Sasha Ozerovsky is a young expert in Russian art at Leighton's, an exclusive Manhattan auction house. When a dealer arrives from Moscow with an exquisite 1913 Fabergé figurine, Sasha immediately recognizes a rare masterpiece. But in the high stakes art world, the price of an object is tied to its history. If Sasha can determine for whom the bejeweled piece was made and where it has been hiding for the past century, its value -- and Sasha's career -- will soar. But as Sasha moves between New York's high society and Russia's new rich, he discovers that the piece once belonged to his family, and he must face questions about their past that he never dared to ask. Superbly plotted and evoking the elegance of Russia's gilded age, Object of Virtue is an enthralling tale that explores what happens to a family torn between vanity and virtue.

    Conclusions are perpetually delayed. Resolutions are continually postponed. The text is written for takeoff, not arrival. It is a first step for readers' explorations of current modes of art making and for their own future artistic achievements. The much-anticipated follow-up to Art on the Edge... and Over, Linda Weintraub's highly accessible introduction to contemporary art since the 1970s, In the Making: Creative Options for Contemporary Art explores essential but sometimes elusive facets of art making today. In her trademark writing style--straightforward and jargon-free--Weintraub sets out to itemize the conceptual and practical concerns that go into making contemporary art in all its endless permutations. In six clearly defined thematic sections---Scoping an Audience, - -Sourcing Inspiration, - -Crafting an Artistic 'Self', - -Expressing an Artistic Attitude, - -Choosing a Mission, - and -Measuring Success---Weintraub moves artist by artist, in 40 individual chapters, using each to explain a different aspect of art making. Isaac Julien makes work for a highly specific audience; Michal Rovner communicates through metaphor and symbol; Charles Ray disrupts the viewer's assumptions; Pipilotti Rist is inspired by female emotions; William Kentridge is moved by apartheid and redemption; Vanessa Beecroft epitomizes the biography of a smart, attractive, Caucasian woman; and Matthew Barney achieves success through resistance. Through a compelling combination of renowned and up-and-coming artists, Weintraub creates a complex understanding of how to make and look at contemporary art--but in a simple, easily digestible format and language.In addition to being a fine read for anyone who simply wants to understand how to look at contemporary art, In the Making is also an exceptional pedagogical tool, one that addresses what is fast becoming a huge gap in art education. Teaching artistic techniques no longer provides young artists with a sufficient education--a full range of conceptual issues needs to be considered in any well-rounded studio practice. Yet these very same conceptual issues are often those that are dealt with textually in art history and criticism classes. Weintraub persuasively offers a series of texts that fit squarely into this gap, addressing issues that concern anyone who is learning how to make art or how to understand it.In addition, In the Making includes a series of interviews in which many of the artists discuss the practical issues of their life's work. Conducted by Weintraub's students at Oberlin College, the interviews pose questions about the artists' schooling, their studio space, and how they support themselves if their main income doesn't come from their art--the kind of questions every art student has always wanted to ask the artists whose work they see on gallery walls.

    Now seventy-seven years old, she lives on a farm in southern Vermont, where she has recreated an early Victorian world. To capture this intimate portrait of Tasha Tudor, photographer Richard Brown followed her throughout a year on her farm. By interweaving Tudor's own words and more than 100 color photographs, Brown has evoked the essence of Tudor's uniquely appealing personality and way of life. The inspiration for Tudor's art is evident in her delightful surroundings. Foremost is the magnificent garden she designed and rightfully calls "Paradise on earth." A lively menagerie is always underfoot, indoors and out, including her trademark corgies, the Nubian goats she milks twice a day, the one-eyed cat Minou, the chickens, fantail doves, and the cockatiels, canaries, exotic finches, and parrots that inhabit a virtual village of antique cages. We watch Tudor at work in a corner of her winter kitchen, her "chipmunk's nest," on the delicate watercolors and drawings that illustrate the books and calendars that have charmed three generations. Examples of her work are scattered throughout the book, including many drawings from her sketchbook and vignettes never previously published. Her enchanting three-story dollhouse is featured in detail as are her handmade dolls and marionettes as well as the candlelit tree that is the centerpiece of Tasha Tudor's old-fashioned New England Christmas. Born in 1914 into Boston society (she sat on Oliver Wendell Holmes's knee as a child; Mark Twain and Albert Einstein were also her parents' friends), Tudor felt from an early age that she had lived before, in the 1830s. She says, "Everything comes so easily to me from that period, of that time: threading a loom, growing flax, spinning, milking a cow." Dressed in antique clothing, spinning and weaving her own linen, cooking on a woodstove with nineteenth-century utensils, Tudor inhabits a world that in all these evocative photographs speaks to all who long for a simpler existence in harmony with the seasonal rhythms of nature.

    In his paintings, leaves are lips, baguettes are noses, the right side is never up, and the upside is never down. Award-winning author Klaas Verplancke mashes everyday objects and words together in ways that are guaranteed to make kids laugh and think. René Magritte (Belgian, 1898–1967), one of the world’s most beloved artists, created whimsical, subversive paintings that helped launch the popularity of surrealism. His works combined words and images in novel, thought-provoking ways, and used humor and ordinary subjects to inspire viewers to question the world around them.

