It is an accusation. So, in case you get no further, here is the bald fact. I killed your grandfather. War hides many secrets and some of them are better kept. But the secret of Hut Ten was never that kind: it could have been leaked and a life would have been saved. One man could have made that difference. He didn’t - and vengeance has taken forty years to catch up with him. This thrilling novella is set in the same world as Sunday Times Thriller of the Month, A Treachery of Spies. What the Critics say about Manda Scott: “This is a rich vein for fiction, and Scott does it more than justice, with this beautifully imagined, beautifully written, smart, sophisticated – but fiercely suspenseful – thriller.” – Lee Child THRILLER OF THE MONTH ‘Superb . . . a blend of historical imagination and storytelling verve reminiscent of Robert Harris.’ The Sunday Times “… the most exciting, involving thriller I’ve read in an age, and I can’t recommend it highly enough.” – Sunday Times Bestselling author Mick Herron “Scott gives us expertly wrought espionage fiction that blooms into a meditation on war, intimacy and memory” – Adam Brookes "…an extraordinary blend of the past and present.” – Terry Wogan "…seriously clever writing" – Crime Review "…staggeringly Imaginative." – Val McDermid "“A stunning feat of the imagination and an absolute must-read for lovers of historical fiction. Utterly convincing and compelling.” – Stephen Pressfield "A masterpiece in historical fiction." – New York Times ‘A Treachery of Spies is the equal of Charlotte Gray in its insights into the period and, I would say, beats it for sheer excitement… one of the most gripping spy stories I have ever read.’ Jake Kerridge, S Magazine 'Ingeniously plotted and wonderfully written.' Antonia Senior, The Times 'A fast-moving tightly-wrought thriller. The destination is in fact as unexpected as it’s satisfying - and very thought-provoking.' Robert Goddard 'A Treachery of Spies is a masterclass in thriller-writing. It is a heart-racing, heart-wrenching read, conceived with passion and executed with frightening skill. An awe-inspiring achievement.' Giles Kristian What Readers Say: ✭✭✭✭✭ "What a marvellous blend of history, espionage, mystery and politics. Beautifully written, too!" ✭✭✭✭✭ "The author's writing is absolutely masterful, reminding me of Hilary Mantel's." ✭✭✭✭✭ "Unputdownable, gripping, credible account of WW2 heroism and double-dealing." ✭✭✭✭✭ "A Top-Secret First-Rate Spy Thriller!" ✭✭✭✭✭ "Fascinating historical and political detail, brilliant characters...A powerful read.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    The popular image of the men who made the bomb is of dispassionate intellects who number-crunched their way towards a weapon whose devastating power they could not even imagine. But in his Tony Award-winning play Copenhagen, Michael Frayn shows us that these men were passionate, philosophical, and all too human, even though one of the three historical figures in his drama, Werner Heisenberg, was the head of the Nazis' effort to develop a nuclear weapon. The play's other two characters, the Danish physicist Niels Bohr and his wife, Margrethe, are involved with Heisenberg in an after-death analysis of an actual meeting that has long puzzled historians. In 1941, the German scientist visited Bohr, his old mentor and long-time friend, in Copenhagen. After a brief discussion in the Bohrs' home, the two men went for a short walk. What they discussed on that walk, and its implications for both scientists, have long been a mystery, even though both scientists gave (conflicting) accounts in later years. Frayn's cunning conceit is to use the scientific underpinnings of atomic physics, from Schr?dinger's famous cat to the Heisenberg uncertainty principle, to explore how an individual's point of view renders attempts to discover the ultimate truth of any human interaction fundamentally impossible. To Margrethe, Heisenberg was always an untrustworthy student, eager to steal from her husband's knowledge. To Bohr, Heisenberg was a brilliant if irresponsible foster son, whose lack of moral compass was part of his genius. As for Heisenberg, the man who could have built the bomb but somehow failed to, his dilemma is at the heart of the play's conflict. Frayn's clever dramatic structure, which returns repeatedly to particular scenes from different points of view, allows several possible theories as to what his motives could have been. This isn't the first play to successfully merge the world

