A compendium of the life and work of Maxfield Parrish, it is an essential part of a Parrish library. For the collector, the publisher has included a value guide to some of the products that bear Parrish images. Examples of Parrish's most famous book illustrations are shown, including selections from Mother Goose in Prose and the Arabian Nights. Also included are his famous magazine covers-from Life, Collier's, Harper's Weekly, etc., as well as all the landscapes that he painted for Brown and Bigelow, who reproduced them as calendars every year from 1936 to 1963. One of the highlights of the book is the chapter on Parrish's technique, examining in depth his materials, favorite methods, and unique way of painting. In addition, there is a lengthy excerpt from an unpublished manuscript by Maxfield Parrish, Jr., explaining step-by-step his father's glazing technique and use of photography in his work. This definitive study also contains numerous revealing excerpts from Parrish's unpublished correspondence with family, friends, and clients.

    Banner: Smartest man alive. Combined, they are the strongest, smartest weapon on the planet! And NOW!, the Indestructible Hulk is an Agent of S.H.I.E.L.D.! Hulk's first official missions include taking down the all-new Quintronic Man and battling Attuma on the ocean floor! But not everything is as it seems: What is Banner's secret hold over S.H.I.E.L.D. Director Maria Hill? What and where is Bannertown, USA? And which one of Banner's lab assistants holds a deadly secret? Plus: Bruce Banner and Tony Stark are friends but Hulk and Iron Man are anything but! The Golden Avenger guest-stars as Eisner Award-winning writer Mark Waid (Daredevil) and superstar artist Leinil Yu take the Hulk in an all-new direction...NOW!Collecting: Indestructible Hulk 1-5, plus never before seen extras

    Sinister.Includes Uncanny X-Men #294-296, X-Factor #84-86, X-Force #16-18, and X-Men #14-16

    The government has spent millions to fuse the firepower of a battalion with the nervous systems of a dognamed Bandit, a cat named Tinker, and a rabbit named Pirate. As part of a program to replace human soldiers with expendable animals, the U.S. government has transformed three ordinary pets into the ultimate killing machines. But now, those threeanimals have seized the chance to make a last, desperate run for 'Home.' A run that will turn into a breathless hunt to the death against the might of the entire military/industrial complex. Prepare for adrenaline rushes and flowing tears as theworld's deadliest, most misunderstood animals make a spectacular, unforgettable bid for freedom!

    In July of 1991, he launched Cartoon Books in Columbus, Ohio, to publish his black-and-white comic strip Bone. A tale of three marshmallowy creatures named Bone, adrift in a world of humans, monsters and fantasy creatures, Bone has since been translated into 15 languages and won Smith countless awards. Bone and Beyond is the first volume to offer an overview of Smith's work. Published in conjunction with the Wexner Center and Cartoon Research Library's 2008 exhibition, this catalogue presents work featured in the show, including examples of Smith's original drawings for Bone, plus the more recent Shazam and Rasl, a forthcoming time travel story. Also featured are selected works by cartoonists who have influenced Smith, such as George Herriman, Charles Schulz and Walt Kelly, and essays by comic book and fantasy author Neil Gaiman, comic book artist and scholar Scott McCloud and Wexner Center film/video curator David Filipi, the exhibition's co-curator. Cartoon Research Library curator Lucy Shelton Caswell, the exhibition's other co-curator, provides an introduction.

    Which incarnation of Deadpool will be eliminated in this issue? And will the tragedy prove too much for Wade Wilson?

    The New Mutants lose one of their own! And after the Marauders slaughter the Morlocks, they take on the X-Men! Collecting: New Mutants (1983) #55-61, Uncanny X-Men #220-227, X-Factor (1986) #19-26, Captain America (1968) #339, Daredevil (1964) #252, Fantastic Four (1961) #312, Incredible Hulk (1968) #340, Power Pack (1984) #35

    A terrible plague has swept the Earth, turning everyone – human, hero, villain, god and monster — into sadistic cannibal predators. As Spider-Man, the Hulk, the Thing and other infected start a feeding frenzy, the world falls in a wave of insatiable violence. Now, five years later, one man hunts the wasteland that was New York City. One man stands against the hordes of monsters who hunt the night. He is the Punisher, the Last Gun on Earth. And he has an endless supply of ammunition. This oversized hardcover also comes packed with cover sketches and other choice extras. Collecting MARVEL UNIVERSE VS. THE PUNISHER #1-4.

    As all the things he holds dearest are threatened by unimaginable forces of evil, Thor must rise up, again and again, to hold the line against terror and chaos as only the God of Thunder can Plus, For countless millennia, over and again has the mighty, thunderous, impetuous, petulant god Thor raged and rebelled against the leadership of his father and lord, the all-powerful Odin. The capricious tantrums of a selfish titan, spoiled by his own power. But... ODIN HAS HAD ENOUGH And so as the cycle is repeated in all ages, Thor must ultimately face the fullest wrath of the enraged All-Father.Collecting: Thor: Ages of Thunder, Reign of Blood, Man of War, God-Sized Special

    With elements of westerns, mysteries, and political thrillers, this critically-acclaimed series is far more than just "CSI in Space." The first season builds an enigmatic and complex world that will surprise and horrify you. Collects STORM DOGS #1-6.

