As a young army officer in the late nineteenth century serving in conflicts in India, South Africa, and the Sudan, his attitude toward the Empire was the Victorian paternalistic approach - at once responsible and superior.Conscious even then of his political career ahead, Churchill found himself reluctantly supporting British atrocities and held what many would regard today as prejudiced views, in that he felt that some nationalities were superior to others, his (some might say obsequious) relationship with America reflected that view. America was a former colony where the natives had become worthy to rule themselves, but - he felt - still had that tie to Britain. Thus he overlooked the frequently expressed American view that the Empire was a hangover from a bygone era of colonisation, and reflected poorly on Britain's ability to conduct herself as a political power in the current world order. This outmoded attitude was one of the reasons the British voters rejected him after a Second World War in which he had led the country brilliantly. His attitude remained decidedly old-fashioned in a world that was shaping up very differently. However, it would be a mistake to consider Churchill merely as an anachronistic soldier. He grasped the problems of the Cold War immediately, believing that immature nations prematurely given independence would be more likely to be sucked into the vortex of Communism. This view chimed with American foreign policy, and made the Americans rather more pragmatic about their demands for self-governance for Empire countries. This ground-breaking volume reveals the many facets of Churchill's personality: a visionary leader with a truly Victorian attitude toward the British Empire.

    Devising their own PSYOPS campaign, they slipped their notes into soldier’s pockets or tucked them inside newsstand magazines.Hunted by the secret field police, Lucy and Suzanne were finally betrayed in 1944, when the Germans imprisoned them, and tried them in a court martial, sentencing them to death for their actions. Ultimately they survived, but even in jail, they continued to fight the Nazis by reaching out to other prisoners and spreading a message of hope.Better remembered today by their artist names, Claude Cahun and Marcel Moore, the couple’s actions were even more courageous because of who they were: lesbian partners known for cross-dressing and creating the kind of gender-bending work that the Nazis would come to call “degenerate art.” In addition, Lucy was half Jewish, and they had communist affiliations in Paris, where they attended political rallies with Surrealists and socialized with artists like Gertrude Stein.Paper Bullets is a compelling World War II story that has not been told before, about the galvanizing power of art, and of resistance.

    Describing the experiences of twenty ordinary people from around the world, all now unknown, he explores the everyday aspects of war: not only the tragedy and horror, but also the absurdity, monotony and even beauty. Two of these twenty will perish, two will become prisoners of war, two will become celebrated heroes and two others end up as physical wrecks. One of them goes mad, another will never hear a shot fired.Following soldiers and sailors, nurses and government workers, from Britain, Russia, Germany, Australia and South America - and in theatres of war often neglected by major histories on the period - Englund reconstructs their feelings, impressions, experiences and moods. This is a piece of anti-history: it brings this epoch-making event back to its smallest component, the individual.

    It marked the beginning of Hezbollah as a political force, but even more important, it eliminated America’s most influential and effective intelligence officer in the Middle East – CIA operative Robert Ames.  What set Ames apart from his peers was his extraordinary ability to form deep, meaningful connections with key Arab intelligence figures. Some operatives relied on threats and subterfuge, but Ames worked by building friendships and emphasizing shared values – never more notably than with Yasir Arafat’s charismatic intelligence chief and heir apparent Ali Hassan Salameh (aka “The Red Prince”). Ames’ deepening relationship with Salameh held the potential for a lasting peace.  Within a few years, though, both men were killed by assassins, and America’s relations with the Arab world began heading down a path that culminated in 9/11, the War on Terror, and the current fog of mistrust. Bird, who as a child lived in the Beirut Embassy and knew Ames as a neighbor when he was twelve years old, spent years researching The Good Spy.  Not only does the book draw on hours of interviews with Ames’ widow, and quotes from hundreds of Ames’ private letters, it’s woven from interviews with scores of current and former American, Israeli, and Palestinian intelligence officers as well as other players in the Middle East “Great Game.” What emerges is a masterpiece-level narrative of the making of a CIA officer, a uniquely insightful history of twentieth-century conflict in the Middle East, and an absorbing hour-by-hour account of the Beirut Embassy bombing.  Even more impressive, Bird draws on his reporter’s skills to deliver a full dossier on the bombers and expose the shocking truth of where the attack’s mastermind resides today.

    Her diary is a true and detailed account of what she experienced during that horrific time. The diary chronicles Ruby's struggle to survive in the midst of a horrendous war, where London is bombed nightly. In this true account Ruby speaks frankly and honestly.

    Moving chronologically through the conflict, Max Hastings charts the successes and failures of allied and axis forces, espionage and counterespionage.Observing how the evolution of electronic communications dramatically increased the possibilities and significance of these secret battles, this is the story of intelligence beyond Bletchley to the FBI, Russia and the spies of axis dictatorships. For the first time since his best-selling ‘All Hell Let Loose’, Max Hastings returns to the Second World War, this time to chronicle its second, untold story.

    It is the profoundly moving and poetic memoir by Marceline Loridan-Ivens, who at the age of fifteen was arrested in occupied France, along with her father. Later, in the camps, he managed to smuggle a note to her, a sign of life that made all the difference to Marceline—but he died in the Holocaust, while Marceline survived. In But You Did Not Come Back, Marceline writes back to her father, the man whose death overshadowed her whole life. Although her grief never diminished in its intensity, Marceline ultimately found her calling, working as both an activist and a documentary filmmaker. But now, as France and Europe in general faces growing anti-Semitism, Marceline feels pessimistic about the future. Her testimony is a memorial, a confrontation, and a deeply affecting personal story of a woman whose life was shattered and never totally rebuilt.

    But once there, he gradually immersed himself in a study of the repressive political culture of East Germany. As if to return the favor, that culture--in the form of the dreaded East German secret police, the "Stasi"--secretly began studying him. As was Stasi's practice, over the years its study produced a considerable paper trail. After the fall of the East German communist regime, a government apparatus was established to allow those targeted to see their Stasi files, and Garton Ash discovered and pored over his. He then set about to interview the people who made this gross intrusion possible, the several case officers, and the numerous regular-citizen informers. The result is nothing short of a journey into the darkest recesses of the totalitarian mind, taking its place honorably alongside 1984 and Darkness at Noon.

    O'Brien was undeterred and has since created a body of work that bears comparison with the best writing of the twentieth century. Country Girl brings us face-to-face with a life of high drama and contemplation.Starting with O'Brien's birth in a grand but deteriorating house in Ireland, her story moves through convent school to elopement, divorce, single-motherhood, the wild parties of the '60s in London, and encounters with Hollywood giants, pop stars, and literary titans. There is love and unrequited love, and the glamour of trips to America as a celebrated writer and the guest of Jackie Onassis and Hillary Clinton. Country Girl is a rich and heady accounting of the events, people, emotions, and landscape that have imprinted upon and enhanced one lifetime.