A young wife and mother, broiling in a suburb of 1940s Los Angeles, yearns to escape and read her precious copy of Mrs Dalloway. And Clarissa Vaughan steps out of her smart Greenwich village apartment in 1990s New York to buy flowers for a party she is hosting for a dying friend.The Hours recasts the classic story of Woolf's Mrs Dalloway in a startling new light. Moving effortlessly across the decades and between England and America, this exquisite novel intertwines the worlds of three unforgettable women.

    Families, friends, lovers disappear.Kim Echlin’s powerful new novel tells the story of Anne Greves, from Montreal, who meets Serey, a Cambodian student forced into exile when he cannot return home during Pol Pot’s time of terror. Anne and Serey meet in a jazz club where their shared passion for music turns into a passion for each other, against the will of her father. But when the borders of Cambodia open, Serey is compelled to return home, alone, to try to find his family. Left behind, and without word from her lover, Anne tries to build a new life but she cannot forget her first love. She decides to travel to the war-ravaged country that claimed Serey. What she finds there is a traumatized and courageous people struggling to create new freedoms out of the tragedy that claimed their traditional ways, their livelihood, and a seventh of their population.“Despair is an unwitnessed life,” writes Anne as she searches for the truth, about her lover, and about herself. “If we live long enough, we have to tell, or turn to stone inside.”From its first page, The Disappeared takes us into the land of kings and temples, fought over for generations. It reveals the forces that act on love everywhere: family, politics, forgetting. Universal in its questions about how to claim the past, how to honor our dead, and how to go on after those we love disappear, it is a story written in spare and rhythmic prose. The Disappeared is a remarkable consideration of language, truth, justice, and memory that speaks to the conscience of the world, and to love, even when those we love most are gone.

    His Brooklyn cousin Sammy Clay is looking for a partner to create heroes, stories, and art for the latest novelty to hit America - the comic book. Drawing on their own fears and dreams, Kavalier and Clay create the Escapist, the Monitor, and Luna Moth, inspired by the beautiful Rosa Saks, who will become linked by powerful ties to both men. With exhilarating style and grace, Michael Chabon tells an unforgettable story about American romance and possibility.

    But when he sets out to find the author's other works, he makes a shocking discovery: someone has been systematically destroying every copy of every book Carax has written. In fact, Daniel may have the last of Carax's books in existence. Soon Daniel's seemingly innocent quest opens a door into one of Barcelona's darkest secrets--an epic story of murder, madness, and doomed love.--back cover

    . .The novel begins in Monte Carlo, where our heroine is swept off her feet by the dashing widower Maxim de Winter and his sudden proposal of marriage. Orphaned and working as a lady's maid, she can barely believe her luck. It is only when they arrive at his massive country estate that she realizes how large a shadow his late wife will cast over their lives--presenting her with a lingering evil that threatens to destroy their marriage from beyond the grave.

    It's 2008 and Liam Greenwood is a carpenter, fallen from a ladder and sprawled on his broken back, calling out from the concrete floor of an empty mansion. It's 1974 and Willow Greenwood is out of jail, free after being locked up for one of her endless series of environmental protests: attempts at atonement for the sins of her father's once vast and violent timber empire. It's 1934 and Everett Greenwood is alone, as usual, in his maple syrup camp squat when he hears the cries of an abandoned infant and gets tangled up in the web of a crime that will cling to his family for decades. And throughout, there are trees: thrumming a steady, silent pulse beneath Christie's effortless sentences and working as a guiding metaphor for withering, weathering, and survival. A shining, intricate clockwork of a novel, Greenwood is a rain-soaked and sun-dappled story of the bonds and breaking points of money and love, wood and blood—and the hopeful, impossible task of growing toward the light.

    But when Zeena's vivacious cousin enters their household as a hired girl, Ethan finds himself obsessed with her and with the possibilities for happiness she comes to represent.In one of American fiction's finest and most intense narratives, Edith Wharton moves this ill-starred trio toward their tragic destinies. Different in both tone and theme from Wharton's other works, Ethan Frome has become perhaps her most enduring and most widely read book.

    Both an insight into Joyce's life and childhood, and a unique work of modernist fiction, A Portrait of the Artist as a Young Man is a novel of sexual awakening, religious rebellion and the essential search for voice and meaning that every nascent artist must face in order to blossom fully into themselves.

    The Gault family leads a life of privilege in early 1920s Ireland, but the threat of violence leads the parents of nine-year-old Lucy to decide to leave for England, her mother's home. Lucy cannot bear the thought of leaving Lahardane, their country house with its beautiful land and nearby beach, and a dog she has befriended. On the day before they are to leave, Lucy runs away, hoping to convince her parents to stay. Instead, she sets off a series of tragic misunderstandings that affect all of Lahardane's inhabitants for the rest of their lives.

