Awakening in a strange world of repression, rationing, and fear, the citizens of small Michigan town Two Rivers, victims of a mysterious government plot, band together in a dangerous quest to discover what has gone wrong.

    But I feel now that the time is come when even a woman or a child who can speak a word for freedom and humanity is bound to speak." Thus did Harriet Beecher Stowe announce her decision to begin work on what would become one of the most influential novels ever written. The subject she had hesitated to "meddle with" was slavery, and the novel, of course, was Uncle Tom's Cabin. Still debated today for its portrayal of African Americans and its unresolved place in the literary canon, Stowe's best-known work was first published in weekly installments from June 5, 1851 to April 1, 1852. It caused such a stir in both the North and South, and even in Great Britain, that when Stowe met President Lincoln in 1862 he is said to have greeted her with the words, "So you are the little woman who wrote the book that created this great war!" In this landmark book, the first full-scale biography of Harriet Beecher Stowe in over fifty years, Joan D. Hedrick tells the absorbing story of this gifted, complex, and contradictory woman. Hedrick takes readers into the multi-layered world of nineteenth-century morals and mores, exploring the influence of then-popular ideas of "true womanhood" on Stowe's upbringing as a member of the outspoken Beecher clan, and her eventful life as a writer and shaper of public opinion who was also a mother of seven. It offers a lively record of the flourishing parlor societies that launched and sustained Stowe throughout the 44 years of her career, and the harsh physical realities that governed so many women's lives. The epidemics, high infant mortality, and often disastrous medicalpractices of the day are portrayed in moving detail, against the backdrop of western expansion, the great social upheaval accompanying the abolitionist movement, and the entry of women into public life. Here are Stowe's public triumphs, both before and after the Civil War, and t

    9 illustrations.

    As this biography attests, Sayers was also one of the first women to be awarded a degree from Oxford, a playwright, and an essayist--but also a woman with personal joys and tragedies. Here, Reynolds, a close friend of Sayers, presents a convincing and balanced portrait of one of the 20th century's most brilliant, creative women. 30 b&w photos.

    in a rural western New York State. Dubbed the "Henry Ford of Natural History," by 1917 Craxton has become America's preeminent taxidermist. Into this magic box of a world-filled with eerily inanimate gibbons and bats, owls and peacocks, quetzals and crocodiles-wanders young Peg Griswood, daughter of Craxton's newest housekeeper. Part coming-of-age story, part gothic mystery, and part exploration of the intimate embrace between art and life, Joanna Scott's The Manikin is compulsively readable and beautifully written.

    When she wasn't stalking the streets of Greenwich Village wearing a brassiere made from tomato cans, she was enthusiastically declaiming her poems to sailors in beer halls or posing nude for Man Ray or Marcel Duchamp. In an era of brutal war, technological innovation, and cataclysmic change, the Baroness had resolved to create her own destiny -- taking the center of the Dadaist circle, breaking every bond of female propriety . . . and transforming herself into a living, breathing work of art.

    In 1871, Otto von Bismarck fused with "blood and iron" a motley collection of principalities, Free Cities, and bishoprics into one Reich. In England, Benjamin Disraeli observed that the world was witnessing "a greater political event than the French revolution of last century. . . . [T]here is not a diplomatic tradition which has not been swept away. . . . The balance of power has been entirely destroyed." Disraeli's powers of prophecy, in this as in much else, were formidable. The Age of Bismarck saw Germany become the dynamo of Europe--its preeminent economic and military power, its scientific and educational nerve center, and a place of tremendous artistic ferment. But there would be no simple spell to return to their bottles the genies unleashed by these vast forces, and Michael Sturmer traces the convergence of people and events that sent Europe's fragile balance of power over the brink and into conflict. No war was fought for less purpose or with greater slaughter than the First World War which, in Michael Sturmer's assured hands, arrives as the next-to-last act of an epic drama all the more tragic for the blazing brilliance of its opening scenes. Though the drama's final horrible act, the Second World War, takes place offstage from The German Empire, it is impossible to understand its origins without the history Michael Sturmer tells here with such elegance and insight.

    Originally pubished in 1970.

    Teachers, students, and interested readers can use this resource to examine Victorian life in a multitude of settings, from idyllic country estates to urban slums. Organized for easy reference, the volume provides information about the physical, social, economic, and legal details of daily life in Victorian England. Over sixty illustrations plus excerpts from primary sources enliven the work, which can be used in both the classroom and library to answer questions concerning laws, money, social class, values, morality, and private life.Chapters in the work cover: traditional ways of life in town and country, social class, money, work, crime and punishment, the laws of daily life (marriage, divorce, inheritance, guardians, and bankruptcy), the development of a modern urban world (with railways, electricity, plumbing, and telephones), houses, food, clothing, shopping, the rituals of courtship and funerals, family and social life, education, health and medical care, leisure and pleasure, the importance of religion, and the impact of the Raj and the Empire. Historical contexts are explained and emphasis is placed on groups often invisible in traditional history: children, women both at work and at home, and people who led respectable, ordinary lives. A chronology, glossary, bibliography, and index complete the work. This valuable resource provides students, teachers, and librarians with all the information they need to recreate life in Victorian England.

