The tragedy has become a local legend, but Cara has moved past her grief to have a successful career and a happy family. Pity about Anna. Recently released from incarceration, she’s struggling with addiction, guilt, and shame—a shattered life. Cara’s forgiveness seems to be the only thing that helps her pick up the pieces.But as Anna pulls herself together, her memories of that night on the bridge start to come into focus. And few of them match her sister’s.As past secrets unfold and nothing is what it seems anymore, Anna desperately searches for the truth. But what if Cara doesn’t want her to find it?

    Thanks to a technologically advanced machine, detectives have access to the memories of the living, the dying, and the recently dead. But extracting victims’ experiences firsthand and personally reliving everything up to the final, brutal moments of their lives—the sights, the sounds, the scents, the pain—is also the punishment reserved for the criminals themselves.Barnes has had enough. Enough of the memories that aren’t his. Enough of the horror. Enough of the voices inside his head that were never meant to take root…until a masked serial killer known as Calavera strikes a little too close to home.Now, with Calavera on the loose, Barnes is ready to reconnect, risking his life—and his sanity. Because in the mind of this serial killer, there is one secret even Barnes has yet to see…

    Why would Beth do that, and risk dredging up painful memories? She hasn't seen Flora for twelve years. She doesn't want to see her today, or ever again.But she can't resist. She parks outside the open gates of Newnham House, watches from across the road as Flora and her children Thomas and Emily step out of the car. Except... There's something terribly wrong. Flora looks the same, only older. As Beth would have expected. It's the children. Twelve years ago, Thomas and Emily were five and three years old. Today, they look precisely as they did then. They are still five and three. They are Thomas and Emily without a doubt - Hilary hears Flora call them by their names - but they haven't changed at all. They are no taller, no older... Why haven't they grown?

    But when a car accident reveals her husband’s secret life as a serial killer, she must remake herself as Gwen Proctor—the ultimate warrior mom.With her ex now in prison, Gwen has finally found refuge in a new home on remote Stillhouse Lake. Though still the target of stalkers and Internet trolls who think she had something to do with her husband’s crimes, Gwen dares to think her kids can finally grow up in peace.But just when she’s starting to feel at ease in her new identity, a body turns up in the lake—and threatening letters start arriving from an all-too-familiar address. Gwen Proctor must keep friends close and enemies at bay to avoid being exposed—or watch her kids fall victim to a killer who takes pleasure in tormenting her. One thing is certain: she’s learned how to fight evil. And she’ll never stop.

    Readers of The Girl on the Train and Gone Girl will love Shalini Boland.’ Red Adept ‘Don’t take my baby.’ Kirstie Rawlings is jolted awake by a child crying. Racing upstairs to check on her new-born, she is plunged into every parents’ worst nightmare. She hears an unknown voice in the baby monitor, saying: ‘Let’s take the child – and go.’ Is someone trying to steal her little girl? In the bedroom, her daughter is safe asleep in her cot. Is the voice coming from a nearby house? But there aren’t any other babies living on her quiet country road… The police don't believe her. And neither does her husband. Kirstie knows something isn’t right. She thought she could trust her neighbours, now she isn’t sure. As she unravels the secrets of the people living on her street, Kirstie’s perfect life begins to fall apart. Because someone is hiding a terrible lie. And they will do anything to stop Kirstie uncovering the truth. But is the danger closer to home than she thinks?

    She mouths one word: 'Daddy.' It's his five-year-old daughter, Izzy.He never sees her again.Three years later, Gabe spends his days and nights travelling up and down the motorway, searching for the car that took his daughter, refusing to give up hope, even though most people believe that Izzy is dead.Fran and her daughter, Alice, also put in a lot of miles on the motorway. Not searching. But running. Trying to keep one step ahead of the people who want to hurt them. Because Fran knows the truth. She knows what really happened to Gabe's daughter.Then, the car that Gabe saw driving away that night is found, in a lake, with a body inside and Gabe is forced to confront events, not just from the night his daughter disappeared, but from far deeper in his past.His search leads him to a group called The Other People.If you have lost a loved one, The Other People want to help. Because they know what loss is like. They know what pain is like. They know what death is like.There's just one problem . . . they want other people to know it too.

