Upon the razor-thin edge between love and violence lives a pair of brothers, their bonds frayed by betrayals and guilt, their loyalty to each other their last salvation.Raised to pick a pocket before he could walk, Terry Rand cut free from his family after his older brother, Collie, went on a senseless killing spree that left eight dead. Five years later, only days before his scheduled execution, Collie contacts Terry and asks him to return home. Collie claims he wasn’t responsible for one of the murders—and insists that the real killer is still on the loose.Dogged by his own demons, Terry is swept back into the schemes and scams of his family: His father, Pinsch, a retired cat burglar, brokenhearted because of his two sons. His card-sharp uncles, Mal and Grey, who’ve incurred the anger of the local mob. His grandfather, Shep, whose mind is failing but whose fingers can still slip out a wallet  from across the room. His teenage sister, Dale, who’s flirting dangerously with the lure of the family business. And Kimmie, the woman Terry abandoned, who’s now raising a child with Terry’s former best friend.  Terry pieces together the day his brother turned rabid, delving into a blood history that reveals the Rand family tree is rotten to the roots, and the secrets his ancestors buried are now coming furious and vengeful to the surface.A meditation on how love can confine a person just as easily as it can free him, juxtaposing shocking violence and sly humor, The Last Kind Words is the brilliantly inventive family saga that only a singular talent like Tom Piccirilli could conjure.

    But when the spinster dies suddenly, her best friend kicks up an unseemly fuss, loud enough to attract the attention of Detective Chief Inspector Tom Barnaby. And when Barnaby and his eager-beaver deputy start poking around, they uncover a swamp of ugly scandals and long-suppressed resentments seething below the picture-postcard prettiness.

    Warshawski a household name.  Now the New York Times bestselling author explores an unseen corner of the city she loves.  In Ghost Country she has written a parable for the millennium, a powerful, haunting novel of magic and miracles, of four troubled people who meet beneath Chicago's shadowy streets--and of the woman whose mysterious appearance changes all of their lives forever.They come from different worlds and meet at a time of crisis for all of them.  Luisa, a drunken diva fallen on hard times, discovers on Chicago's streets a drama greater than any she has experienced onstage.  Madeleine, a homeless woman, sees the Virgin Mary's blood seeping through a concrete wall beneath a luxury hotel.  Mara, a rebellious adolescent cast out by her wealthy grandfather, becomes the catalyst for a war between the haves and have-nots as she searches among society's castoffs for the mother she never knew.  As the three women fight for their right to live and worship beneath the hotel, they find an ally in Hector Tammuz, an idealistic young psychiatrist risking his career to treat the homeless regardless of the cost.  Tensions in the city are escalating when a mysterious woman appears during a violent storm.  Erotic to some, repellent to others, she never speaks; the street people call her Starr.  And as she slowly transforms their lives, miracles begin to happen in a city completely unprepared for the outcome.  In this extraordinary novel, Sara Paretsky gives voice to the dispossessed, to men and women struggling to bury the ghosts of the past, fighting for their lives in a world hungry for miracles, terrified of change.  A magical, unforgettable story of myth and madness, hope and revelation, Ghost Country is Sara Paretsky's most eloquent and ambitious work yet.From the Hardcover edition.

    It's a department known within the force as "The Dark Side," and it's where Malcolm Fox works. He's a serious man with a father in a nursing home and a sister who persists in an abusive relationship, frustrating problems about which he cannot seem to do anything. Then the reluctant Fox is given a new case. There's a cop named Jamie Breck, and he's dirty. The problem is, no one can prove it. As Fox takes on the job, he learns that there's more to Breck than anyone thinks--dangerous knowledge, especially when a vicious murder takes place far too close to home.In THE COMPLAINTS, Rankin proves again why he is one of the world's most beloved and bestselling crime writers, mixing unstoppable pacing with the deeper question of who decides right from wrong.