    L. Stine, and many more."Thrillers: 100 Must-Reads" features 100 works from "Beowulf" to "The Bourne Identity", "Dracula" and "Deliverance", and from "Heart of Darkness" to "The Hunt for Red October" as deemed must-reads by the International Thriller Writers organization.Much more than an anthology, "Thrillers: 100 Must-Reads" goes deep inside the most notable thrillers published over the years. Through lively, spirited, and thoughtful essays that examine each work's significance, impact, and influence. "Thrillers .." provides both historical and personal perspective on these spellbinding works which have kept readers on the edge of their seats for a few years or centuries.

    It is the inside history of America’s inevitable wartime rise as a great power, written in wonderfully readable prose by White House speechwriter and prize-winning playwright Robert Sherwood.

    The intense relationship between the American people and their surroundings has been the source of a rich artistic tradition. American Visions is a consistently revealing demonstration of the many ways in which artists have expressed this pervasive connection. In nine eloquent chapters, which span the whole range of events, movements, and personalities of more than three centuries, Robert Hughes shows us the myriad associations between the unique society that is America and the art it has produced:"O My America, My New Founde Land"  explores the churches, religious art, and artifacts of the Spanish invaders of the Southwest and the Puritans of New England; the austere esthetic of the Amish, the Quakers, and the Shakers; and the Anglophile culture of Virginia."The Republic of Virtue"  sets forth the ideals of neo-classicism as interpreted in the paintings of Benjamin West, John Singleton Copley, and the Peale family, and in the public architecture of Thomas Jefferson, Benjamin Latrobe, and Charles Bulfinch."The Wilderness and the West"  discusses the work of landscape painters such as Thomas Cole, Frederick Church, and the Luminists, who viewed the natural world as "the fingerprint of God's creation,"  and of those who recorded America's westward expansion--George Caleb Bingham, Albert Bierstadt, and Frederic Remington--and the accompanying shift in the perception of the Indian, from noble savage to outright demon."American Renaissance" describes the opulent era that followed the Civil War, a cultural flowering expressed in the sculpture of Augustus Saint-Gaudens; the paintings of John Singer Sargent, Mary Cassatt, and Childe Hassam; the Newport cottages of the super-rich; and the beaux-arts buildings of Stanford White and his partners."The Gritty Cities"  looks at the post-Civil War years from another perspective: cast-iron cityscapes, the architecture of Louis Henri Sullivan, and the new realism of Thomas Eakins, Winslow Homer, the trompe-l'oeil painters, and the Ashcan School."Early Modernism" introduces the first American avant garde: the painters Arthur Dove, Marsden Hartley, Joseph Stella, Charles Demuth, Charles Sheeler, and Georgia O'Keeffe, and the premier architect of his time, Frank Lloyd Wright."Streamlines and Breadlines"  surveys the boom years, when skyscrapers and Art Deco were all the rage . . . and the bust years that followed, when painters such as Edward Hopper, Stuart Davis, Thomas Hart Benton, Diego Rivera, and Jacob Lawrence showed Americans "the way we live now." "The Empire of Signs"  examines the American hegemony after World War II, when the Abstract Expressionists (Jackson Pollock, Willem de Kooning, Mark Rothko, et al.) ruled the artistic roost, until they were dethroned by Jasper Johns, Robert Rauschenberg, the Pop artists, and Andy Warhol, while individualists such as David Smith and Joseph Cornell marched to their own music."The Age of Anxiety"  considers recent events: the return of figurative art and the appearance of minimal and conceptual art; the speculative mania of the 1980s, which led to scandalous auction practices and inflated reputations; and the trends and issues of art in the 90s.Lavishly illustrated and packed with biographies, anecdotes, astute and stimulating critical commentary, and sharp social history, American Visions is published in association with a new eight-part PBS television series. Robert Hughes has called it "a love letter to America."  This superb volume, which encompasses and enlarges upon the series, is an incomparably entertaining and insightful contemplation of its splendid subject.

    His Narrative of the Life of Frederick Douglass (1845) galvanized the antislavery movement and is one of the truly seminal works of African-American literature. In this masterful and compelling biography, William S. McFeely captures the many sides of Douglass—his boyhood on the Chesapeake; his self-education; his rebellion and rising expectations; his marriage, affairs, and intense friendships; his bitter defeat and transcendent courage—and recreates the high drama of a turbulent era.

    Narrated by the irrepressible chambermaid to a French duchess, this exquisite blend of authentic 18th-century memoir and classic fairy tale is a dazzling story of devotion, intrigue, and superstition as literate and compelling as Possession or The Volcano Lover.

    In this tenth anniversary edition, Rhodes offers new reflections on the abuse he and his older brother endured at the hands of their terrorizing stepmother and negligent father. He also describes readers' powerful and moving responses to his book, considers his changing sentiments as the years have passed, and provides additional details on his brother Stanley, who remains the author's true hero in this moving memoir.