    For readers of The Imposter Bride, The Cellist of Sarajevo, Sarah's Key by Tatiana de Rosnay, and The Red Violin.Helene Giroux arrives alone in St. Homais on a winter day. She wears good city clothes and drives an elegant car, and everything she owns is in a small trunk in the back seat. In the local church she finds a fine old piano, a Molnar, and she knows just how fine it is, for her family had manufactured these pianos before the Great War. Then her mother's death and war forces her to abandon her former life. The story moves back and forth in time as Helene, settling into a simple life, playing the piano for church choir, recalls the extraordinary events that brought her to this place. They include the early loss of her soldier husband and the reappearance of an old suitor who rescues her and her daughter, when she is most desperate; the journeys that very few women of her time could even imagine, into the forests of Indochina in search of ancient treasures and finally, and fatefully, to the Canadian north. When the town policeman confronts her, past and present suddenly converge and she must face an episode that she had thought had been left behind forever.

    The story of three American travelers adrift in the cities and deserts of North Africa, The Sheltering Sky is at once merciless and heartbreaking in its compassion. It etches the limits of human reason and intelligence--perhaps even the limits of human life --when they touch the unfathomable emptiness and impassive cruelty of the desert.

    It is a story of Hazel Motes, a twenty-two-year-old caught in an unending struggle against his innate, desperate faith. He falls under the spell of a "blind" street preacher named Asa Hawks and his degenerate fifteen-year-old daughter, Lily Sabbath. In an ironic, malicious gesture of his own non-faith, and to prove himself a greater cynic than Hawkes, Hazel Motes founds The Church of God Without Christ, but is still thwarted in his efforts to lose God. He meets Enoch Emery, a young man with "wise blood," who leads him to a mummified holy child, and whose crazy maneuvers are a manifestation of Hazel's existential struggles. This tale of redemption, retribution, false prophets, blindness, blindings, and wisdoms gives us one of the most riveting characters in twentieth-century American fiction.

    The green earflaps, full of large ears and uncut hair and the fine bristles that grew in the ears themselves, stuck out on either side like turn signals indicating two directions at once. Full, pursed lips protruded beneath the bushy black moustache and, at their corners, sank into little folds filled with disapproval and potato chip crumbs."Meet Ignatius J. Reilly, the hero of John Kennedy Toole's tragicomic tale, A Confederacy of Dunces. This 30-year-old medievalist lives at home with his mother in New Orleans, pens his magnum opus on Big Chief writing pads he keeps hidden under his bed, and relays to anyone who will listen the traumatic experience he once had on a Greyhound Scenicruiser bound for Baton Rouge. ("Speeding along in that bus was like hurtling into the abyss.") But Ignatius's quiet life of tyrannizing his mother and writing his endless comparative history screeches to a halt when he is almost arrested by the overeager Patrolman Mancuso--who mistakes him for a vagrant--and then involved in a car accident with his tipsy mother behind the wheel. One thing leads to another, and before he knows it, Ignatius is out pounding the pavement in search of a job.Over the next several hundred pages, our hero stumbles from one adventure to the next. His stint as a hotdog vendor is less than successful, and he soon turns his employers at the Levy Pants Company on their heads. Ignatius's path through the working world is populated by marvelous secondary characters: the stripper Darlene and her talented cockatoo; the septuagenarian secretary Miss Trixie, whose desperate attempts to retire are constantly, comically thwarted; gay blade Dorian Greene; sinister Miss Lee, proprietor of the Night of Joy nightclub; and Myrna Minkoff, the girl Ignatius loves to hate. The many subplots that weave through A Confederacy of Dunces are as complicated as anything you'll find in a Dickens novel, and just as beautifully tied together in the end. But it is Ignatius--selfish, domineering, and deluded, tragic and comic and larger than life--who carries the story. He is a modern-day Quixote beset by giants of the modern age. His fragility cracks the shell of comic bluster, revealing a deep streak of melancholy beneath the antic humor. John Kennedy Toole committed suicide in 1969 and never saw the publication of his novel. Ignatius Reilly is what he left behind, a fitting memorial to a talented and tormented life.

    Her courage is tested once again when she arrives at Thornfield Hall, where she has been hired by the brooding, proud Edward Rochester to care for his ward Adèle. Jane finds herself drawn to his troubled yet kind spirit. She falls in love. Hard. But there is a terrifying secret inside the gloomy, forbidding Thornfield Hall. Is Rochester hiding from Jane? Will Jane be left heartbroken and exiled once again?

    Situated on the edge of the Little Snake sand hills, Juliet and its inhabitants are caught in limbo between a century — old promise of prosperity and whatever lies ahead.But the heart of the town beats in the rich and overlapping stories of its people: the foundling who now owns the farm his adoptive family left him; the pregnant teenager and her mother, planning a fairytale wedding; a shy couple, well beyond middle age, struggling with the recognition of their feelings for one another; a camel named Antoinette; and the ubiquitous wind and sand that forever shift the landscape. Their stories bring the prairie desert and the town of Juliet to vivid and enduring life.This wonderfully entertaining, witty and deeply felt novel brims with forgiveness as its flawed people stumble towards the future.