. . The villains of Star Wars are as much fun as the good guys.”—New York Daily News Under Governor Wilhuff Tarkin’s guidance, an ultimate weapon of unparalleled destruction—the so-called Death Star—moves ever closer to becoming a terrifying reality. Until then, insurgency remains a genuine threat. Guerrilla attacks by an elusive band of freedom fighters must be countered with swift and brutal action—a mission the Emperor entrusts to his most formidable agents: Darth Vader, the fearsome new Sith enforcer, and Tarkin, whose tactical cunning and cold-blooded efficiency will pave the way for the Empire’s supremacy—and its enemies’ extinction.  A NEW DAWNForeword by Dave Filoni “A story with pacing and dialogue that feels like classic Star Wars.”—Nerdist  Ever since the Jedi were marked for death, Kanan Jarrus has devoted himself to staying alive rather than serving the Force. So when he discovers a conflict brewing between Imperial forces and desperate revolutionaries, he’s not about to get caught in the crossfire. Then the brutal death of a friend forces him to choose between bowing down to fear or standing up to fight. But Jarrus won’t be fighting alone. Soon he is joined by Hera Syndulla—a mysterious agent provocateur with motives of her own—in challenging the Empire for the sake of a world and its people.

    Even the miscreants at St Mary's. Astonishingly, Dr Bairstow has declared a holiday. Even more astonishingly - he's paying for it. Needless to say, there are strings attached. They have to record the 1601 performance of Hamlet, with Shakespeare himself in the role of the Ghost. It doesn't go well, of course.

    Memory-blind himself, he can’t feel those wounds. Clara can, and she prefers them irretrievable. Until her sister, Beatrice, ultrasensitive to memory, raises one that could change Clara’s mind. For Gui, the past is gone. For Clara and Beatrice, deciding what to remember reaches to the heart of their shared history.

    Cultures collide in real life and virtual reality. The city is literally a weed, its growth left unchecked. Life is cheap, and data is cheaper.When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris’s ex-lover is raising a strangely familiar child who can tap into the datastream of a mind with the touch of a finger. His cousin is infatuated with a robotnik—a damaged cyborg soldier who might as well be begging for parts. His father is terminally-ill with a multigenerational mind-plague. And a hunted data-vampire has followed Boris to where she is forbidden to return.Rising above them is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful alien entities who, through the Conversation—a shifting, flowing stream of consciousness—are just the beginning of irrevocable change.At Central Station, humans and machines continue to adapt, thrive...and even evolve.

    Exploratory teams are accompanied by Company-supplied security androids, for their own safety.But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern.On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ‘droid — a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.” Scornful of humans, all it really wants is to be left alone long enough to figure out who it is.But when a neighboring mission goes dark, it's up to the scientists and their Murderbot to get to the truth.

    This edition contains the original introduction by Theodore Sturgeon and the original foreword by Harlan Ellison, along with a brief update comment by Ellison that was added in the 1983 edition. Among Ellison's more famous stories, two consistently noted as among his very best ever are the title story and the volume's concluding one, Pretty Maggie Moneyeyes.Since Ellison himself strongly resists categorization of his work, we won't call them science fiction, or SF, or speculative fiction or horror or anything else except compelling reading experiences that are sui generis. They could only have been written by Harlan Ellison and they are incomparably original.CONTENTS"I Have No Mouth & I Must Scream""Big Sam Was My Friend""Eyes of Dust""World of the Myth""Lonelyache""Delusion for Dragonslayer""Pretty Maggie Moneyeyes"

    As they remake the wilderness in their own image, planning for a future of settlement and civilization, the long-held bonds and secrets between the two will be tested, fractured and broken—and possibly healed.Fifty years from now, in the second half of the twenty-first century, climate change has ravaged the Earth. Having invested early in genetic engineering and food science, one company now owns all the world’s resources. But a growing resistance is working to redistribute both land and power—and in a pivotal moment for the future of humanity, one of the company’s original founders will return to headquarters, intending to destroy what he helped build.A thousand years in the future, North America is covered by a massive sheet of ice. One lonely sentient being inhabits a tech station on top of the glacier—and in a daring and seemingly impossible quest, sets out to follow a homing beacon across the continent in the hopes of discovering the last remnant of civilization.Hugely ambitious in scope and theme, Appleseed is the breakout novel from a writer “as self-assured as he is audacious” (NPR) who “may well have invented the pulse-pounding novel of ideas” (Jess Walter). Part speculative epic, part tech thriller, part reinvented fairy tale, Appleseed is an unforgettable meditation on climate change; corporate, civic, and familial responsibility; manifest destiny; and the myths and legends that sustain us all.

