Lana’s music and lyrics evoke images of a saturated Kodachrome photograph, so it would stand to reason that she’d now add “poet” to her artist’s kit. Even without music, her words work their way around you, pulling you into a world that’s not unlike a David Lynch movie.[from barnesandnoble.com]

     Nitty Luce is an orphan--and a thief. Magnolious is an elephant--and a fugitive. When the two misfits come face to face in the middle of a blinding dust storm, they form an immediate bond.But with Nitty hiding a stolen pouch of gleaming green seeds and Mag mere moments from being hanged, the two don't have much time to get to know each other. Escaping into the storm, they end up on a barren farm in Fortune's Bluff, a town withered by a decade of dust storms. While most would be deterred by the farm's curmudgeonly owner, Windle Homes, Nitty sees past his harsh exterior. She promises to bring the farm back to life--with the help of Mag and those little green seeds.Soon enough, Nitty and Mag are harvesting their first crop, and they're quickly the talk of the town. But as the townspeople become hopeful, the Mayor Neezer Snollygost becomes suspicious.Will Nitty and Mag be able to save Fortune's Bluff and make a new, safe home for themselves? Doing so might just take a miracle...

    Starting there, this extended poem—part art criticism, part history—considers the phenomenon of glass, revealing the strength and fragility of our age in the minimalist style that has won Cole Swensen such acclaim.

    By turns sassy and serious, the poems can seem to sprint in two directions at once, managing to make the reader laugh at the same time they are struck by the emotional strength of the work. "Charming, inviting, beguiling and delightful poems in the language of someone who seems alive speaking refreshing riddles to herself." SHEILA HETI"Uptalk is a book of transcribed whale songs. Some scientists gave a whale a microphone and she took it home and stayed up all night under the covers talking to herself about faces and word-parts. I am delighted that Kimmy took it upon herself to transcribe this unique document of marine biology, and my heart goes out to the brilliant, charming whale author, wherever she may be." SARA WOODS

    Dugan’s new poems continue his career-long concerns with renewed vigor: the poet’s insistence that art is a grounded practice threatened by pretension, the wry wit, the jibes at the academic and sententious, and the arresting observations on the quotidian battles of life. All the while he peppers his poems with humorous images of the grim and daunting topics of existential emptiness.

    Or, in his marvelous words, “From the moment I saw this property, I had a bead on it. I can’t completely explain why, but I had an intense feeling of belonging.” He has given up his teaching life in New York and begun working as the artist he’s always wanted to be.Letters written to his family back home sweep the reader up in Tim’s schooling in, and awakening to, the pastoral French lifestyle. From the attention to food (meals seem to Tim a semireligious rite) to the delightfully quirky neighbors who appear to spring straight out of a Balzac novel, we share Tim’s ever-growing pleasures and adventures.But his enchantment with this foreign land becomes far more complicated when his drawings—and then Tim himself—catch the eye of Mademoiselle Benoir, a beautiful, aristocratic woman twenty years his senior. Their decision to marry sets off a cluster bomb, uncovering incendiary layers of emotional and cultural complexity on both sides of the Atlantic, as his family tries to reason with him, her family declares war, and the villagers choose sides. Will tradition triumph over love?Inspired by a true story, this is a delicious stew with something for everyone.Christine Conrad has worked as the New York City film commissioner, as an editor in book publishing, as a screenwriter for motion pictures and television, and as an advocate for women's health. Her most recent book, Jerome Robbins, is a pictorial biography inspired by her long friendship with the choreographer.

    And he also showed that within him beat the heart of an artist -- a major factor in his resilience and recovery.Now with Who Will Cry for the Little Boy?, his first collection of poetry, Antwone Fisher reveals the inner truths that took him from a tumultuous childhood to the man he is today. The powerful poems presented here range from impressions and expressions of Antwone's years growing up to the love that he has gained from the family he made for himself as an adult.From the title poem -- which is featured prominently in the movie Antwone Fisher -- a plaintive, haunting tribute to a childhood lost to abuse and neglect, to "Azure Indigo," the uplifting and touching poem about his daughters, many readers will find their own feelings and experiences reflected in this lyrical and passionate collection.

    The poems in Pilgrim explore themes of departure, shelter, companionship, deep friendship and the necessary transformations of friendship, the struggles at crucial thresholds and the arrivals that always become further departures, offering companionship along the way.

    Grounded in a series of mediations upon the life of the feeling heart in the world, Jane Hirshfield's long-awaited third collection of poetry explores the ways that radiance dwells most truly in the ordinary, the difficult, and the plain.

    He is "singular among his peers in his ability to convey with a deceptive lightness the paradoxes of human emotion," says Publishers Weekly, and Robert Hass, in the Washington Post Book World, takes special note of Lux's "bitter wit, the kind of irony that comes with a quick, impatient intelligence."