    So when he chases a deadbeat client out to Hollywood, Chili figures he might like to stay. This town, with its dream-makers, glitter, hucksters, and liars—plus gorgeous, partially clad would-be starlets everywhere you look—seems ideal for an enterprising criminal with a taste for the cinematic. Besides, Chili’s got an idea for a killer movie, though it could very possibly kill him to get it made.

    with a little problem: he's narcoleptic, and he suffers from the most severe symptoms, including hypnagogic hallucinations. These waking dreams wreak havoc for a guy who depends on real-life clues to make his living.Clients haven't exactly been beating down the door when Mark meets Jennifer Times―daughter of the powerful local D.A. and a contestant on American Star―who walks into his office with an outlandish story about a man who stole her fingers. He awakes from his latest hallucination alone, but on his desk is a manila envelope containing risqué photos of Jennifer. Are the pictures real, and if so, is Mark hunting a blackmailer, or worse?Wildly imaginative and with a pitch-perfect voice, Paul Tremblay's The Little Sleep is the first in a new series that casts a fresh eye on the rigors of detective work, and introduces a character who has a lot to prove―if only he can stay awake long enough to do it.

    Then a terrifying reality sets in: her daughter is missing.Days earlier, Estelle discovered her baby’s crib empty in their Brooklyn apartment. There was no sign of a break-in, but all traces of seven-month-old Mia had disappeared. Her diapers, her clothes, her bottles—all gone. Frustrated and unable to explain her daughter’s disappearance, Estelle begins a desperate search. But when the lack of evidence casts doubt on her story, Estelle becomes the number one suspect in the eyes of the police and the media.As hope of reuniting with Mia becomes all she has left, Estelle will do anything to find answers: What has she done to her baby? And what has someone else done to her?

    To Quinn Colson, it's home -- but not the home he left when he went to Afghanistan. Now an Army Ranger, he returns to a place overrun by corruption, and finds his uncle, the county sheriff, dead -- a suicide, he's told, but others whisper murder. In the days that follow, it will be up to Colson to discover the truth, not only about his uncle, but about his family, his friends, his town, and not least about himself. And once the truth is discovered, there is no turning back.

    He and his partner, Mike, made a reality show about roadies that skyrocketed them to fame. But now Salinger’s left that all behind, to move with his wife, Annelise, and young daughter, Clara, to the remote part of Italy where Annelise grew up—the Alto Adige. Nestled in the Dolomites, this breathtaking, rural region that was once part of the Austro-Hungarian Empire remains more Austro than Italian. Locals speak a strange, ancient dialect—Ladino—and root for Germany (against Italy) in the world cup. Annelise’s small town—Siebenhoch—is close-knit to say the least and does not take kindly to out-of-towners. When Salinger decides to make a documentary about the mountain rescue group, the mission goes horribly awry, leaving him the only survivor. He blames himself, and so—it seems—does everyone else in Siebenhoch. Spiraling into a deep depression, he begins having terrible, recurrent nightmares. Only his little girl Clara can put a smile on his face. But when he takes Clara to the Bletterbach Gorge—a canyon rich in fossil remains—he accidentally overhears a conversation that gives his life renewed focus. In 1985, three students were murdered there, their bodies savaged, limbs severed and strewn by a killer who was never found. Although Salinger knows this is a tightlipped community, one where he is definitely persona non grata, he becomes obsessed with solving this mystery and is convinced it is all that can keep him sane. And as Salinger unearths the long kept secrets of this small town, one by one, the terrifying truth is eventually revealed about the horrifying crime that marked an entire village.

    The Old Man is his latest whip-smart standalone novel.To all appearances, Dan Chase is a harmless retiree in Vermont with two big mutts and a grown daughter he keeps in touch with by phone. But most sixty-year-old widowers don’t have multiple driver’s licenses, savings stockpiled in banks across the country, and a bugout kit with two Beretta Nanos stashed in the spare bedroom closet. Most have not spent decades on the run. Thirty-five years ago, as a young hotshot in army intelligence, Chase was sent to Libya to covertly assist a rebel army. When the plan turned sour, Chase reacted according to his own ideas of right and wrong, triggering consequences he could never have anticipated. And someone still wants him dead because of them. Just as he had begun to think himself finally safe, Chase must reawaken his survival instincts to contend with the history he has spent his adult life trying to escape. Armed mercenaries, spectacularly crashed cars, a precarious love interest, and an unforgettable chase scene through the snow—this is lethal plotting from one of the best in crime fiction.