Where the other Confucian classics treat “outward things: deeds, moral precepts, the way the world works,” as Stephen Owen tells us in his foreword, The Book of Songs is “the classic of the human heart and the human mind.”

    But neither Partition nor prostitution gave birth to the genius of Saadat Hasan Manto. They only furnished him with an occasion to reveal the truth of the human condition.My Name Is Radha is a path-breaking selection of stories which delves deep into Manto’s creative world. In this singular collection, the focus rests on Manto the writer. It does not draft him into being Manto the commentator. Muhammad Umar Memon’s inspired choice of Manto’s best-known stories, along with those less talked about, and his precise and elegant translation showcase an astonishing writer being true to his calling.

    She extracted a promise from him that he would forgive Shishupala a hundred offences. As he grew up Shishupala had enough reasons to be angry with Krishna. Especially after he was jilted by Princess Rukmini, in favour of the merry-eyed cowherd. He provoked Krishna repeatedly and was forgiven a hundred times. And then one day Shishupala committed his hundred and first offence.

    His son is India's best-known cinema superstar - Amitabh Bachchan. The core of this book is a long sequence called Madhushala (the house of wine) which could be compared to the Rubaiyat in imagery and metre.

    As Emperor Go-Daigo fended off a challenge from the usurping Hojo family, and Japan stood at the brink of a dark political era, Kenkō held fast to his Buddhist beliefs and took refuge in the pleasures of solitude. Written between 1330 and 1332, Essays in Idleness reflects the congenial priest's thoughts on a variety of subjects. His brief writings, some no more than a few sentences long and ranging in focus from politics and ethics to nature and mythology, mark the crystallization of a distinct Japanese principle: that beauty is to be celebrated, though it will ultimately perish. Through his appreciation of the world around him and his keen understanding of historical events, Kenkō conveys the essence of Buddhist philosophy and its subtle teachings for all readers. Insisting on the uncertainty of this world, Kenkō asks that we waste no time in following the way of Buddha.In this fresh edition, Donald Keene's critically acclaimed translation is joined by a new preface, in which Keene himself looks back at the ripples created by Kenkō's musings, especially for modern readers.

    Beneath can be found a system of unifying beliefs that have guided the lives of ordinary families for generations. Here, one of the most profound philosophers of India explains these and other related concepts intrinsic to the Hindu philosophy of life.

    This witty and perceptive novel is about Prem, a young teacher in New Delhi who has just become a householder and is finding his responsibilities perplexing.

    “Chattering Courtesans” is a series of short dialogues in which the amusing gossip of “kept women” gives rise to a discussion of more serious subjects such as love, sex, and marriage. Other comic dialogues in this volume show Lucian making fun of fanaticism and mocking pretension, hypocrisy, and the vanity of human wealth and power, while in “Diatribes” he targets a range of subjects, from scandal and money to death, in order to demonstrate the follies of contemporary life. Also included here is Lucian’s most famous work, True Histories, which inspired imaginary voyages, from More’s Utopia to Swift’s Gulliver’s Travels. First time in Penguin Classics Keith Sidwell's new translation captures Lucian's lively informal humor and rich variety of styles Introduction discusses the influence on Lucian of earlier Greek writers and philosophers, as well as Lucian's influence on later European culture Includes preface to each section, suggestions for further reading, explanatory notes, and a glossary of names

    Ironically, it also became the chant of millions on the streets of India against the project of Hindu Nationalism.Even as Arundhati Roy began to ask what lay between these two calls for Freedom—a chasm or a bridge?—the streets fell silent. Not only in India, but all over the world. The coronavirus brought with it another, more terrible understanding of Azadi, making a nonsense of international borders, incarcerating whole populations, and bringing the modern world to a halt like nothing else ever could.In this series of electrifying essays, Arundhati Roy challenges us to reflect on the meaning of freedom in a world of growing authoritarianism.The essays include meditations on language, public as well as private, and on the role of fiction and alternative imaginations in these disturbing times.The pandemic, she says, is a portal between one world and another. For all the illness and devastation it has left in its wake, it is an invitation to the human race, an opportunity, to imagine another world.

    An intricately researched and elegantly written epic history peopled with larger-than-life characters, it is the work of a major scholar at the peak of his abilities...

    Now in paperback, "Complete Short Poetry" gathers all of Zukofsky's poetry outside his 800-page magnum opus entitled" "A""--including work that appeared in "All: The Collected Short Poems, 1923-1964," the experimental transliteration (with Celia Zukofsky) of Catullus, the limited edition "80 Flowers," as well as several fugitive pieces never before collected."Zukofsky is the American Mallarm," writes Hugh Kenner, "and given the peculiar intentness of the American preoccupation with language--obsessive, despite what you may read in the newspapers--his work is more disorienting by far than his exemplar's ever was. Mallarm had a long poetic tradition from which to deviate into philology. Zukofsky received a philological tradition, which he raised to a higher power."

    Lying and killing for the sake of peace and order, Indra felt he was unworthy of being king of heaven. A new king was installed on his throne! Now it was up to Indra’s wife Shachi to ensure that his honour survived. Would the gods ever regain their respect for her beloved?

    The Argumentative Indian is "a bracing sweep through aspects of Indian history and culture, and a tempered analysis of the highly charged disputes surrounding these subjects--the nature of Hindu traditions, Indian identity, the country's huge social and economic disparities, and its current place in the world" (Sunil Khilnani, Financial Times, U.K.).

    Contains the Sanskrit (devanagari) text, transliteration, and English translation. Notes by the translator. This version by Swami Ashokananda is the most popular translation.The singer of the Avadhuta Gita is Dattatreya, an Avadhuta, and according to the Nath Sampradaya, the work was heard and transcribed by two of Dattatreya's disciples—Swami and Kartika. Ashokananda (1893–1969) in Katz (2007: p. 47) holds that "[t]he Avadhuta Gita is a text of Vedanta representing extreme Advaita or Nondualism...", that is Advaita Vedanta with an emphasis on "extreme". As such, this text may also be considered a forerunner of Tantric literature as the themes, motif and orientation of this 'song' (Sanskrit: gita) are common to Shaivite Tantras, Buddhist Tantras and Vaishnava Agamas (which are also tantric literature) and ancient Yoga philosophy.

    It is truly enchanting: a delightful romance combining realism and magic. The hero, Lucius, eager to experience the sensations of a bird, resorts to witchcraft but by an unfortunate pharmaceutical error finds himself transformed into an ass. He knows he can revert to his own body by eating rose-petals, but these prove singularly elusive; and the bulk of the work describes his adventures as an animal. He also retails many stories that he overheard, the most charming being that of Cupid and Psyche (beginning, in true fairy-tale fashion, 'Erant in quadam civitate rex et regina'). Some of the stories are as indecent as they are witty, and two in the ninth book were deemed by Boccaccio worthy of inclusion in the Decameron. At last the goddess Isis takes pity on Lucius. In a surprising denouement, he is restored to human shape and, now spiritually regenerated, is initiated into her mysteries. The author's baroque Latin style nicely matches his fantastic narrative and is guaranteed to hold a reader's attention from beginning to end. J. Arthur Hanson was at the time of his death in 1985 Giger Professor of Latin at Princeton University. His publications include Roman Theater-Temples. The Loeb Classical Library edition of Apuleius is in two volumes.