The long, lavish, and utterly unpredictable sentences that Schiff has assembled contort as much to discover what can’t be contained as what can.     This is a book of extremes relentlessly contemporary in scope. And like the eighty-blade sportsman’s knife also described here, Revolver keeps opening and reopening to the daunting possibilities of transformation—“Splayed it is a bouquet of all the ways a point mutates.”from “Silverware by J. A. Henckels”Let me beas streamlined as my knife when I say this.As cold as my three-pronged fork thatcools the meat even as it steadies it.A pettiness in me was honedin this cutlers’ town, later bombed,in which Adolf Eichmann, who was born therealongside my wedding pattern, could hearthe constant sharpening of kniveslike some children hear the corn in their hometownstalking to them through the wind.The horizon is just the score they breathe throughlike a box of chickensbreathing through a slit.

    Now, after huge demand for more prescriptions from readers and 'patients' alike, William Sieghart is back. This time, tried-and-true classics from his in-person pharmacies are joined by readers' favourite poems and the new conditions most requested by the public - all accompanied by his trademark meditations (warm, witty and understanding, with just a twist of the challenging) on the spiritual ailments he seeks to cure.From ageing bodies and existential crises to long-distance relationships and embracing your slovenliness, The Poetry Pharmacy Returns caters to all-new conditions while drilling further down into the universals: this time, the challenges of family life, and of living as a person among others, receive a much closer look. Perfect for the treasured friends, barely tolerated siblings, beloved aunts and revered grandparents in your life.

    It’s a shadow wrapped in a shadow and it screams, but it screams in harsh whispers. This collection explores the blackness within, the gritty underground that hides inside memories and cowers just outside fear. The poems, paired with illustrations from Matthias Matthies work in sync to create a collage of blunt sexuality, masochistic, and sometimes sadistic recollections of love, reflection, and self-exploration.Lindemann paints pictures with his poems, a slave to the vulnerability and sexuality that drives mankind. His words themselves are body modifications that settle on readers, piercing then slowly penetrating and pumping his audience full with a mix of pleasure and pain. A combination of longing, emotional depth, and bestial intuition, these pieces evoke an innate nature to seek pleasure, to ask for forgiveness, to instill blame.On Quiet Nights pulls back the curtains at night and asks readers to think about who they are. Lindemann holds a mirror to soul, capturing desire and need, with the courage to answer some of life’s biggest questions: Who am I? What am I? Why am I?

    Raised around diasporic Korean communities, E. J. Koh describes her work as deeply influenced by the idea of jeong, which can be translated as a deep attachment, bond, and reciprocity for places, people, and things. The spirit of jeong permeates this collection as each poem draws astonishing connections and illuminates the bonds that hold across time and place.With evocative lyricism, Koh mixes the languages of science and emotion to compose some poems like chemistry equations that convert light into "reasonable dioxide" and then further transmogrify the formula into a complex understanding of the parent-child relationship. Through this alchemy the poet allows readers to see through the eyes of mothers, fathers, daughters, aunts, friends, and lovers: we see the tragedy of a sinking ferry, the hypocrisies of government agencies, the aftermath of war, and a very wide view through the Hubble space telescope. Demonstrating an ability to elicit profound emotional intensity, Koh crafts a book of poems that challenge, delight, and enrich.

    The inspiration of this book is to bring them together, revealing the talents of both the artists and poets in making the obvious seem remarkable, and the everyday seem extraordinary.Works of art from the extensive British Museum collections are matched with a selection of the most celebrated haiku, in both their original Japanese and in sympathetic English translations.David Cobb's introduction and biographical notes on the poets explain the history and development of haiku from earliest to contemporary times.

    Fated to play out the mistakes of their parents, Evan and Rachel quickly discover the betrayal behind the dream, and desperately try every avenue of escape, only to find that all paths lead back to the small Long Island coastal town of Cold Spring Harbor, and to each other. But if there is no better chronicler than Yates of the quiet tragedy of thwarted suburban lives, Cold Spring Harbor is a testament to the absolute necessity of dreaming; for Yates's protagonists, hope may be all there is.

