She was awed by her aunts and uncles and cousins, but haunted by the secrets of the family and the unspoken, untold stories of the barrio--even as she tried to find her own voice in the sea of language around her, written and spoken, English and Spanish, bodies and books, Western art and sacred altars. Her family became her private pantheon, a gathering circle of powerful orisha-like women with tragic real-world wounds, and she vowed to tell their stories--but first she'd have to get off the stairs and join the dance. She'd have to find her language.Weaving together Hudes's love of books with the stories of her family, the lessons of North Philly with those of Yale, this is an inspired exploration of home, memory, and belonging--narrated by an obsessed girl who fought to become an artist so she could capture the world she loved in all its wild and delicate beauty.

    She shows how much the themes of freedom and individualism, manhood and innocence, depended on the existence of a black population that was manifestly unfree--and that came to serve white authors as embodiments of their own fears and desires.Written with the artistic vision that has earned Toni Morrison a pre-eminent place in modern letters, Playing in the Dark will be avidly read by Morrison admirers as well as by students, critics, and scholars of American literature.

    In a raw, first-person account, Waite recounts each heartbreaking discovery, every life-destroying lie, and reveals what happens once the dust finally settles on her demolished marriage.After a disturbing email sparks Waite's suspicion that her husband is having an affair, she tries to uncover the truth and rebuild trust in her marriage. Instead, she finds more lies, infidelity, and betrayal than she could have imagined. Waite obsessively analyzes her relationship, trying to find a single moment from the last five years that isn't part of the long-con of lies and manipulation. With a dual-timeline narrative structure, we see Waite's romance bud, bloom, and wither simultaneously, making the heartbreak and disbelief even more affecting.

    "Now everyone is going to know." "I know," I said. "I’m sorry."Kelly Sundberg’s husband, Caleb, was a funny, warm, supportive man and a wonderful father to their little boy Reed. He was also vengeful and violent. But Sundberg did not know that when she fell in love, and for years told herself he would get better. It took a decade for her to ultimately accept that the partnership she desired could not work with such a broken man. In her remarkable book, she offers an intimate record of the joys and terrors that accompanied her long, difficult awakening, and presents a haunting, heartbreaking glimpse into why women remain too long in dangerous relationships.To understand herself and her violent marriage, Sundberg looks to her childhood in Salmon, a small, isolated mountain community known as the most redneck town in Idaho. Like her marriage, Salmon is a place of deep contradictions, where Mormon ranchers and hippie back-to-landers live side-by-side; a place of magical beauty riven by secret brutality; a place that takes pride in its individualism and rugged self-sufficiency, yet is beholden to church and communal standards at all costs.Mesmerizing and poetic, Goodbye, Sweet Girl is a harrowing, cautionary, and ultimately redemptive tale that brilliantly illuminates one woman’s transformation as she gradually rejects the painful reality of her violent life at the hands of the man who is supposed to cherish her, begins to accept responsibility for herself, and learns to believe that she deserves better.

    Here is his legacy to us: the universal values he pinpoints become the watchwords for our appreciation of Calvino himself.What should be cherished in literature? Calvino devotes one lecture, or memo to the reader, to each of five indispensable qualities: lightness, quickness, exactitude, visibility, and multiplicity. A sixth lecture, on consistency, was never committed to paper, and we are left only to ponder the possibilities. With this book, he gives us the most eloquent defense of literature written in the twentieth century as a fitting gift for the next millennium.

    Confidential comes My Dark Places, an investigative autobiography by James Ellroy. In 1958, Ellroy's mother, Jean, was raped, killed, and dumped off a road in El Monte, California, a rundown L.A. suburb. The killer was never found, and the case was closed. It was a sordid, back-page homicide that no one remembered. Except her son.James Ellroy was ten years old when his mother died. His bereavement was complex and ambiguous: "I cried. I cranked tears out all the way to L.A. I hated her. I hated El Monte. Some unknown killer just bought me a brand-new beautiful life." He grew up obsessed with murdered women and crime. He ran from his mother's ghost.Ellroy became a writer of radically provocative and bestselling crime novels. "I wear obsession well," he says. "I've turned it into something." He tried to reclaim his mother through fiction. It didn't work. He quit running and wrote this memoir.My Dark Places is Jean and James Ellroy's story—from 1958 to all points past and up to this moment. It is the story of a brilliant homicide detective named Bill Stoner and of the investigation he and Ellroy undertook. It is also an unflinching autobiography with vivid reportage. This is James Ellroy's journey through his most forbidding memories.

