In this compelling story of love, deception, obsession, and illusion, the arrival of two dangerous strangers in a small village in England in the early 1900s disrupts the quiet lives of a vicar with a fascination with spiritualism and his naïve young wife, and ultimately leads to murder. The Unseen is literary suspense at its most entertaining and enthralling, truly superior fiction not unlike the captivating tales of Kate Morton and Diane Setterfield.

    But what of her stepsisters, the homely pair exiled into ignominy by the fame of their lovely sibling? What fate befell those untouched by beauty ... and what curses accompanied Cinderella's looks?Set against the backdrop of seventeenth-century Holland, Confessions of an Ugly Stepsister tells the story of Iris, an unlikely heroine who finds herself swept from the lowly streets of Haarlem to a strange world of wealth, artifice, and ambition. Iris's path quickly becomes intertwined with that of Clara, the mysterious and unnaturally beautiful girl destined to become her sister. While Clara retreats to the cinders of the family hearth, Iris seeks out the shadowy secrets of her new household -- and the treacherous truth of her former life.

    himself. After all, he never even knew he had a "second cousin, twice removed" in America, much less that the eccentric gentleman had recently committed suicide by jumping out of the third floor bedroom window—at the same age and in the same way as his father had before him . . .Together, A. and Niamh quickly come to feel as if they have inherited much more than just a rambling home and a cushy lifestyle. Axton House is haunted, they know it, but that's just the tip of the iceberg when it comes to the secrets they slowly but surely uncover. Why all the suicides? What became of the Axton House butler who fled shortly after his master died? What lurks in the garden maze and what does the basement vault keep? And what of the rumors in town about a mysterious gathering at Axton House on the night of the winter solstice?Told vividly through a series of journal entries, scrawled notes, recovered security footage, letters to Aunt Liza, audio recordings, complicated ciphers, and even advertisements, Edgar Cantero has written a dazzling and original supernatural adventure featuring classic horror elements with a Neil Gaiman-ish twist.

     In the winter of 1928, still seeking some kind of resolution to the horrors of World War I, Freddie is traveling through the beautiful but forbidding French Pyrenees. During a snowstorm, his car spins off the mountain road. Dazed, he stumbles through the woods, emerging in a tiny village, where he finds an inn to wait out the blizzard. There he meets Fabrissa, a lovely young woman also mourning a lost generation. Over the course of one night, Fabrissa and Freddie share their stories. By the time dawn breaks, Freddie will have unearthed a tragic, centuries-old mystery, and discovered his own role in the life of this remote town.

    Well known for writing out the heartache and melancholia, this title explores the softer side of Savage, one not many are privileged to. She pours over the pages with a full love, one returned. You'll find no sadness or unrequited feelings in here. This is the real, heartfelt musings of a woman in love.

    This time around, she’s determined to bury the secret of Lucas’ paternity, and to repair the fissures that sent her wandering the first time. Gabriela regrets that she wasted her most fertile years in hot pursuit of a publishing career. Yes, she’s one of the biggest authors in the world, but maybe what she really wanted to create was a family. With a chance to do it again, she’s focused on convincing her husband, Colin, to give her the baby she desires. Claire is the only one who has made peace with her past: her twenty-two year old daughter, Emily, is finally on track after the turmoil of adolescence, and she's recently gotten engaged, with the two carat diamond on her finger to prove it. But if she’s being honest, Claire still fantasizes about her own missed opportunities: a chance to bond with her mother before it was too late, and the possibility of preventing her daughter from years of anguish. Plus, there’s the man who got away—the man who may have been her one true love. But it doesn’t take long for all three women to learn that re-living a life and making different decisions only leads to new problems and consequences—and that the mistakes they made may, in fact, have been the best choices of all…

    The 'Vampires' series begins in Tudor England and continues through each novella until present time. EXTRACT FROM VAMPIRE - IN THE BEGINNING 'Tom’s mother Martha was sprawled across the large kitchen table, her clothes ripped, and in places, torn completely away; her ageing breasts fell from her laced bodice, flaccid and drooping to the sides of her lifeless body. Her legs were at a strange angle, and her skirts bunched up into a ball at her waist. I could see, even from where I was standing, that she was dead! Martha’s eyes were open, staring into nothingness and devoid of life, but it was her throat that caught my attention, it gaped open, and it looked like, what I imagined, the huge black cavern of hell to look like.'

    DO NOT RESEARCH THESE EVENTS! Think of it as fiction, and nothing more.The Smith has returned, leaving a new trail of gruesome serial murders across Manhattan--all blonde, beautiful, beaten to death with a blacksmith's hammer. Gavin Gregory, an FBI agent who profiles serial killers for the Behavioral Analysis Unit, couldn't capture The Smith the first time around and wants a second stab at catching the killer. The case takes a bizarre turn when Debra Esteves, a psychiatrist from a New York mental hospital, says she knows The Smith's identity.Esteves spins a tale of disturbing horror from her past, claiming The Smith controlled one of her patients through his psychic influence. But Gavin considers himself a rational man. He believes in science over superstition and rejects her version of events.When his wife is kidnapped, Gavin has no choice but to turn to Esteves for help. Can she keep him safe from the devil hunting him long enough to free his wife from the clutches of the killer or will The Smith make him a pawn in future murders?