    “We are always telling a story to ourselves, about ourselves,” Dustin Tillman likes to say. It’s one of the little mantras he shares with his patients, and it’s meant to be reassuring. But what if that story is a lie?A psychologist in suburban Cleveland, Dustin is drifting through his forties when he hears the news: His adopted brother, Rusty, is being released from prison. Thirty years ago, Rusty received a life sentence for the massacre of Dustin’s parents, aunt, and uncle. The trial came to symbolize the 1980s hysteria over Satanic cults; despite the lack of physical evidence, the jury believed the outlandish accusations Dustin and his cousin made against Rusty. Now, after DNA analysis has overturned the conviction, Dustin braces for a reckoning.Meanwhile, one of Dustin’s patients gets him deeply engaged in a string of drowning deaths involving drunk college boys. At first Dustin dismisses talk of a serial killer as paranoid thinking, but as he gets wrapped up in their amateur investigation, Dustin starts to believe that there’s more to the deaths than coincidence. Soon he becomes obsessed, crossing all professional boundaries—and putting his own family in harm’s way.From one of today’s most renowned practitioners of literary suspense, Ill Will is an intimate thriller about the failures of memory and the perils of self-deception. In Dan Chaon’s nimble, chilling prose, the past looms over the present, turning each into a haunted place.

    You Trust Him. So Why Are You So Scared?Twenty years ago, Dennis Danson was arrested and imprisoned for the brutal murder of a young girl. Now he’s the subject of a true-crime documentary that’s whipping up a frenzy online to uncover the truth and free a man who has been wrongly convicted.A thousand miles away in England, Samantha is obsessed with Dennis’s case. She exchanges letters with him, and is quickly won over by his apparent charm and kindness to her. Soon she has left her old life behind to marry him and campaign for his release.When the campaign is successful and Dennis is freed, however, Sam begins to discover new details that suggest he may not be quite so innocent after all. But how do you confront your husband when you don’t want to know the truth?

    As she’s drawn deeper into the mystery and becomes convinced she’s on the trail of a killer, she also must face her own demons and her own mortality. Would anyone notice if she just disappeared?

    Today, he's teaching in a third-rate MFA program and struggling to maintain what's left of his self-respect; he hasn't written--let alone published--anything decent in years. When Evan Parker, his most arrogant student, announces he doesn't need Jake's help because the plot of his book in progress is a sure thing, Jake is prepared to dismiss the boast as typical amateur narcissism. But then... he hears the plot.Jake returns to the downward trajectory of his own career and braces himself for the supernova publication of Evan Parker's first novel: but it never comes. When he discovers that his former student has died, presumably without ever completing his book, Jake does what any self-respecting writer would do with a story like that--a story that absolutely needs to be told.In a few short years, all of Evan Parker's predictions have come true, but Jake is the author enjoying the wave. He is wealthy, famous, praised and read all over the world. But at the height of his glorious new life, an e-mail arrives, the first salvo in a terrifying, anonymous campaign: You are a thief, it says.As Jake struggles to understand his antagonist and hide the truth from his readers and his publishers, he begins to learn more about his late student, and what he discovers both amazes and terrifies him. Who was Evan Parker, and how did he get the idea for his "sure thing" of a novel? What is the real story behind the plot, and who stole it from whom?Hailed as breathtakingly suspenseful, Jean Hanff Korelitz's The Plot is a propulsive read about a story too good not to steal, and the writer who steals it.

    Welcome to Familyland, an offshoot of Lamaar Studios. Once a small, Southern California animation house, it has grown into an entertainment conglomerate encompassing movies, television, music, video games, and a sprawling theme park. When an actor portraying Familyland's beloved mascot, Rambunctious Rabbit, is brutally murdered on park grounds, Lamaar executives are worried that the idyllic image of '50s America represented in Familyland will be shattered. They ask Mike Lomax and his partner Terry Biggs, the LAPD detectives assigned to solve the case, to keep the circumstances surrounding the death of their mascot quiet. When a second Lamaar employee is killed, Lomax and Biggs uncover a conspiracy to destroy Familyland and settle an unknown vendetta. Still under pressure to keep the case away from the public eye, the detectives are met with a third murder – and an outrageous demand: Anyone who associates with Lamaar – employees, customers, anyone – will be killed. Bringing a fresh duo of cops to the thriller set, The Rabbit Factory is both suspenseful and satiric; a taut mystery wrapped in sharp, comedic prose.