     May 1940: Royal Air Force pilot Harry Fitzgerald is one of millions of heroic Allied troops fighting against Nazi Germany. In the pitched heat of battle over the skies of Northern France, Fitzgerald is shot down by an enemy plane and captured. Miraculously, he escapes certain death but must make his way back to the Allied evacuation at Dunkirk to get back home. However, Fitzgerald is in the middle of a warzone. At a chateau turned hospital, he encounters two of his wounded comrades. Too sick to reach Dunkirk by themselves, they helplessly lie in wait as the German army advances. Fitzgerald knows he must save them, and with the assistance of the French nurse Solange, the refugees attempt to reach Dunkirk-before the Nazis can reach them. It’s a life-or-death mission through dangerous territory where nothing is guaranteed. In Dash for Dunkirk, authors Denis Caron and Fran Connor explore a world where loyalty and bravery face off against an unforgiving enemy. Bound together by duty and honor, war heroes push themselves to the limit through refugee-crowded streets, mechanical setbacks and enemy attacks. Will they reach safe harbor, or will the ultimate evil finally prevail? Praise for Dash for Dunkirk > "A wildly entertaining, action packed story not only about the reality of war, but also of loyalty, friendship, and romance. A must read! - Jordan Ebare, Avid Reader & Historical Fiction Enthusiast

    And in the great glass tower of Eldorado TV they are getting ready to cut and edit a major series that will outshine "Brideshead" and "The Jewel in the Crown".

    The short comic story by Dan Clowes was originally published in his comic book series Eightball, but it is presented here with an entirely new narrative only tangentially resembling the original comic. For this book, the strip will be presented in full-color for the first time. This scrapbook/screenplay also features the shooting script for the film adaptation, including several scenes edited out from the final cut. It also boasts two full-color sections jammed with photos, artwork, and many other surprises.

    High above the mountains of occupied Slovenia an aeroplane drops three British parachutists – brash MP Major Jack Farwell, radio operator Sid Dixon, and young academic Lieutenant Tom Freedman – sent to assist the resistance in their battle against the Axis forces.Greeted upon arrival by a rag-tag group of Partisans, the men are led off into the countryside. It is early summer, and the mountains and forests teem with life and colour. Despite the distant crackle of gunfire, the war feels a long way off for Tom. The Partisans, too, are not what he was expecting – courageous, kind, and alluring, especially Jovan, their commander, and the hauntingly beautiful Marija. Yet after a series of daring encounters, the enemy’s net begins to tighten. They find evidence of massacres, of a dark and terrible band of men pursuing them through the wilderness. As the Partisans stumble their way towards a final, tragic battle, so the relationships within the group begin to fray, with Tom finding himself forced to face up to his deepest, most secret desires.

    She’s six feet tall, self-conscious and posh. And is frequently mistaken for a man. She’s also invested her inheritance in a joke shop that she runs with her friend Stevie (Sarah Hadland) while trying to deal with her outrageously embarrassing mother (Patricia Hodge). Though surrounded by chocolate willies, Miranda is determined to suss out what it takes to be a girly girl and to not look a complete idiot every time she meets the gorgeous Gary (Tom Ellis). Miranda Hart’s Joke Shop – first broadcast on BBC Radio 2 – is written by Miranda Hart (Hyperdrive, Absolutely Fabulous, Lead Balloon), with James Carey (My Family, Think the Unthinkable) and Simon Dean (Not Going Out).2 CDs. 2 hrs.

    George Orwell's prophetic, nightmarish vision of "Negative Utopia" is timelier than ever-and its warnings more powerful in this three-act adaptation.