    While the lulling words of these stories have formed nighttime rituals for millions, few know that these classic works were part of a publishing revolution led by Margaret Wise Brown, who was renowned not only for her prolific writing and creative genius, but also for her stunning beauty and thirst for adventure.In 1990, author Amy Gary discovered unpublished manuscripts, songs, personal letters, and diaries from Margaret tucked away in a trunk in the attic of Margaret’s sister’s barn. Since then, Gary has pored over these works and with this unique insight in to Margaret’s world she chronicles her rise in the literary world. Clever, quirky, and wildly imaginative, Margaret embraced life with passion, threw wild parties, attended rabbit hunts, and lived extravagantly off of her royalties. She carried on long and troubled love affairs with both men and women, including the ex-wife of John Barrymore, and was engaged to a younger man (who was the son of a Carnegie and a Rockefeller) when she died unexpectedly at the age of 42.In the Great Green Room captures the exceptional spirit of Margaret whose unrivaled talent breathed new life in to the literary world.

    Almost two hundred years after her death, Austen remains a hot topic, constantly open to revival and reinterpretation and known to millions of people through film and television adaptations as much as through her books. In Jane's Fame, Claire Harman gives us the complete biography―of both the author and her lasting cultural influence―making this essential reading for anyone interested in Austen's life, works, and remarkably potent fame.

    Their attitude towards Einstein is like that of Mark Twain towards the writer of a work on mathematics: here was a man who had written an entire book of which Mark could not understand a single sentence. Einstein, therefore, is great in the public eye partly because he has made revolutionary discoveries which cannot be translated into the common tongue. We stand in proper awe of a man whose thoughts move on heights far beyond our range, whose achievements can be measured only by the few who are able to follow his reasoning and challenge his conclusions. There is, however, another side to his personality. It is revealed in the addresses, letters, and occasional writings brought together in this book. These fragments form a mosaic portrait of Einstein the man. Each one is, in a sense, complete in itself; it presents his views on some aspect of progress, education, peace, war, liberty, or other problems of universal...

    His insights into the works of Dostoyevsky, Mandelstam, Platonov, as well as non-Russian poets Auden, Cavafy and Montale are brilliant. While the Western popularity of many other Third Wavers has been stunted by their inability to write in English, Brodsky consumed the language to attain a "closer proximity" to poets such as Auden. The book, which won a National Book Critics Circle Award, opens and closes with revealing autobiographical essay.

    Pirsig's Zen & the Art of Motorcycle Maintenance is an examination of how we live, a meditation on how to live better set around the narration of a summer motorcycle trip across America's Northwest, undertaken by a father & his young son.

    What is at stake in male homo/heterosexual definition? Through readings of Melville, Nietzsche, Wilde, James and Proust, the author argues that the vexed imperatives to specify straight and gay identities have become central to every important form of knowledge of the 20th century.

    So opens the singular testimony of the poet Thomas Lynch who like many poets is inspired by death, but unlike the others, he is also hired to bury the dead or to cremate them and to tend to their families in a small Michigan town where he serves as the funeral director. In the conduct of these duties he has kept his eyes open, his ears tuned to the indispensable vernaculars of love and grief. Here is the voice of both witness and functionary. Lynch stands between the living and the living who have died with outrage and amazement, awe and calm, straining for the brief glimpse we all get of what mortality means to a vital species.

    . . is the moth-eaten version of our own past that each of us carries around, depends on. It is our ID; this is how we know who we are and where we have been.”Memory and history have been Penelope Lively’s terrain in fiction over a career that has spanned five decades. But she has only rarely given readers a glimpse into her influences and formative years.Dancing Fish and Ammonites traces the arc of Lively’s life, stretching from her early childhood in Cairo to boarding school in England to the sweeping social changes of Britain’s twentieth century. She reflects on her early love of archeology, the fragments of the ancients that have accompanied her journey—including a sherd of Egyptian ceramic depicting dancing fish and ammonites found years ago on a Dorset beach. She also writes insightfully about aging and what life looks like from where she now stands.

    This abridged version of her two-volume autobiography takes her from her birthplace in czarist Russia to the socialist enclaves of Manhattan’s Lower East Side. Against a dramatic backdrop of political argument, show trials, imprisonment, and tempestuous romances, Goldman chronicles the epoch that she helped shape: the reform movements of the Progressive Era, the early years of and later disillusionment with Lenin’s Bolshevik experiment, and more. Sounding a call still heard today, Living My Life is a riveting account of political ferment and ideological turbulence.First time in Penguin ClassicsCondensed to half the length of Goldman's original work, this edition is accessible to those interested in the activist and her extraordinary era