Sixty! She feels half that age, even if the mirror tells her otherwise. Hubby Keith promises her a birthday to remember, and doesn’t let her down, but packing his suitcase to shack up with a forty-something isn’t quite the memory Annie wants to make. Suddenly she’s single and – as an empty nester – very, very alone. The Bucket List she and Keith had promised to work their way through is but a dream, until besties Bella and Caz rally around Annie and whisk her away for a trip that will be remembered for ever. Dubai. But it’s not all skyscrapers, bling, sand dunes and sheikhs. As the sun sinks over the horizon of Jumeirah Beach… might there also be love?

    Possessed of an unshakeable sense of entitlement and a boundless sense of self-worth, assured of the adoration of all, Matilda can break men's hearts for fun. Agnes-diffident, careworn and poor-can only gape in astonishment at the figure her pupil cuts in the world. Employed to lead and form her, she is instead buffeted about in Matilda's tumultuous wake. She loves her young student-it is impossible not to. But it is hard not to wonder if Matilda's good fortunes will ever end.

    The semi-autobiographical book is divided into two parts and takes place between two countries; Part I, “is a cloud a living thing?”, takes place during the Author’s tumultueuse teen years with tropical Florida as a backdrop. Part II, “Inside my Shell”, explores themes of transformation as the Author creates a new life in Paris, France. ​The poems in this collection explore the surreal rollercoaster of youth, the performance of identity, being an outsider and the tension between romantic idealism and the dystopic world in which the author finds herself. Her approach to her work as a visual artist is mirrored in her poetry style, which is accompanied by all original illustrations by the Author.

    Kenyon's fourth collection is built around two perfectly orchestrated poem sequences. In the first, the speaker contrasts memories of her baby carriage with other images from her childhood, such as her parents' toiling away at low-paying jobs. She also recalls the present-day life of her aging, increasingly dependent mother. Melancholia, the subject of the second sequence and several poems surrounding it, has been played to death in modern poetry, but still Kenyon offers new insights and gives even the most depressing poems an uplifting lilt in their final lines. In her hands a list of the latest medications becomes fit material for poetry: "The coated ones smell sweet or have / no smell; the powdery ones smell / like the chemistry lab at school / that made me hold my breath." She writes, in addition to illness, of sleep, insomnia and death. She interacts with the insects, birds and flowers in her New Hampshire landscape, relying on their fragility to teach her of her own. Kenyon describes afterlife, or "the Other Side," with the same precise, hard-edged imagery that fills her other poems." from Publisher's Weekly

    The inaugural winner of the annual American Poetry Review/Honickman First Book Award.

    Real people. Real stories.

    Known for her art journals, Fiphie conjures up a beautiful concept of combining art and poetry, gifting the reader a unique compilation of her works. In her debut, Fiphie touches on subjects such as love, heartbreak, loss, death, trauma, femininity, longing and wanderlust. She creates powerful images which let the reader immerse deeply into her world of thought.Please note that The Dust Has Grown Flowers is exclusively available on fiphie.com/shop/

    In the seventy years since, his wit (and the occasional ‘gaffe’) has continued to endear him to the nation, as he travelled the world taking his unique and charmingly British sense of humour to its far-flung corners. Hailed as a god by a tribe in Vanuatu, the Prince has had his fair share of brickbats from the media nearer home, but his outspokenness never fails to raise laughs – and eyebrows.From notorious one-liners to less newsworthy witticisms and from plain speaking to blunt indifference, the Prince does what we all wish we could do now and again – forgets polite conversation and says what he thinks. In the year in which the Prince has stepped down from his royal duties, this joyous and timely book celebrates his wry humour and supremely wicked wit.

    I enjoyed the attention so much, that I became Ed’s real girlfriend for a few weeks that summer. I put all that foolishness behind me until my senior year in high school, when due to an accident, the school became one cheerleader short. My sister Diane was a star cheerleader at the school back in her day. Since I used to help her practice, the cheerleader coach thought I was the best choice for an emergency one night substitute. My fake boyfriend is starting to feel less fake. Being a girl just seems to come naturally to me. What am I? A boy or a girl? I’m not sure anymore…

    

    When Eddie's former caddie, "Fat Albert" Auberlain (a cross between Tiger Woods and John Daly), loses his PGA Tour card, his endorsements, and his composure after posting a twelve on a par three at the Fruit-of-the-Loom Waste Management Open, Eddie finds the sad sack on his doorstep. Fat Albert, in debt up to his eyeballs and with several needy relatives to feed, had barely been eking out a living on Tour as it was, and the pressure was threatening to make him implode altogether. Eddie takes pity on his protege but isn't quite sure what he can do, when along comes nuclear physicist Norman Standish with the most revolutionary advance in golf equipment since the double niblick-a golf ball they call Scratch. If Standish's claims are true, Eddie could make the killing of his strange and wonderful life and just possibly change the game forever. With McAllister's patented golf hustling hijinks, roller-coaster plotting, and laugh-out-loud skewering of pro sports hypocrisy, Eddie's die-hard fans and golf fiction aficionados will laugh all the way to the putting green. As Eddie himself puts it in The Foursome, "Why do you think they call the devil "Scratch"?"