    K. Jemisin, Charles Yu, Jamie Ford, and more. For many Americans, imagining a bright future has always been an act of resistance. A People's Future of the United States presents twenty never-before-published stories by a diverse group of writers, featuring voices both new and well-established. These stories imagine their characters fighting everything from government surveillance, to corporate cities, to climate change disasters, to nuclear wars. But fear not: A People's Future also invites readers into visionary futures in which the country is shaped by justice, equity, and joy.Edited by Victor LaValle and John Joseph Adams, this collection features a glittering landscape of moving, visionary stories written from the perspective of people of color, indigenous writers, women, queer & trans people, Muslims and other people whose lives are often at risk.Contributors include: Violet Allen, Charlie Jane Anders, Ashok K. Banker, Tobias S. Buckell, Tananarive Due, Omar El Akkad, Jamie Ford, Maria Dahvana Headley, Hugh Howey, Lizz Huerta, Justina Ireland, N. K. Jemisin, Alice Sola Kim, Seanan McGuire, Sam J. Miller, Daniel José Older, Malka Older, Gabby Rivera, A. Merc Rustad, Kai Cheng Thom, Catherynne M. Valente, Daniel H. Wilson, G. Willow Wilson, and Charles Yu.

    Contents:1 · Honeymoon in Hell · nv Galaxy Nov ’50 36 · Too Far · vi F&SF Sep ’55 38 · Man of Distinction · ss Thrilling Wonder Stories Feb ’51 47 · Millennium · vi F&SF Mar ’55 49 · The Dome · ss Thrilling Wonder Stories Aug ’51 58 · Blood · vi F&SF Feb ’55 60 · Hall of Mirrors · ss Galaxy Dec ’53 67 · Experiment · vi Galaxy Feb ’54; Two Timer, gp 69 · The Last Martian · ss Galaxy Oct ’50 78 · Sentry · vi Galaxy Feb ’54; Two Timer, gp 80 · Mouse · ss Thrilling Wonder Stories Jun ’49 91 · Naturally · vi Beyond Fantasy Fiction Sep ’54; Double Whammy, gp 93 · Voodoo · vi Beyond Fantasy Fiction Sep ’54; Double Whammy, gp 95 · “Arena” · nv Astounding Jun ’44 124 · Keep Out · ss Amazing Mar ’54 128 · First Time Machine · vi EQMM Sep ’55; Killers Three, gp 130 · And the Gods Laughed · ss Planet Stories Spr ’44 144 · The Weapon · ss Astounding Apr ’51 148 · A Word from Our Sponsor · ss Other Worlds Sep ’51 164 · Rustle of Wings · ss F&SF Aug ’53 170 · Imagine · pp F&SF May ’55

    It is the era of the posthuman. Artificial intelligences have surpassed the limits of human intellect. Biotechnological beings have rendered people all but extinct. Molecular nanotechnology runs rampant, replicating and reprogramming at will. Contact with extraterrestrial life grows more imminent with each new day.Struggling to survive and thrive in this accelerated world are three generations of the Macx clan: Manfred, an entrepreneur dealing in intelligence amplification technology whose mind is divided between his physical environment and the Internet; his daughter, Amber, on the run from her domineering mother, seeking her fortune in the outer system as an indentured astronaut; and Sirhan, Amber's son, who finds his destiny linked to the fate of all of humanity.For something is systemically dismantling the nine planets of the solar system. Something beyond human comprehension. Something that has no use for biological life in any form.

    When tragedy strikes the family, Tabitha and her mother are forced to move to the notorious Five Points District in New York City, known for its brothels, gangs, gambling halls, corrupt politicians and thieves. As they struggle to survive in their new living conditions, tragedy strikes again. Young Tabitha resorts to life alone on the streets of New York, dreaming of a happier future. The Sisters of Charity are taking orphans off the streets with promises of a new life. Children are to forget their pasts, their religious beliefs, families and names. They offer Tabitha a choice: stay in Five Points or board the orphan train and go West in search of a new life. The harrowing journey and the decision to leave everything behind launches Tabitha on a path from which she can never return.

    The mission comes with a warning: a graveyard world awaits him. But so do those left behind—hopeless and unbeautiful wastes of humanity who should have died out eons ago. After all this time, there’s no telling how they’ve devolved. Steel yourself, soldier. Get in. Get out. And try not to stare.N. K. Jemisin’s Emergency Skin is part of Forward, a collection of six stories of the near and far future from out-of-this-world authors. Each piece can be read or listened to in a single thought-provoking sitting.

