Gilbert's verses for Sullivan's music are the most fastidiously turned and inventively rhymed in all lyric comedy. As the Savoy Operas enter their second century on a swell of renewed popularity, Gilbert's reputation as the supreme wordsmith of light opera remains secure. Complete and authentic, these are the librettos on which modern performances and recordings are based. Scattered among the songs are over seventy of the amusing, quirky pictures Gilbert drew to illustrate them. A chronology prepared for this edition sketches the authors' lives and careers. This is a book that no lover of Gilbert and Sullivan, musical comedy, or indeed the English theater will want to be without.

    She struggles for survival and for self-esteem, embarking on a love affair with the 18-year-old son of her most powerful opponent, brutal and charismatic rancher, Buck Calder.

    WILLIAM SOMERSET MAUGHAM [1874-1965] was a British writer of novels, plays, and short stories. He was a medical student at King's College London. While a student learning midwifery in the London slum of Lambeth, He wrote Liza of Lambeth (1897). The novel was a hit, selling out its first edition in a few weeks. This success convinced Maugham to write full time. By 1914, he produced ten novels and ten plays. In World War I, he was one of the "Literary Ambulance Drivers" including Ernest Hemingway, John Dos Passos and E. E. Cummings. While serving near Dunkirk, he proof-read Of Human Bondage (1915). Theodore Dreiser considered Of Human Bondage "a work of genius." In 1916, in the Pacific, he researched Paul Gauguin's life for his novel The Moon And Sixpence (1919). In 1928, he moved to the French Riviera, where he resided for the rest of his life. In 1947, he established the Somerset Maugham Award for British writers. V. S. Naipaul, Kingsley Amis, Martin Amis, and Thom Gunn are some notable recipients of the award.

    And what is more, she is so intensely interesting that the girls admire her above all else. But Miss Brodie is not honest. She prevaricates and then tells the girls to do as she tells them, not as she does herself. She is having an affair with the music teacher and has had one with the art teacher, and this is not the most exemplary conduct. A

    The courtroom drama Night of January 16th, famous for its open-ended verdict, is presented here in its definitive text. Also included are two of Rand's unproduced plays, Think Twice, a clever philosophical murder mystery, and Ideal, a bitter indictment of people's willingness to betray their highest values-symbolized by a Hollywood goddess suspected of a crime.

    The Light That Shines in the Darkness -- the last of Tolstoy's plays, was left unfinished. In Russia it is prohibited on account of its allusions to the refusal of military service. Yet it is in some ways the most interesting of Tolstoy's posthumous works. It is obviously not strictly autobiographical, for Tolstoy was not assassinated as the hero of the piece is, nor was his daughter engaged to be married to a young prince who refused military service. But like some of his other writings, the play is semi-autobiographical. In it, not only has Tolstoy utilised personal experiences, but more than that, he answers the question so often asked: Why, holding his views, did he not free himself from property before he grew old?

    It includes London and The Vanity of Human Wishes among other poems, and many of his essays for the Rambler and Idler. The prefaces to his edition of Shakespeare and his famous Dictionary, together with samples from the texts, are given, as well as selections from A Journey to the Western Islands of Scotland, the Lives of the Poets and Rasselas in its entirety. There is also a substantial representation of lesser-known prose, and of his poetry, letters, and journals.

    Aldwinkle. Here, Mrs. Aldwinkle yearns to recapture the glories of the Italian Renaissance, but her guests ultimately fail to fulfill her naive expectations. Among her entourage are: a suffering poet and reluctant editor of the "Rabbit Fanciers' Gazette" who silently bears the widowed Mrs. Aldwinkle's desperate advances; a popular novelist who records every detail of her affair with another guest, the amorous Calamy, for future literary endeavors; and an aging sensualist philosopher who pursues a wealthy yet mentally-disabled heiress. Stripping the houseguests of their pretensions, Huxley reveals the superficiality of the cultural elite. Deliciously satirical, Those Barren Leaves bites the hands of those who dare to posture or feign sophistication and is as comically fresh today as when first published.

    

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    Inspired by the Prometheus Bound of Aeschylus, Shelley's play serves as a sort of sequel, matching its Greek predecessor in stature and pure poetic power. It depicts its philanthropist hero's ultimate triumph over the superstition and bigotry of the gods. As Shelley himself stated in his Defence of Poetry, Prometheus Unbound awakens and enlarges the mind.

    Containing many "lost" pieces, it is a compendium of suspense from the pulp magazines of the '20s to his last efforts in the '70s. Fine.

    His thousands of pages of essays, reviews, prologues, lectures, and notes on politics and culture—though revered in Latin America and Europe as among his finest work—have scarcely been translated into English.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    In fact, the short story, as A. O. Scott wrote in The New York Times Book Review, shows “McInerney in full command of his gifts . . . These stories, with their bold, clean characterizations, their emphatic ironies and their disciplined adherence to sound storytelling principles, reminded me of, well, Fitzgerald and also of Hemingway—of classic stories like ‘Babylon Revisited’ and ‘The Short Happy Life of Francis Macomber.’ They are models of the form.”Only seven of these stories have ever been collected in a book, but all twenty-six unveil and re-create the manic flux of our society. Whether set in New England, Los Angeles, New York or the South, they capture various stages of adulthood, from early to budding to entrenched to resentful: a young man confronting the class system at a summer resort; a young woman holed up in a remote cabin while her (married) boyfriend campaigns for the highest office of all; a couple whose experiments in sexuality cross every line imaginable; an actor visiting his wife in rehab; a doctor contending with both convicts and his own criminal past; a youthful socialite returning home to nurse her mother; an older one scheming for her next husband; a family celebrating the holidays while mired in loss year after year; even Russell and Corrine Calloway, whom we first met in McInerney's novel Brightness Falls.A manifold exploration of delusion, experience and transformation, these stories display a preeminent writer of our time at the very top of his form.

    without possessions... without commitments. And without fear. But some unfinished business has now found Reacher. Ten years ago, a key investigation went sour and someone got away with murder. Now a chance encounter brings it all back. Now Reacher sees his one last shot.The Enemy:Jack Reacher was one of the army’s brightest stars. But in every cop’s life there is a turning point. For Jack Reacher, this is that case... New Year’s Day, 1990. In a North Carolina “hot-sheets” motel, a two-star general is found dead. His briefcase is missing. Nobody knows what was in it. Within minutes Jack Reacher has his orders: Control the situation. But this situation can’t be controlled.One Shot:Six shots. Five dead. One heartland city thrown into a state of terror. But within hours the cops have it solved: a slam-dunk case. Except for one thing. The accused man says: You got the wrong guy. Then he says: Get Reacher for me. And sure enough, from the world he lives in - no phone, no address, no commitments – ex-military investigator Jack Reacher is coming.