    Telling three interconnected stories taking place on the same day, two weeks after events in "The Foul Mouth and the Mancy Martial Artist" this novel is a can't miss for fans of THE KING HENRY TAPES. Spending equal time with Tyson Bonnie, Eva Reti, and King Henry Price himself, KING HENRY AND THE THREE LITTLE TRIPS shows the fallout from the Days of Supernatural Exhibit in both the personal cost for our characters and the political cost for supernatural organizations worldwide as fear of the Curator spreads to even the Asylum itself. Read as Tyson Bonnie escorts Vicky Welf to the Coyote Nation compound, find out if Eva Reti can survive the anima experiment inflicted upon her, and follow King Henry as he returns to the Asylum seeking Plutarch's help. The queue for the "Foul Mouth and the Pit of No Return" roller-coaster begins here! THE KING HENRY TAPES Book 1 - "The Foul Mouth and the Fanged Lady" (released) Book 2 - "The Foul Mouth and the Cat Killing Coyotes" (released) Book 3 - "The Foul Mouth and the Troubled Boomworm" (released) Book 4 - "The Foul Mouth and the Headless Hunny" (released) Book 5 - "The Foul Mouth and the Mancy Martial Artist" (released) Book 5.5 - "King Henry and the Three Little Trips" (released) Book 6 - "The Foul Mouth and the Pit of No Return" (forthcoming)

    . . focus is so unwaveringly aimed toward the transcendent—not God, but the beloved—that we seem to slip into a less cluttered time.”—The Virginia Quarterly Review, “Editor’s Choice”"Mary Oliver calls him '...a Walt Whitman without an inch of Whitman's bunting or oratory.' In these pages, he is more nearly a modern-day Rumi. This is not primarily a poetry of image, but of ideas, perfectly distilled. Orr brings together the monumental themes of love and loss in small, spare, and exquisite koan-like poems."—ForeWord"...magnetic poems that open the world of lyrical verse to the larger questions of what is true and timeless." —The Bloomsbury ReviewGregory Orr continues his acclaimed project on the “beloved” with a lyrical sequence about the joys and hungers of being fully engaged in life. Through concise, perfectly formed poems, he wakes us to the ecstatic possibilities of recognizing and risking love. Mary Oliver has called this project “gorgeous,” and said that he "speaks of the events that have no larger or more important rival in our lives—of our love and our loving."If to say it onceAnd once only, then stillTo say: Yes.And say it complete,Say it as if the wordFilled the whole momentWith its absolute saying.Later for “but,” Later for “if.”NowOnly the single syllableThat is the beloved.That is the world.Gregory Orr is the author of ten books of poetry. He teaches at the University of Virginia and lives in Charlottesville.

    "The work is deeply felt...Bernstein has been there and brought it back. Bernstein is a writer." [William S. Burroughs]

    Calvin Trillin employs everything from a Gilbert and Sullivan style, for describing George Bush’s rescue in the South Carolina primary by the Christian Right (“I am, when all is said and done, a Robertson Republican”), to a bilingual approach, when commenting on the President’s casual acknowledgment, after months of trying to persuade the nation otherwise, that there was never any evidence of Iraqi involvement in 9/11: “The Web may say, or maybe Lexis-Nexis / If chutzpa is a word they use in Texas.”Trillin deals not only with George W. Bush but with the people around him—Supreme Commander Karl Rove and Condoleezza (Mushroom Cloud) Rice and Nanny Dick Cheney (“One mystery I’ve tried to disentangle: / Why Cheney’s head is always at an angle . . .”) The armchair warriors Trillin refers to as the Sissy Hawk Brigade are celebrated in such poems as “Richard Perle: Whose Fault Is He?” and “A Sissy Hawk Cheer” (“All-out war is still our druthers— / Fiercely fought, and fought by others.”).Trillin may never be poet laureate—certainly not while George W. Bush is in office—but his wit and his political insight produce what has been called “doggerel for the ages.”