In "Song of Herself", Kahlo expert and child psychiatrist Salomon Grimberg introduces and contextualizes an intimate, deeply introspective interview that Kahlo gave towards the end of her life to her friend the psychologist Olga Campos for an unpublished book on the creative process. Kahlo comments directly and starkly as never before on her life, her loves and her art, and expresses her attitudes towards sexuality, her body, friendship, politics and death, among other personal concerns.The most revealing autobiographical text known on this singular woman, this startling interview is accompanied here by Campos' reflections on her relationship with Kahlo and a psychological assessment of Kahlo by Dr James Bridger Harris. The book is illustrated with selected photographs and works by Kahlo, including previously unseen and rarely seen drawings.

    From classics to crime, here are over seventy years of quintessentially British design in one box.In 1935 Allen Lane stood on a platform at Exeter railway station, looking for a good book for the journey to London. His disappointment at the poor range of paperbacks on offer led him to found Penguin Books. The quality paperback had arrived.Declaring that 'good design is no more expensive than bad', Lane was adamant that his Penguin paperbacks should cost no more than a packet of cigarettes, but that they should always look distinctive.Ever since then, from their original - now world-famous - look featuring three bold horizontal stripes, through many different stylish, inventive and iconic cover designs, Penguin's paperback jackets have been a constantly evolving part of Britain's culture. And whether they're for classics, crime, reference or prize-winning novels, they still follow Allen Lane's original design mantra.NB: There is a strap line on the box that reads 'One Hundred Book Covers in One Box'.Sometimes, you definitely should judge a book by its cover.

    This full-length, exhaustively researched account of the thrash kings' career recaps and reevaluates the years guitar hero Jeff Hanneman and drum legend Dave Lombardo were in the group. Over the course of 59 chapters, 400 footnotes and three appendices, it profiles the members and presents dramatic scenes from 32 years in the Abyss: A fresh look at the group's early days. Reign in Blood tours. A European invasion. The Palladium riot. The seat cushion chaos concert. Newly unearthed details from Lombardo's turbulent history with the band. Historical artwork and photos never seen in public before. The entire diabolical discography. Hanneman’s hard times. The Big Four’s big year. Lombardo’s final exit. The top 11 Hanneman tributes. The mosh memorial service. Untold stories. Updates. And relevant digressions, including a contrasting look at other contemporaries and cutting-edge extreme bands. Over decades, Slayer experience triumph and loss, but never defeat, whether it's at the hands of rivals, peers, America's most infamous church, or the United States government itself. In addition to extensive archival material, this book features original content from the band, key affiliates, and firsthand witnesses, including Metal Blade CEO Brian Slagel, former tour manager Doug Goodman, engineer Bill Metoyer, former Metal Blade exec William "DJ Will" Howell, and cover artist Albert Cuellar (who went on to work with Tim Burton, Sublime, and Sir Mix-A-Lot). It also includes Jeff Hanneman's original diagram for the Live Undead picture disc (spoiler: it's a stick-figure sketch). Slayer fans will never see — or hear — the thrash metal champions the same way. 33 photos and 11 illustrations include lost artwork by Hell Awaits artist Albert Cuellar and stunning exclusive pictures by Harald Oimoen (of Murder in the Front Row renown). Written by D.X. Ferris, an Ohio Society of Professional Journalists Reporter of the Year and author of "Slayer's Reign in Blood," which is book no. 57 in Bloomsbury Academic's prestigious 33 1/3 series. The bargain-priced e-book edition features extensive interactive content, and can be read on any smart phone, tablet, computer, or portable communications device (with free Kindle software).

    I come from a world of stories.A little girl sails her raft across a sea of words, arriving at the house of a small boy. She invites him to go away with her on an adventure into the world of stories... where, with only a little imaginaton, anything at all can happen. Irresistibly engaging characters by Oliver Jeffers set sail and chart their way through Sam Winston's fascinating typographical landscapes in this extraordinary ode to the power and promises of storytelling. Forty treasured children's classics and lullabies are featured in the pictures, providing endless opportunities for discovery, memories and sharing. Woven together by a simple story line, the one-of-a-kind illustrations in a A Child of Books provide an unforgettable reading experience that will inspire and encourage readers of all ages to explore, question, and imagine timeless stories of their own.

    Fold-out pages featuring photographs of their early work, their studios and materials, as well as sketches and finished art create an exuberant feast for the eye that will attract both children and adults. Self-portraits of each illustrator crown this important anthology that celebrates the artists and the art of the picture book. An event book for the ages. Proceeds from the book will benefit the Eric Carle Museum of Picture Book Art in Amherst, MA.

