Detective Sergeant Manon Bradshaw tries to sleep after yet another soul-destroying Internet date – the low murmuring of her police radio her only solace.Over the airwaves come reports of a missing woman – door ajar, keys and phone left behind, a spatter of blood on the kitchen floor. Manon knows the first 72 hours are critical: you find her, or you look for a body. And as soon as she sees a picture of Edith Hind, a Cambridge post-graduate from a well-connected family, she knows this case will be big.Is Edith alive or dead? Was her ‘complex love life’ at the heart of her disappearance, as a senior officer tells the increasingly hungry press? And when a body is found, is it the end or only the beginning?

    As Lizzie reveals those events, little by little, the women rekindle their friendship, with terrifying results ...'This is the third psychological thriller by Ruth Rendell writing as Barbara Vine and when I say it surpasses the first two that's really saying something ... Vine has not only produced a quietly smouldering suspense novel but also presents an accurately atmospheric portrayal of London in the heady 60's. Literally unputdownable' Time OutThe House of Stairs is a modern masterpiece of the crime genre and will leave you gripped from the first page to the last. If you enjoy the novels of P.D. James, Ian Rankin and Scott Turow, you will love this book.'The Rendell/ Vine partnership has for years been producing consistently better work than most Booker winners put together' Ian Rankin'A superb and original writer' Amanda Craig, ExpressBarbara Vine is the pen-name of Ruth Rendell. She has written fifteen novels using this pseudonym, including A Fatal Inversion and King Solomon's Carpet which both won the Crime Writers' Association Gold Dagger Award. Her other books include: A Dark Adapted Eye; The House of Stairs; Gallowglass; Asta's Book; No Night Is Too Long; In the Time of His Prosperity; The Brimstone Wedding; The Chimney Sweeper's Boy; Grasshopper; The Blood Doctor; The Minotaur; The Birthday Present and The Child's Child.

    But when she walks into Rachel’s familiar house, what she finds is entirely different: her sister has been the victim of a brutal murder. Stunned and adrift, Nora finds she can’t return to her former life. An unsolved assault in the past has shaken her faith in the police, and she can’t trust them to find her sister’s killer. Haunted by the murder and the secrets that surround it, Nora is under the harrow: distressed and in danger. As Nora’s fear turns to obsession, she becomes as unrecognizable as the sister her investigation uncovers. A riveting psychological thriller and a haunting exploration of the fierce love between two sisters, the distortions of grief, and the terrifying power of the past, Under the Harrow marks the debut of an extraordinary new writer.

    A perfect holiday. The perfect murder...Three couples meet around the pool on their Florida holiday and become fast friends. But on their last night, their perfect holiday takes a tragic twist: the teenage daughter of another holidaymaker goes missing, and her body is later found floating in the mangroves. When the shocked couples return home, they remain in contact, and over th... Full description

    One who enabled her and her husband to carry on, when more bad things began to happen...But that woman’s husband died last week. And Jean doesn’t have to be her anymore.There’s a lot Jean hasn’t said over the years about the crime her husband was suspected of committing. She was too busy being the perfect wife, standing by her man while living with the accusing glares and the anonymous harassment. Now there’s no reason to stay quiet. There are people who want to hear her story. They want to know what it was like living with that man. She can tell them that there were secrets. There always are in a marriage. The truth—that’s all anyone wants. But the one lesson Jean has learned in the last few years is that she can make people believe anything…

    Famed for his good looks, he receives adoring letters every day from his countless admirers. He's also a convicted murderer, facing life in prison.Who would join such a club?Maggie Rosie is a successful lawyer and true-crime author. Reclusive and enigmatic, she only takes on cases she can win.Hamish is convinced that Maggie can change his fate. Maggie is determined not to get involved. She thinks she's immune to the charms of such a man. But maybe not this time . . .Would you?