    Based on years of historical research and cultural investigation, XX turns poetry into an archival inquiry and a choral documentary. Hollywood and Hiroshima, Modernism and propaganda, Bob Dylan and Walter Benjamin—its range of interest encompasses the entire century of art and culture, invention and struggle.Elegiac and celebratory, deeply tragic and wickedly funny, XX is a unique collection from this acknowledged master of historical poetry, and his most ambitious book yet.

    Many people knew things about Sebastian Knight as a distinguished novelist, but probably fewer than a dozen knew of the two love affairs that so profoundly influenced his career, the second one in such a disastrous way. After Knight's death, his half brother sets out to penetrate the enigma of his life, starting with a few scanty clues in the novelist's private papers. His search proves to be a story of mystery and intrigue as any of his subject's own novels, as baffling, and, in the end, as uniquely rewarding.

    This selection offers a timely retrospective of the contemporary poetry of Simon Armitage, and is a perfect introduction to his work.

    Poemland alternates brilliantly between the deadpan, the spectacular, and the outrageous.If you open your mouth to start to complain I will fill it with whipped cream . . .There is a floating sadness nearby . . .Chelsey Minnis is the author of three previous collections. A graduate of the University of Colorado at Boulder and the Iowa Writers' Workshop, she currently lives in Boulder, Colorado.

    Set at the end of the 19th century, it follows the fortunes of Brodie Moncur, a young Scottish musician, about to embark on the story of his life. When Brodie is offered a job in Paris, he seizes the chance to flee Edinburgh and his tyrannical clergyman father, and begin a wildly different new chapter in his life. In Paris, a fateful encounter with a famous pianist irrevocably changes his future - and sparks an obsessive love affair with a beautiful Russian soprano, Lika Blum. Moving from Paris to St Petersburg to Edinburgh and back again, Brodie's love for Lika and its dangerous consequences pursue him around Europe and beyond, during an era of overwhelming change as the nineteenth century becomes the twentieth.Love is Blind is a tale of dizzying passion and brutal revenge; of artistic endeavour and the illusions it creates; of all the possibilities that life can offer, and how cruelly they can be snatched away. At once an intimate portrait of one man's life and an expansive exploration of the beginning of the twentieth century, Love is Blind is a masterly new novel from one of Britain's best loved storytellers.

    To Rilke himself the Sonnets to Orpheus were "perhaps the most mysterious in the way they came up and entrusted themselves to me, the most enigmatic dictation I have ever held through and achieved; the whole first part was written down in a single breathless act of obedience, between the 2nd and 5th of February, without one word being doubtful or having to be changed." With facing-page German.

    In the Pockets of Small Gods touches on many kinds of sorrow, from the suicide of a best friend to a broken marriage to the current political climate. Mojgani swings between the surreal imagery and direct vulnerability he is known for, all while giving the poems a direct frankness, softening whatever the weight may be. A book of leaves and petals as opposed to a book of stones, In the Pockets of Small Gods encapsulates the human experience in a way that is both deeply personal and astoundingly universal.

    On this premise, Henry James constructed one of his most memorable novels, a story in which love is answered with betrayal and loyalty leads inexorably to despair." -- from the Introduction by Peter Conn In Washington Square (1880), Henry James reminisces about the New York he had known thirty years before as he tells the story of Catherine Sloper and her fortune-seeking suitor Morris Townsend. This perceptively drawn human drama is James' most accessible work and an enduring literary triumph. Washington Square Press' Enriched Classics present the great works of world literature enhanced for the contemporary reader. This edition of Washington Square has been prepared by Peter Conn, Andrea Mitchell Professor of English at the University of Pennsylvania. It includes his introduction, notes, selection of critical excerpts, and suggestions for further reading as well as a unique visual essay of period illustrations and photographs.

    Meanwhile, Jess's home life is overshadowed by violence. When Nicu and Jess meet, what starts out as friendship grows into romance as the two bond over their painful pasts and hopeful futures. But will they be able to save each other, let alone themselves?For fans of Una LaMarche’s Like No Other, this illuminating story told in dual points of view through vibrant verse will stay with readers long after they've turned the last page.