    A tragic childhood event left her haunted, in the company of a cast of prattling saints who pop in and out of her life like tourists. Other than visiting her agoraphobic neighbor, Maud keeps to herself, finding solace in her work and in her humble existence–until she meets Mr. Flood.Cathal Flood is a menace by all accounts. The lone occupant of a Gothic mansion crawling with feral cats, he has been waging war against his son’s attempts to put him into an old-age home and sent his last caretaker running for the madhouse. But Maud is this impossible man’s last chance: if she can help him get the house in order, he just might be able to stay. So the unlikely pair begins to cooperate, bonding over their shared love of Irish folktales and mutual dislike of Mr. Flood’s overbearing son.Still, shadows are growing in the cluttered corners of the mansion, hinting at buried family secrets, and reminding Maud that she doesn’t really know this man at all. When the forgotten case of a missing schoolgirl comes to light, she starts poking around, and a full-steam search for answers begins.Packed with eccentric charms, twisted comedy, and a whole lot of heart, Mr. Flood’s Last Resort is a mesmerizing tale that examines the space between sin and sainthood, reminding us that often the most meaningful forgiveness that we can offer is to ourselves.

    

    . .Vowing to make a fresh start, Sarah McAdams has come home to renovate the old Victorian mansion where she grew up. Her daughters, Jade and Gracie, aren't impressed by the rundown property on the shores of Oregon's wild Columbia River. As soon as they pull up the isolated drive, Sarah too is beset by uneasy memories--of her cold, distant mother, of the half-sister who vanished without a trace, and of a long-ago night when Sarah was found on the widow's walk, feverish and delirious. Ever since the original mistress of the house plunged to her death almost a century ago, there have been rumors that the place is haunted. As a girl, Sarah sensed a presence there, and soon Gracie claims to see a lady in white running up the stairs. Still, Sarah has little time to dwell on ghost stories, between overseeing construction and dealing with the return of a man from her past. But there's a new, more urgent menace in the small town. One by one, teenage girls are disappearing. Frantic for her daughters' safety, Sarah feels her veneer cracking and the house's walls closing in on her again. Somewhere deep in her memory is the key to a very real and terrifying danger. And only by confronting her worst fears can she stop the nightmare roaring back to life once more. . .

    Now he gives birth to a cast of gruesomely sympathetic children – misunderstood outcasts who struggle to find love and belonging in their cruel, cruel worlds. His lovingly lurid illustrations evoke both the sweetness and the tragedy of these dark yet simple beings – hopeful, hapless heroes who appeal to the ugly outsider in all of us, and let us laugh at a world we have long left behind (mostly anyway).

    Professor David Ullman is among the world’s leading authorities on demonic literature, with special expertise in Milton’s Paradise Lost. Not that David is a believer—he sees what he teaches as a branch of the imagination and nothing more. So when the mysterious Thin Woman arrives at his office and invites him to travel to Venice and witness a “phenomenon,” he turns her down. She leaves plane tickets and an address on his desk, advising David that her employer is not often disappointed.That evening, David’s wife announces she is leaving him. With his life suddenly in shambles, he impulsively whisks his beloved twelve-year-old daughter, Tess, off to Venice after all. The girl has recently been stricken by the same melancholy moods David knows so well, and he hopes to cheer her up and distract them both from the troubles at home.But what happens in Venice will change everything.First, in a tiny attic room at the address provided by the Thin Woman, David sees a man restrained in a chair, muttering, clearly insane . . . but could he truly be possessed? Then the man speaks clearly, in the voice of David’s dead father, repeating the last words he ever spoke to his son. Words that have left scars—and a mystery—behind.When David rushes back to the hotel, he discovers Tess perched on the roof’s edge, high above the waters of the Grand Canal. Before she falls, she manages to utter a final plea: Find me.What follows is an unimaginable journey for David Ullman from skeptic to true believer. In a terrifying quest guided by symbols and riddles from the pages of Paradise Lost, David must track the demon that has captured his daughter and discover its name. If he fails, he will lose Tess forever.

    But when you are moonlighting for a secret organisation aiming to destroy all evidence of the paranormal, whilst working as a parapsychologist at the world renowned Diederich Institute of Parapsychology, things are bound to get complicated. Throw into that mix an uncanny ability for mind control, her baffling spirit guide, a fake clairvoyant mother, as well as some naked dead bodies, and mayhem ensues. Iona is forced out of the safe world of Edinburgh academia by her new Texan boss and is suddenly in the field, exploring a small Scottish town that believes the Beast of Badnoch is behind the spate of recent disappearances. Will her dishy colleague Andy find out that the psychic he’s investigating is her mother? And will that change how he feels about her? In this, the first of the Iona Adair Scottish Mysteries, Iona finds out that the supernatural world is far more dangerous and expansive than she could possibly imagine, even if it does have some very charming characters, like blood drinking Henry, a bonafide ancient techno-geek. The supernatural world has never been funnier, sexier or more tartan.

    A quiescent mother. A house that feels like anything but a home. Natasha gathers the strength to leave, and comes upon a little house in the wood: A house that walks about on chicken feet and is inhabited by a fairy tale witch. In finding Baba Yaga, Natasha finds her voice, her power, herself...