It’s no challenge—her readings have always been faked, but this time she has some insider knowledge. The kidnapping was supposed to be easy—no one would get hurt and she’d get the money she needs to start a new life. But a seemingly harmless prank has turned dark, and Skye realizes the people she’s involved with are willing to kill to get what they want and she must discover their true identity before it’s too late.

    But after she collapses during cross-country practice and is told that she needs a new heart, all her careful preparations are laid to waste. Eight months after her transplant, everything is different. Stuck in summer school with the underachievers, all she wants to do now is grab her surfboard and hit the waves—which is strange, because she wasn’t interested in surfing before her transplant. (It doesn’t hurt that her instructor, Kai, is seriously good-looking.) And that’s not all that’s strange. There’s also the vivid recurring nightmare about crashing a motorcycle in a tunnel and memories of people and places she doesn’t recognize. Is there something wrong with her head now, too, or is there another explanation for what she’s experiencing? As she searches for answers, and as her attraction to Kai intensifies, what she learns will lead her to question everything she thought she knew—about life, death, love, identity, and the true nature of reality.

    With Carlo in Prince Nikolaus Esterházy's carriage, ride a Prussian spy and one of the most notorious alchemists in the Habsburg Empire. Already at Eszterháza is Charlotte von Steinbeck, the very proper sister of Prince Nikolaus's mistress. Charlotte has retreated to the countryside to mourn her husband's death. Now, she must overcome the ingrained rules of her society in order to uncover the dangerous secrets lurking within the palace's golden walls. Music, magic, and blackmail mingle in a plot to assassinate the Habsburg Emperor and Empress--a plot that can only be stopped if Carlo and Charlotte can see through the masks worn by everyone they meet.

    But when Alice’s grandmother, the reclusive author of a cult-classic book of pitch-dark fairy tales, dies alone on her estate, the Hazel Wood, Alice learns how bad her luck can really get: her mother is stolen away-by a figure who claims to come from the Hinterland, the cruel supernatural world where her grandmother's stories are set. Alice's only lead is the message her mother left behind: “Stay away from the Hazel Wood.”Alice has long steered clear of her grandmother’s cultish fans. But now she has no choice but to ally with classmate Ellery Finch, a Hinterland superfan who may have his own reasons for wanting to help her. To retrieve her mother, Alice must venture first to the Hazel Wood, then into the world where her grandmother's tales began―and where she might find out how her own story went so wrong.

    Sure, in storybooks orphans are rescued from drudgery when they discover they are a wizard or a warrior or a prophesied king. But this is real life—orphans are just kids without parents. At least that’s what Denizen thought. . . .             On a particularly dark night, the gates of Crosscaper Orphanage open to a car that almost growls with power. The car and the man in it retrieve Denizen with the promise of introducing him to a long-lost aunt. But on the ride into the city, they are attacked. Denizen soon learns that monsters can grow out of the shadows. And there is an ancient order of knights who keep them at bay. Denizen has a unique connection to these knights, but everything they tell him feels like a half-truth. If Denizen joins the order, is he fulfilling his destiny, or turning his back on everything his family did to keep him alive?

    Now Kai is the only child in a family reeling with grief. Unable to make sense of her sister’s choice, Kai begins to lose control. She cuts class. Lashes out at the people closest to her. Pops the same pills that killed her sister.As she spirals toward rock bottom, her parents offer her a lifeline: a summer away at camp. Grief camp…for teens. Kai reluctantly agrees to attend, even though she’s not exactly in the mood for s’mores. But she finds solace in meeting kids like her, and slowly she begins to come back to life—and even love—at The Treehouse.