Hothead Paisan, the over-caffeinated, media-crazed psychotic lesbian "with scary hair and a fetish for guns, grenades, mallets, and sharp objects, " returns for more search-and-destroy missions and preventative homicides A cult favorite, The Complete Collection combines Hothead Paisan and Revenge of Hothead Paisan with new strips in a single volume for the first time.

    Her experience clashes with her preconceived notions again and again, particularly when she tries to take a non-chaperoned excursion into the West Bank. As she struggles to "understand Israel," Sarah is forced to question first her beliefs, then ultimately her own identity.Sarah Glidden won the prestigious Ignatz Award for "Most Promising New Talent" as well as the Masie Kukoc Award for Comics Inspiration. Her work has appeared in numerous anthologies.

    Gaining independence after decades of civil disobedience and anarchist bombings, the Socialist Republic of Britain is now a small, unimportant backwater connected by a railway bridge, steampowered dirigible, and mutual suspicion to France. When a British diplomat's murder is made to look like suicide, ferocious DetectiveInspector LeBrock of Scotland Yard stalks a ruthless murder squad through the heart of a Belle Epoque Paris, the center of the greatest empire in a world of steamdriven hansom cabs, automatons, and flying machines. LeBrock's relentless quest can lead only to death, truth... or war.* Following on the heels of his internationally acclaimed graphic novels The Tale of One Bad Rat and Alice in Sunderland, Grandville is a fantastical and audacious rollercoaster ride, visually stunning and rich in memorable detail.

    You might know Al from his zines Burn Collector and Natural Disasters or from the band Milemarker or his so-true-it-kicks-your-face-off column in Punk Planet. This, however, is Al's collection of comics published in the late '90s by designer and fellow zinester Ian Lyman. From Portland to Providence, Al patrols his world with a dark, stoic humor. He's a Saul Bellow-ian everyman, up against the wall, suffering the blows, looking for love and loving the metal. Like Al's latest issue of Burn Collector, the comic-heavy #14, the drawing here is simple but it's the kind of simple that doesn't come with beginner's luck. The stuff here is the result of years of fighting and trouble-making, of mistakes made and a life scratched out among the sticks and stones. As says Al, "These are things drawn on napkins in airports, xeroxed illicitly during work." So goes the work and world of Al Burian.