    Misty Bell Stiers set out on a spiritual path to find a faith that worked for her, and accidentally became a witch. She knew the Bible well, and got to know the Torah and Koran. She studied Eastern philosophies, even the stories of the Egyptians and Greeks. Finally, after overcoming an immediate prejudice (“Um, no,” she writes as her initial reaction), she found Wicca.Witch, Please reveals what makes this mysterious religion so desirable for more than a million Americans. In her witty, direct, and heartfelt text, Misty explores spirituality, perseverance, and finding oneself. She shares what she uses her spell book, cauldron, and broomstick for; the significance of Wiccan holidays, many about new beginnings; the surprising history of Wicca; and what kinds of witches there are. She explains how in her busy New York City life, as a mother and a creative director, her faith grounds and sustains her. Her uplifting, you-too-can-find-what-works-for-you voice speaks like a best friend: relatable, honest, and encouraging. This unusual and beautifully written memoir explores life and death and everything in between. It’s candid, but it’s also threaded with magic and has a warming, light-hearted playfulness to it. Bewitching original drawings by Misty are throughout, and Misty even shares ten original recipes for her Wiccan holiday treats (including the likes of her cinnamon rolls and roasted garlic rosemary bread, sprinkled with magic and seasoned with love, laughter, and healing).

    No Art is an exhilarating argument both with America and with poetry itself, in which online slang is juxtaposed with academic idiom, philosophy collides with advertising, and the language of medicine and the military is overlaid with echoes of Whitman and Keats. Here, clichés are cracked open and made new, made strange, and formal experiments disclose new possibilities of thought and feeling. No Art confirms Ben Lerner as one of the most searching and ambitious poets working today.

    Her uniquely true and mystical voice is like a glass of pure water: refreshing, healing, and oh, so necessary."—Nin Andrews"Her poems are an intense vision of the power of art to heal, to help us understand ourselves and our world. Agodon invokes artists as disparate as Kahlo and Cornell, Picasso and Pollock, as a way into the world she creates for us in her deft and musical poems. She brilliantly succeeds."—Wyn CooperKelli Russell Agodon is the author of two previous collections of poetry and lives in Kingston, Washington.

    I wanted not a tract, but a tapestry in which making is seen in the context of the other processes—sexuality, mortality—inseparable from it.""Bidart has patiently amassed as profound and original a body of work as any now being written in this country. He has given form for our age to what is most urgent and most private in the human soul: the ordeals of solitude and mortality and hunger and, recently, that action through which being speaks: the drive to make or create. Bidart’s poems sound like no one else’s; they look like no one else’s. . . . He is, in the feeling of our jury, one of the great poets of our time."—Louise Glück, jury chair, 2001 Wallace Stevens Award The Academy of American PoetsThe inaugural edition in Sarabande's Quarternote Chapbook Series which will feature a select group of poets by invitation onlyFrank Bidart's collections of poetry include Desire (1997), which received the 1998 Bobbitt Prize for Poetry from the Library of Congress and the Theodore Roethke Memorial Poetry Prize, and was nominated for the National Book Award, the National Book Critics Circle Award, and the Pulitzer Prize; In the Western Night: Collected Poems 1965-90 (1990); The Sacrifice (1983); The Book of the Body (1977); and Golden State (1973). Among his many honors are the Lila Acheson Wallace/Reader’s Digest Fund Writer’s Award, the Morton Dauwen Zabel Award given by the American Academy of Arts and Letters, the Shelley Award of the Poetry Society of America, and the Lannan Literary Award. He teaches at Wellesley College and lives in Cambridge, Massachusetts.

    Christ has just been crucified, and they are heartbroken—until a third man joins them on the road and comforts them. Once they reach Emmaus and break bread, the pair realizes they have been walking with Christ himself. But in the moment they recognize him, he disappears. Spencer Reece draws on this tender story in his mesmerizing collection—one that fearlessly confronts love and its loss, despair and its consolation, and faith in all of its various guises.Reece’s central figure in The Road to Emmaus is a middle-aged man who becomes a priest in the Episcopal Church; these poems follow him to New York City, to Honduras, to a hospital where he works as a chaplain, to a prison, to an Alcoholics Anonymous meeting. With language of simple, lyrical beauty that gradually accrues weight and momentum, Reece spins compelling dramas out of small moments: the speaker, living among a group of orphans, wondering "Was it true, what they said, that a priest is a house lit up?"; two men finding each other at a Coming Out Group; a man trying to become visible after a life that had depended on not being seen.A yearning for connection, an ache of loneliness, and the instant of love disappearing before our eyes haunt this long-awaited second collection from Spencer Reece.