    A high school English teacher specializing in the Gothic writer R. M. Holland, she teaches a course on it every year. But when one of Clare’s colleagues and closest friends is found dead, with a line from R. M. Holland’s most famous story, “The Stranger,” left by her body, Clare is horrified to see her life collide with the storylines of her favourite literature. To make matters worse, the police suspect the killer is someone Clare knows. Unsure whom to trust, she turns to her closest confidant, her diary, the only outlet she has for her darkest suspicions and fears about the case. Then one day she notices something odd. Writing that isn't hers, left on the page of an old diary: "Hallo, Clare. You don’t know me." Clare becomes more certain than ever: “The Stranger” has come to terrifying life. But can the ending be rewritten in time?

    She is hooded and bound, with no idea where she is or how she got there. Kept alive by a man she never sees, his only promise is that eventually he will kill her - like the others.

    Case one: A little girl goes missing in the night. Case two: A beautiful young office worker falls victim to a maniac's apparently random attack. Case three: A new mother finds herself trapped in a hell of her own making - with a very needy baby and a very demanding husband - until a fit of rage creates a grisly, bloody escape.Thirty years after the first incident, as private investigator Jackson Brodie begins investigating all three cases, startling connections and discoveries emerge . . .

    But did she arrange her own murder?One bright spring morning in London, Diana Cowper – the wealthy mother of a famous actor - enters a funeral parlor. She is there to plan her own service.Six hours later she is found dead, strangled with a curtain cord in her own home.Enter disgraced police detective Daniel Hawthorne, a brilliant, eccentric investigator who’s as quick with an insult as he is to crack a case. Hawthorne needs a ghost writer to document his life; a Watson to his Holmes. He chooses Anthony Horowitz.Drawn in against his will, Horowitz soon finds himself at the center of a story he cannot control. Hawthorne is brusque, temperamental and annoying but even so his latest case with its many twists and turns proves irresistible. The writer and the detective form an unusual partnership. At the same time, it soon becomes clear that Hawthorne is hiding some dark secrets of his own.New York Times bestselling author of Magpie Murders and Moriarty, Anthony Horowitz has yet again brilliantly reinvented the classic crime novel, this time writing a fictional version of himself as the Watson to a modern-day Holmes.A masterful and tricky mystery that springs many surprises, The Word is Murder is Anthony Horowitz at his very best.

    A starving writer turns to work that will at least pay the bills, but he soon discovers the perils of rural England. His agent had warned that his impulses would kill him, but he didn't listen--not by a longshot.

    It’s an ordinary request on an ordinary Sunday afternoon, and Rachel has no reason to worry—until Ben vanishes.Police are called, search parties go out, and Rachel, already insecure after her recent divorce, feels herself coming undone. As hours and then days pass without a sign of Ben, everyone who knew him is called into question, from Rachel’s newly married ex-husband to her mother-of-the-year sister. Inevitably, media attention focuses on Rachel too, and the public’s attitude toward her begins to shift from sympathy to suspicion. As she desperately pieces together the threadbare clues, Rachel realizes that the greatest dangers may lie not in the anonymous strangers of every parent’s nightmares, but behind the familiar smiles of those she trusts the most.Where is Ben? The clock is ticking...

    Now she must try to piece together her memories in order to determine her innocence. With deft psychological explorations and shocking twists, Walters brings the story to an awe-inspiring conclusion.

     She is terrified – but begs Poirot not to find and punish her killer. Once she is dead, she insists, justice will have been done.Later that night, Poirot learns that three guests at a fashionable London Hotel have been murdered, and a cufflink has been placed in each one’s mouth. Could there be a connection with the frightened woman? While Poirot struggles to put together the bizarre pieces of the puzzle, the murderer prepares another hotel bedroom for a fourth victim...

    To that moment when the masked man appeared from the doorway of the church and looked into his eyes.‘Is there anything distinctive, Sarge?’ asks Nielsen.‘Yes’, he says, with the sudden sense that memory is important.‘There were tears in his eyes.’DS Aector McAvoy is a man with a troubled past. His unwavering belief in justice has made him an outsider in the police force he serves.When three seemingly unconnected people are brutally murdered in the weeks before Christmas, the police must work quickly to stop more deaths. It is only McAvoy who can see the connection between the victims. A killer is playing God – and McAvoy must find a way to stop the deadly game.