    Seuss was drawing biting cartoons for adults that expressed his fierce opposition to anti-Semitism and fascism. An editorial cartoonist from 1941 to 1943 for PM magazine, a left-wing daily New York newspaper, Dr. Seuss launched a battle against dictatorial rule abroad and America First (an isolationist organization that argued against U.S. entry into World War II) with more than 400 cartoons urging the United States to fight against Adolf Hitler and his cohorts in fascism, Benito Mussolini, Pierre Laval, and Japan (he never depicted General Tojo Hideki, the wartime prime minister, or Togo Shigenori, the foreign minister). Dr. Seuss Goes to War, by Richard H. Minear, includes 200 of these cartoons, demonstrating the active role Dr. Seuss played in shaping and reflecting how America responded to World War II as events unfolded.As one of America's leading historians of Japan during World War II, Minear also offers insightful commentary on the historical and political significance of this immense body of work that, until now, has not been seriously considered as part of Dr. Seuss's extraordinary legacy.Born to a German-American family in Springfield, Massachusetts, in 1904, Theodor Geisel began his cartooning career at Dartmouth College, where he contributed to the humor magazine. After a run-in with college authorities for bootlegging liquor, he had to use a pseudonym to get his work published, choosing his middle name, Seuss, and adding "Dr." several years later when he dropped out of graduate school at Oxford University in England. He had never planned on setting poison political pen to paper until he realized his deep hatred of Italian fascism. The first editorial cartoon he drew depicts the editor of the fascist paper Il Giornale d'Italia wearing a fez (part of Italy's fascist uniform) and banging away at a giant steam typewriter while a winged Mussolini holds up the free end of the banner of paper emerging from the roll. He submitted it to a friend at PM, an outspoken political magazine that was "against people who push other people around," and began his two-year career with the magazine before joining the U.S. Army as a documentary filmmaker in 1943.Dr. Seuss's first caricature of Hitler appears in the May 1941 cartoon, "The head eats, the rest gets milked," portraying the dictator as the proprietor of "Consolidated World Dairy," merging 11 conquered nations into one cow. Hitler went on to become one of the main caricatures in Seuss's work for the next two years, depicted alone, among his generals and other Germans, and with his allies Benito Mussolini and Pierre Laval. He is also drawn alongside "Japan," which Dr. Seuss portrays quite offensively, with slanted, bespectacled eyes and a sneering grin. While Dr. Seuss was outspoken against antiblack racism in the United States, he held a virulent disdain for the Japanese and rendered sinister and, at times, slanderous caricatures of their wartime actions even before the bombing of Pearl Harbor. But Dr. Seuss's aggression wasn't solely reserved for the fascists abroad. He was also loudly critical of America's initial apathy toward the war, skewering isolationists like America First advocate Charles Lindbergh, the Chicago Tribune's Colonel Robert McCormick, Eleanor Medill Patterson of the Washington Times-Herald, and Joseph Patterson of the New York Daily News, whom he considered as evil as Hitler. He encouraged Americans to buy war savings bonds and stamps and to do everything they could to ensure victory over fascism.Minear provides historical background in Dr. Seuss Goes to War that not only serves to contextualize these cartoons but also deftly explains the highly problematic anti-Japanese and anticommunist stances held by both Dr. Seuss and PM magazine, which contradicted the leftist sentiments to which they both eagerly adhered. As Minear notes, Dr. Seuss eventually softened his feelings toward communism as Russia and the United States were united on the Allied front, but his stereotypical portrayals of Japanese and Japanese-Americans grew increasingly and undeniably racist as the war raged on, reflecting the troubling public opinion of American citizens. Minear does not attempt to ignore or redeem Dr. Seuss's hypocrisy; rather, he shows how these cartoons evoke the mood and the issues of the era. After Dr. Seuss left PM magazine, he never drew another editorial cartoon, though we find in these cartoons the genesis of his later characters Yertle the dictating turtle and the Cat in the Hat, who bears a striking resemblance to Uncle Sam. Dr. Seuss Goes to War is an astonishing collection of work that many of his devoted fans have not been able to see until now. But this book is also a comprehensive, thoughtfully researched, and exciting history lesson of the Second World War, by a writer who loves Dr. Seuss as much as those who grow up with his books do.

    Presenting an exciting new way to experience the rich history of the Dark Knight in an affordable trade paperback collection of every Batman adventure, in color, in chronological order!Batman Chronicles, Volume 1 reprints Batman stories from DETECTIVE COMICS #27-37 and BATMAN #1, featuring the earliest adventures of the Dark Knight by Batman creator Bob Kane, Bill Finger, Gardner Fox, Jerry Robinson and Sheldon Moldoff.

    Wolverine and Nick Fury become uneasy allies in an international manhunt to find and stop the new Scorpio! What is the secret relationship between Fury and the new Scorpio? All we dare say here is that Nick wants to bring Scorpio in alive...and Wolverine wants him dead!

    Family issues, alien beings, miniature time machines, and a struggle against the deadly and enigmatic being known as Oblivion all play a part in this story that illustrates just how powerful a force of nature Iceman can be on his own!COLLECTING: ICEMAN (1984) 1-4, material from BIZARRE ADVENTURES 27

    Penned by the ancient Chinese philosopher and military general Sun Tzu, it reveals how to succeed in any conflict. This graphic version from SmarterComics brings Sun Tzu's message to life in dynamic illustrated form."