the next seventy years.Only in reconciling with them can this man find the courage to move forward as son and heir to the startling legacy of a flawed yet grand tradition.

    Drawing on original texts, including first-person accounts by Roman historians, and filled with visuals of Roman and Hun artifacts, historian Christopher Kelly creates a novel and quite different portrait of this remarkable man.

    Its architectural treasures crumble—foundations shift, marble ornaments fall—even as efforts to preserve them are underway. The City of Falling Angels opens on the evening of January 29, 1996, when a dramatic fire destroys the historic Fenice opera house. The loss of the Fenice, where five of Verdi's operas premiered, is a catastrophe for Venetians. Arriving in Venice three days after the fire, Berendt becomes a kind of detective—inquiring into the nature of life in this remarkable museum-city—while gradually revealing the truth about the fire.In the course of his investigations, Berendt introduces us to a rich cast of characters: a prominent Venetian poet whose shocking "suicide" prompts his skeptical friends to pursue a murder suspect on their own; the first family of American expatriates that loses possession of the family palace after four generations of ownership; an organization of high-society, partygoing Americans who raise money to preserve the art and architecture of Venice, while quarreling in public among themselves, questioning one another's motives and drawing startled Venetians into the fray; a contemporary Venetian surrealist painter and outrageous provocateur; the master glassblower of Venice; and numerous others-stool pigeons, scapegoats, hustlers, sleepwalkers, believers in Martians, the Plant Man, the Rat Man, and Henry James.Berendt tells a tale full of atmosphere and surprise as the stories build, one after the other, ultimately coming together to reveal a world as finely drawn as a still-life painting. The fire and its aftermath serve as a leitmotif that runs throughout, adding the elements of chaos, corruption, and crime and contributing to the ever-mounting suspense of this brilliant book.

    When the Greeks were then betrayed by their Persian employers, they were forced to march home through hundreds of miles of difficult terrain - adrift in a hostile country and under constant attack from the unforgiving Persians and warlike tribes. In this outstanding description of endurance and individual bravery, Xenophon, one of those chosen to lead the retreating army, provides a vivid narrative of the campaign and its aftermath, and his account remains one of the best pictures we have of Greeks confronting a 'barbarian' world.

    The first people in history to enjoy safe and easy travel, Romans embarked on the original Grand Tour, journeying from the lost city of Troy to the Acropolis, from the Colossus at Rhodes to Egypt, for the obligatory Nile cruise to the very edge of the empire. And, as Tony Perrottet discovers, the popularity of this route has only increased with time.Intrigued by the possibility of re-creating the tour, Perrottet, accompanied by his pregnant girlfriend, sets off to discover life as an ancient Roman. The result is this lively blend of fascinating historical anecdotes and hilarious personal encounters, interspersed with irreverent and often eerily prescient quotes from the ancients—a vivid portrait of the Roman Empire in all its complexity and wonder.

    He shows first how the Huns overtuned the existing strategic balance of power on Rome's European frontiers to force the Goths and others to seek refuge inside the empire. This prompted two generations of struggle, during which new barbarian coalitions, formed in response to Roman hostility, brought the Roman west to its knees. The Goths first destroyed a Roman army at the battle of Hadrianople in 378 and went on to sack Rome in 410. The Vandals spread devastation in Gaul and Spain befor conquering North Africa, the breadbasket of the western empire, in 439. We then meet Attila the Hun, whose reign of terror swept from Constantinople to Paris, but whose death in 453 ironically precipitated a final desperate phase of Roman collapse, culminating in the Vandals' defeat of the massive Byzantine Armada, the west's last change for survival.Peter Heather convincingly argues that the Roman Empire was not on the brink of social or moral collapse. What brought it to an end were the barbarians.