    Adoption was a shameful business then in many people's eyes, the babies being mostly illegitimate. Better not speak of it.' Allan Ahlberg was adopted as a baby. In 1938 he was picked up in London by his new mother and taken back to Oldbury in the Black Country. Now one of the most successful children's book writers in the world, in The Bucket he describes an oddly enchanted childhood lived out in an industrial town during the 1940s, in conditions which today we might describe as 'deprived'. He writes of a father in overalls smelling of wood shavings and oil, of a tough and fiercely protective mother who cries when he discovers that he is adopted, of life assurance policies ('£6 if the child dies under age 3') and fearsome bacon slicers, of half-remembered trips to his mother's sister's grave and to the bluebell woods. And of his first days at school: 'Allan could do much better. He is most inattentive and dreamy at times' (school report, December 1946). Using a mix of prose and poetry, supported by new drawings by his daughter Jessica and old photographs, The Bucket retrieves a childhood which lovers of Ahlberg's classic picturebooks The Baby's Catalogue, Burglar Bill and Peepo! might feel they have glimpsed before but which are now exquisitely brought to life. This beautiful, exquisitely designed book, which will also appeal to fans of Gervase Phinn, Alan Bennett, Roald Dahl and Nigel Slater's Toast, will be loved by generations of Ahlberg fans. 'Allan Ahlberg has a string of children's classics to his name' Nicolette Jones, Guardian Born in Croydon but brought up by his adopted parents in the Black Country town of Oldbury, Allan Ahlberg held jobs as a gravedigger, postman and plumber's mate before becoming a teacher. He taught for ten years before collaborating with his wife Janet on a series of much-loved, now classic children's picture books including Peepo!, Burglar Bill, Cops and Robbers, Each Peach Pear Plum, Woof!, Heard it in the Playground, Please Mrs Butler, The Boyhood of Burglar Bill, The Pencil, Friendly Matches, The Improbable Cat, Goldilocks, My Brother's Ghost, The Mighty Slide, Collected Poems, The Boy, the Wolf, the Sheep and the Lettuce and The Ha Ha Bonk Book.

    Not this bad book. Its goal is to be featured in the library’s Banned Books List. Problem is, no one seems to notice… until the book teams up with its boisterous readers. Together, the book and its readers shout, wiggle, and sing to get the attention of a local librarian. Will this book see its cover on the library wall… or will it end up in the recycling bin? Full of bold, colorful graphics and laugh-out-loud humor, The Worst Book Ever is another colorful, graphical, high-lo book for reluctant readers by Beth Bacon. The meta-storytelling and interactive prompts get reluctant readers laughing, dancing, shouting—and reading. Ideal for read-alouds and story time, as well as independent reading for beginning to intermediate readers. Like Beth Bacon’s other books, I Hate Reading, The Book No One Wants To Read, and Blank Space, this book helps make reading fun.

    

    He believes Christians should confront society and the church with the powerful impact art can convey. He believes art can faithfully chronicle the lives of ordinary people and equally express the transcendence of God. He believes that Christians should be involved in every level of the art world and in every media. Yet art and artists have not always been held in high esteem by conservative Christians. Art rarely seems to communicate clear propositional truth, rarely deals with certainties and absolutes. And the lifestyles of artists too frequently seem at odds with the gospel. So the arts have often been discouraged among Christians. Throughout this stimulating book, however, Turner builds a compelling case against such a perspective. He shows that if Jesus is Lord of all of life and creation, then art is not out of bounds for Christians. Rather it can and should be a way of expressing faith in creatively, beautifully, truthfully arranged words, sounds and sights. This stirring call is must reading for every Christian who has been drawn to the arts or been influenced by them.

    

    He loved stories.He loved books.But every story has its upsets.Everything in Morris Lessmore’s life, including his own story, is scattered to the winds.     But the power of story will save the day.

    There he finds a used copy of The Swiss Family Robinson that he desperately wants, but at twenty cents the book costs too much. After working hard, Jesse is deeply disappointed: he has only seventeen and a half cents. But his luck changes when he learns that there's another copy, which the owner will sell for just fourteen cents. This nostalgic picture book is based on the 1800s book boat that traveled along the Erie Canal. Colorful folk art-style paintings complement this book about the love of reading and the merits of hard work.

    A big one. And every kid in her middle school knows all about it. Now she has to spend her summer vacation volunteering at the local library—as punishment. It may be boring, but at least she’ll be able to hide from mean girl Trina, who’s always had it out for her, and beautiful Trey, the boy at the root of her big mistake.Or so she thinks.Not only does her job bring her face-to-face with both her mortal enemy and her ultimate crush, Jamie also encounters a territorial patron, an elderly movie fanatic, a super-tall painter who loves to bake, and a homeless dog. Over the course of the summer, as Jamie gets to know the library and the people in it, she finds—and gives—help where she least expects it.And she just might find herself along the way.

    George knows exactly what he wants to be, but Peppa has so many favourite stories, she can't decide who to go as . . .Find out which costume Peppa decides to wear in this special World Book Day book.

    Check out what new cases the dog and cat pair take on and enjoy the fantastic adventures that Horus has, this issue. Pyarelal returns with Daboo’s Dhaba and if you are a fan of Sherlock Holmes, check out Know Thy Neighbour. A new section, Word Play, takes you on a fun game of all those confusing, long words you spot in the magazine. What’s more? We have a pull-out cube-shaped Tinkle Planner 2013 just for you. Enjoy and a Happy New Year!