    It was edited by Harlan Ellison, illustrated by Ed Emshwiller. Like its predecessor, Again, Dangerous Visions and the 46 stories within it received many awards. The Word for World Is Forest, by Ursula K. Le Guin, won a Hugo for Best Novella. When It Changed by Joanna Russ won a Nebula Award for Best Short Story. For a 2nd time, Ellison received a special Hugo for editing the anthology. Again, Dangerous Visions was to be followed by a 3rd anthology, The Last Dangerous Visions. At this point, Ellison has said that it will probably never see the light of day.Introduction: An Assault of New Dreamers by Harlan Ellison The Counterpoint of View by John Heidenry Ching Witch! by Ross Rocklynne The Word for World Is Forest by Ursula K. Le Guin For Value Received by Andrew J. Offutt Mathoms from the Time Closet: 1/Robot's Story, 2/Against the Lafayette Escadrille, 3/Loco Parentis by Gene Wolfe Time Travel for Pedestrians by Ray Nelson Christ, Old Student in a New School (poem) by Ray Bradbury King of the Hill by Chad Oliver The 10:00 Report Is Brought to You by... by Edward Bryant The Funeral by Kate Wilhelm Harry the Hare by James B. Hemesath When It Changed by Joanna Russ The Big Space Fuck by Kurt Vonnegut Bounty by T.L. Sherred Still-Life by K.M. O'Donnell (Barry N. Malzberg) Stoned Counsel by H.H. Hollis Monitored Dreams & Strategic Cremations: 1/The Bisquit Position, 2/The Girl with Rapid Eye Movements by Bernard Wolfe With a Finger in My I by David Gerrold In the Barn by Piers Anthony Soundless Evening by Lee Hoffman [█] by Gahan Wilson The Test-Tube Creature, Afterward by Joan Bernott And the Sea Like Mirrors by Gregory Benford Bed Sheets Are White by Evelyn Lief Tissue: At the Fitting Shop & 53rd American Dream by James Sallis Elouise and the Doctors of the Planet Pergamon by Josephine Saxton Chuck Berry, Won't You Please Come Home by Ken McCullough Epiphany for Aliens by David Kerr Eye of the Beholder by Burt K. Filer Moth Race by Richard Hill In re Glover by Leonard Tushnet Zero Gee by Ben Bova A Mouse in the Walls of the Global Village by Dean R. Koontz Getting Along by James Blish & Judith Ann Lawrence Totenbüch by Parra y FiguéredoThings Lost by Thomas M. Disch With the Bentfin Boomer Boys on Little Old New Alabama by Richard A. Lupoff Lamia Mutable by M. John Harrison Last Train to Kankakee by Robin Scott Empire of the Sun by Andrew Weiner Ozymandias by Terry Carr The Milk of Paradise by James Tiptree, Jr.

    No longer relegated to the fringes of literature, this explosive collection of the world’s best apocalyptic writers brings the inventors of alien invasions, devastating meteors, doomsday scenarios, and all-out nuclear war back to the bookstores with a bang.The best writers of the early 1900s were the first to flood New York with tidal waves, destroy Illinois with alien invaders, paralyze Washington with meteors, and lay waste to the Midwest with nuclear fallout. Now collected for the first time ever in one apocalyptic volume are those early doomsday writers and their contemporaries, including Neil Gaiman, Orson Scott Card, Lucius Shepard, Robert Sheckley, Norman Spinrad, Arthur C. Clarke, William F. Nolan, Poul Anderson, Fredric Brown, Lester del Rey, and more. Relive these childhood classics or discover them here for the first time. Each story details the eerie political, social, and environmental destruction of our world.

    Exotic beasts and improbable travelers roam restlessly through these darkly diverting and finely honed tales.In “The Situation,” a beleaguered office worker creates a child-swallowing manta-ray to be used for educational purposes (once described as Dilbert meets Gormenghast). In “Three Days in a Border Town,” a sharpshooter seeks the truth about her husband in an elusive floating city beyond a far-future horizon; “Errata” follows an oddly familiar writer who has marshaled a penguin, a shaman, and two pearl-handled pistols with which to plot the end of the world. Also included are two stories original to this collection, including “The Quickening,” in which a lonely child is torn between familial obligation and loyalty to a maligned talking rabbit.Chimerical and hypnotic, VanderMeer leads readers through the postmodern into a new literature of the imagination.