    Growing up together in the small town of Barton-Upon-Humber in Lincolnshire, England, Peter Knott is everything that Brian Plender wishes he were. Knott is suave, good-looking, an exemplary student and popular. The friendship they maintain is as important to Plender as it is forgettable to Knott, and eventually leads to a lasting humiliation for Brian.Years later Brian Plender is a dangerous man. A private investigator who specializes in extortion, blackmail, and intimidation, Plender is a manipulative psychopath capable of anything should it improve his status. Knott meanwhile is a family man adrift, beholden to his wife for money, which he makes photographing catalogs for her father’s large mail order company. His wandering eye and a taste for younger women, lingerie—something his wife doesn’t altogether go for—and access to a parade of girls looking to break into modeling has led Knott through a series of sordid affairs.When at a bar, which he uses to set up marks, Plender spots Knott with a girl too young to be his wife and he decides to follow the pair and see what happens. At first it's out of curiosity but soon it turns to a darker, more opportunisitic motivation. What follows is an edge-of-your-seat trip into a nightmare that manages to be both incredibly creepy and eerily profound.

    It ends with a promise. On her deathbed Frances extracts it from her three daughters—the utterly capable homemaker Alice; the recalcitrant Allegra, a recovering alcoholic; and bohemian Edie, who shrinks in the face of any commitment: their promise to “look after Libba.” As if the formidable, tough-minded Libba Charles, author of ten books, a literary celebrity, needed looking after. Yet when they are summoned by Libba to Creek Cabin, their mother’s summer hideaway in the Blue Ridge Mountains of North Carolina, they go. None of them is prepared, though, for what they will discover there—about their mother, about Libba, about themselves—in this poignant, adroit rendering of reunions and farewells.

    It is the second Paul Muller novel set in Europe before World War II. Muller is recruited to become a spy to resist Hitler's campaign to absorb Austria into the German Reich and, from his perch in Vienna, finds himself at the epicenter of the desperate struggle to preserve Austrian independence. Muller plays a dangerous game in helping Austria oppose Hitler's demands and he hatches a bold plan to divert Austria's gold reserves so they stay out of Hitler's grasp. The novel captures this gripping drama in rich and vivid detail as political pressures mount and the threat of war looms. A Spy in Vienna re-creates for readers the fraught atmosphere of 1930's, when the threat of Nazi violence hung over Europe. Aficionados of that epoch will relish the authenticity of the novel, which reawakens the tensions and turbulence of the era, with its undercurrent of violence and fear. The narrative recaptures the urgency of the crisis as repeated confrontations escalated to an explosive conclusion. Today, sitting at the safe remove of eighty years, we know the outcome. Hitler's bald aggression prevailed; his takeover of Austria became a crucial stepping stone leading to World War II. But the characters in the novel know none of this; for them, the events they are caught up in are frightening and bewildering, confronting them with dire choices and fearful consequences. The novel transports the reader into that contemporary maelstrom of intrigue and danger—combining real history with a compelling story. Admirers of Paul Muller in Danzig will revel in his new adventures in Vienna, as once again he confronts Nazi tyranny.

    Manifesting Ridley's vivid and visionary imagination and the dark beauty of his outlook, the play resonates with his trademark themes: East London, storytelling, moments of shocking violence, memories of the past, fantastical monologues, and that strange mix of the barbaric and the beautiful he has made all his own.The Pitchfork Disney was Ridley's first play and is now seen as launching a new generation of playwrights who were unafraid to shock and court controversy. This unsettling, dreamlike piece has surreal undertones and thematically explores fear, dreams and story-telling. First produced in 1991, it has gone on to be recognised as the annunciation of Ridley's dark and seductive world.

    (Nancy Pearl)After eleven years of marriage to an egocentric opera singer, Pat Murray packs up her daughter and leaves, regaining control of her life and approaching single parenthood bravely until she meets Roland and his pregnant wife.

    In an unprecedented (for him) run of promiscuity, Ty has managed to impregnate three women in the span of one week: His ex-girlfriend, his 40-something married next-door neighbor, and his 18 year-old student. In this edgy comedy by playwright Rajiv Joseph, Ty's problems illuminate every triumph and failure of his life, and as the women