It was first published in the pulp magazine All-Story Magazine in October, 1912. The character was so popular that Burroughs continued the series into the 1940s with two dozen sequels.

    In a Victorian era ruled by a ruthless steam baron council, mechanical power is the real monarch, and sorcery the demon enemy of the empire. Evelina has secretly mastered a coveted weapon - magic that can run machines. Should she trust the handsome, clever rake who speeds her breath, or the dashing trick rider who would dare anything she would ask?

    It starts on the night of January 29, 1690, a ten-year-old boy abandoned -- the stern men who've kept him since infancy have wearied of him. The boy wanders, barefoot and starving, through a snowstorm to reach a gibbet bearing the corpse of a hanged criminal. Beneath the gibbet is a ragged woman, frozen to death. The boy is about to move onward when he hears a sound within the woman's garments: He discovers an infant girl, barely alive, clutching the woman's breast. A single drop of frozen milk, resembling a pearl, is on the woman's lifeless breast...

    No one has uncovered the identity of the famous Scarlet Pimpernel - no one except his wife Marguerite and his arch-enemy, citizen Chauvelin. Sir Percy Blakeney is still at large however, evading capture­.

    He is just a boy when his father is slain by the Doones, a lawless clan inhabiting wild Exmoor on the border of Somerset and Devon. Seized by curiosity and a sense of adventure, he makes his way to the valley of the Doones, where he is discovered by the beautiful Lorna. In time their childish fantasies blossom into mature love—a bond that will inspire John to rescue his beloved from the ravages of a stormy winter, rekindling a conflict with his archrival, Carver Doone, that climaxes in heartrending violence. Beloved for its portrait of star-crossed lovers and its surpassing descriptions of the English countryside, Lorna Doone is R. D. Blackmore’s enduring masterpiece.

    Pickwick is a vast, richly imagined, Dickensian work about the rough-and-tumble world that produced an author who defined an age. Like Charles Dickens did in his immortal novels, Stephen Jarvis has spun a tale full of preposterous characters, shaggy-dog stories, improbable reversals, skulduggery, betrayal, and valor-all true, and all brilliantly brought to life in his unputdownable book.The Posthumous Papers of the Pickwick Club, featuring the fat and lovable Mr. Pickwick and his Cockney manservant, Sam Weller, began as a series of whimsical sketches, the brainchild of the brilliant, erratic, misanthropic illustrator named Robert Seymour, a denizen of the back alleys and grimy courtyards where early nineteenth-century London's printers and booksellers plied their cutthroat trade. When Seymour's publishers, after trying to match his magical etchings with a number of writers, settled on a young storyteller using the pen name Boz, The Pickwick Papers went on to become a worldwide phenomenon, outselling every other book besides the Bible and Shakespeare's plays. And Boz, as the young Charles Dickens signed his work, became, in the eyes of many, the most important writer of his time. The fate of Robert Seymour, Mr. Pickwick's creator, a very different story-one untold before now.Few novels deserve to be called magnificent. Death and Mr. Pickwick is one of them.

    His father is an aristocratic Spanish military man turned landowner; his mother, a Shoshone warrior. At the age of sixteen, Diego is sent to Spain, a country chafing under the corruption of Napoleonic rule. He soon joins La Justicia, a secret underground resistance movement devoted to helping the powerless and the poor. Between the New World and the Old, the persona of Zorro is formed, a great hero is born, and the legend begins. After many adventures -- duels at dawn, fierce battles with pirates at sea, and impossible rescues -- Diego de la Vega, a.k.a. Zorro, returns to America to reclaim the hacienda on which he was raised and to seek justice for all who cannot fight for it themselves.

    When circumstances force her to travel to Town for the Season, Cassy infiltrates the hallowed portals of the Geological Society from which she has been banned. She is horrified when she comes face to face with her nemesis, the infuriating Earl of Rothbury.Lord Rothbury is a gentleman-geologist with a turbulent romantic past. After a youthful disappointment he vows never to fall in love again, and makes the decision, instead, to seek out a convenient wife when he returns to England from his geological travels abroad. Brought together by their close family ties, Cassy and Rothbury collaborate on a geological paper and discover a powerful attraction. Marriage, however, is the one subject they cannot agree upon. But when Cassy’s life is threatened, the two realise that love matters more than their objections.

    Octavian, Caesar’s ambitious great-nephew and adopted son, vies with Marc Antony and Cleopatra for control of Caesar’s legacy. As civil war rages from Rome to Alexandria, and vast armies and navies battle for supremacy, a secret conflict may shape the course of history.Juba, Numidian prince and adopted brother of Octavian, has embarked on a ruthless quest for the Shards of Heaven, lost treasures said to possess the very power of the gods—or the one God. Driven by vengeance, Juba has already attained the fabled Trident of Poseidon, which may also be the staff once wielded by Moses. Now he will stop at nothing to obtain the other Shards, even if it means burning the entire world to the ground.Caught up in these cataclysmic events, and the hunt for the Shards, are a pair of exiled Roman legionnaires, a Greek librarian of uncertain loyalties, assassins, spies, slaves . . . and the ten-year-old daughter of Cleopatra herself.The Shards of Heaven reveals the hidden magic behind the history we know, and commences a war greater than any mere mortal battle.

    Yet even as she discovers his treachery, Isabel cannot deny that Griffin lingers in her dreams, awakening the passion in her steadfast heart.Then a twist of fate puts a price on both their heads, embroiling them in a life-and-death chase that will force Griffin to choose between his own freedom and his fierce desire for the woman who would redeem his noble spirit. But to reclaim his lost honor, the White Lion could lose Isabel forever. . . .

    And he has no choice but to see them all wed in haste.Lady Madeline’s heart is not for sale…especially not to a notorious outlaw like Rhys FitzHenry. Yet Madeline’s hand has been sold, to none other than this battle-weary warrior with a price on his head. A more dutiful maiden might cede to the Laird’s command and meekly accept her fate, but Madeline has never been obedient. She decides to run away, though she never dreams that Rhys will pursue her.She does not expect this taciturn man to woo her with fanciful stories, much less that each of his enthralling tales will reveal a scar upon his shielded soul. She never imagines that a man like Rhys could imperil her own heart while revealing so little of his own feelings. When Rhys’ past threatens his future, Madeline takes a leap of faith. She dares to believe him innocent—and risks her own life to pursue a passion more priceless than the rarest gem.

    On the one hand, he craves the freedom he feels when he steals away with the eccentric girl artist next door, Holly Stroud—his first and abiding love—to balance above the earth on a makeshift tightrope. With Holly, Dom dreams of a life different in every way from his shipbuilder dad’s, a life fashioned of words and images and story. On the other hand, he finds himself irresistibly drawn to the brutal charms of Vincent McAlinden, a complex bully who awakens something wild and reckless and killing in Dom. In a raw and beautifully crafted bildungsroman, David Almond reveals the rich inner world of a boy teetering on the edge of manhood, a boy so curious and open to impulse that we fear for him and question his balance—and ultimately exult in his triumphs.

    We are shown the matriarchs around whom their families spin; but whether they direct their children gently or forcefully, in the end they have to accept them as they are.

    He is set adrift in the Bay, eventually being picked up by Wolf Larsen.Larsen is the captain of a seal-hunting schooner, the Ghost. Brutal and cynical, yet also highly intelligent and intellectual, he rules over his ship and terrorizes the crew with the aid of his exceptionally great physical strength.

            The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.