    . . but even more devoted to each other. A Notable Social Studies Trade Book for Young PeopleA Capitol Choices Noteworthy TitleEveryone who knew them agreed. Alberto was the genius of the family. His younger brother Diego was his opposite--he didn't care much for books or schoolwork, and he had no idea what he would be when he grew up. But despite their differences, the two brothers shared an intense bond.Alberto Giacometti became one of the iconic artists of the twentieth century, whose tall, spindly sculptures grace the collections of museums around the world. Diego was always at his side, helping and encouraging, and in his spare time creating remarkable pieces of furniture, works of sculpture in their own right.The poignant story of brothers and sculptors Alberto and Diego Giacometti is skillfully brought to life in the hands of multiple Sibert Honor authors Jan Greenberg and Sandra Jordan, and the spectacular artwork of Hadley Hooper.This lavishly illustrated 64-page book includes extensive backmatter, complete with a timeline, source notes, photographs, and an essay on how to look at a Giacometti sculpture.A Horn Book Best Book of the Year A Washington Post Best Children's Book of the YearA Bank Street Best Book of the Year

    Open the fold out pages to see the original pictures and learn about the artists who painted them.

    But what's behind all that painting, drawing, and sculpting? What was Leonardo da Vinci's snack of choice while he painted Mona Lisa’s mysterious smile? Why did Georgia O'Keeffe find bones so appealing? Who called Diego Rivera "Frog-Face"? And what is it about artists that makes both their work and their lives so fascinating—to themselves, to their curious neighbors, and to all of us? This book presents the humor and the tragedy in twenty artists' lives as no biography has done before.

    This monograph follows Van Gogh between 1886 and 1890, from Holland to Paris, where his palette was brightened with impressionistic colour, to Arles and his still-mysterious friendship with Gauguin.

    0-8109-4964-4$60.00 / Harry N. Abrams, Inc.

     This story is strange and I think you'd agree, It's about a Scribble you just cannot see. Each day he would try and spin and twirl, hoping just once he'd see a bright swirl. But sadly it was always the same, that's how he got his "Invisible" name. Join invisible on a journey full of friendship, kindness, and wonder as he discovers the beauty inside himself!

    Quickstep, accompanied by his dog Foxtrot, is looking for the future. On the way, they meet up with Coppernickel and his dog Tungsten. Coppernickel says there’s no need to look for the future, as it will arrive anyway. Mr. Quickstep disagrees, for the future he’s after hasn't even been thought of yet. Left behind, Coppernickel worries that he will miss out if he doesn’t follow Mr. Quickstep, so he sets off with Tungsten. Naturally, Coppernickel and Mr. Quickstep bump into each other again, which allows Mr.Quickstep to fling open the door to the future by showing Coppernickel his last, most modern work. What stands out here is how Mr. Quickstep's attempt to find an abstract essence in the very stuff of reality is woven right into the illustrations of this graphically distinguished work, giving children the sense that the future is theirs to create as they see it. Dreams can become reality and in the process we too will be transformed.Wouter van Reek went to art school, which was too easy, so he changed to mathematics, which was too hard, so he changed back to art. After art school, he created an animated cartoon series for TV, introducing Keepvogel (Coppernickel) and Tungsten, a super bird/dog team. Wouter has created numerous animations and books about these famous and beloved Dutch characters.

    Glidden is one of the very few to realize the sobering truths that MD directed medicine consistently fails to cure disease, and that it causes massive amounts of harm in the process. Furthermore, he understands that people around the world who continue to hold onto their cultural home remedies live longer and healthier than those that buy into modern medical methods! In America, Hispanics outlive whites by 2.5 years and blacks by 8 years - and it has nothing to do with genetics! Few physicians understand how and why this happens. Few physicians have hands-on experience delivering non-drug treatments that actually help people to recover their health. Dr. Glidden does.The MD Emperor Has No Clothes, by reconciling the ancient methods of Wholistic medicine with the urgent health needs of our modern world, offers a key to the very survival of America herself. God-speed Dr. Glidden!"- Joel Wallach BS, DVM, ND

    Filled from cover to cover with sumptuous full color illustrations by Eun-Kyung Kung, This Little Piggy Went to Prada presents classic nursery rhymes with a thoroughly modern and charmingly ironic spin that will make the most sleepless fashionista mom smile, even when she's knee-deep in diapers.

    First published in 1945, they have become true classics of children's literature and are loved by readers across the world. Targeted both at nostalgic adults and a new generation of Moomins fans, this wonderful little book features funny and insightful slogans and deep thoughts from the Moominvalley, as well as original quotes and drawings from Tove Jansson's beloved Moomins stories.

    Fold-out pages featuring photographs of their early work, their studios and materials, as well as sketches and finished art create an exuberant feast for the eye that will attract both children and adults. Self-portraits of each illustrator crown this important anthology that celebrates the artists and the art of the picture book. An event book for the ages. Proceeds from the book will benefit the Eric Carle Museum of Picture Book Art in Amherst, MA.